Petridis, Alexis (15 May 2013). "Daft Punk: Random Access Memories – review". The Guardian. Archived from the original on 18 December 2013 . Retrieved 15 May 2013.

TOP100[Album Top 100] (in Japanese). Oricon. 15 December 2013. Archived from the original on 20 December 2013 . Retrieved 21 December 2013.Field Day Radio Episode 10". Field Day Festival. 2 June 2012. Archived from the original on 25 September 2012 . Retrieved 10 February 2013.

Caulfield, Keith (5 June 2013). "Daft Punk Scores Second Week at No. 1 on Billboard 200 Chart". Billboard. Archived from the original on 8 June 2013 . Retrieved 5 June 2013. Police to target Daft Punk fans". The Australian. Australian Associated Press. 14 May 2013 . Retrieved 14 May 2013.Official IFPI Charts – Top-75 Albums Sales Chart (Εβδομάδα: 15/2022)" (in Greek). IFPI Greece. Archived from the original on 27 April 2022 . Retrieved 26 April 2022. a b Bray, Elisa (3 May 2013). "Album review: Daft Punk, Random Access Memories (Sony Music)". The Independent. Archived from the original on 7 May 2013 . Retrieved 14 May 2013. The idea that some proclaim the original Chab cut to be superior to Bens later 2021 cut is as far as I can tell completely overblown. a b c d Random Access Memories ( liner notes). Daft Punk. Columbia Records, a division of Sony Music Entertainment. 2013.

Classifica annuale 2013 (dal 31.12.2012 al 29.12.2013) – Album & Compilation" (in Italian). Federazione Industria Musicale Italiana . Retrieved 10 May 2015. Random Access Memories entered the Canadian Albums Chart at number one with 46,000 copies sold, the biggest one-week sales total in Canada of 2013. [136] The album remained at number one the next week, selling 17,000 copies. [137] In Japan, the album debuted at number three on the Oricon Weekly Albums Chart, selling 25,970 copies. [138] a b "Ultratop.be – Daft Punk – Random Access Memories" (in Dutch). Hung Medien. Retrieved 24 May 2013. Lachman, Ed (7 May 2013). "Daft Punk | Random Access Memories| The Collaborators, Episode 7: DJ Falcon". The Creators Project. YouTube. Archived from the original on 11 July 2013 . Retrieved 7 May 2013. Handily, an antagonist had also emerged. The dance sphere had become convulsed by a debate pitched between DJ traditionalists and the high-octane, low-subtlety new breed of EDM stars who brazenly pushed Daft Punk’s theatrical live template toward an event horizon. Bangalter and de Homem-Christo surely couldn't have foreseen a wave of cake-throwing as the direct ramification of Alive 2006-07, yet it provided the perfect opening for these upstarts-turned-scene-elders to splash cold water in the face of a rapidly overheating scene.Heaviness hung in the air, too. Unbeknownst to most, de Homem-Christo was churning through a divorce at the time, which might explain the soft agony marbling “The Game of Love.” When it came to adding toplines in 2012, the project’s gravitational pull could warp those who entered its atmosphere. Pharrell and Nile Rodgers both recall experiencing a peculiar memory fog, which makes you wonder if “Lose Yourself to Dance” really was the result of groove-hypnosis. Noah Lennox, unaccustomed to working under the judgmental glare of soundproofed glass, suffered a nervy first-day flub with his idols. In the end, “Doin’ It Right,” an inspired modular hymnal without any clear antecedent in the Daft catalog, was well worth the pounds lost in flop sweat.