In this mode you select the aperture and the camera will calculate the correct shutter speed depending on metered exposure, exposure compensation and ISO sensitivity. Aperture is displayed on the viewfinder status bar and on the top LCD, turn the command dial to select different apertures. The exact range of apertures depends on the lens used. ANPAT 2020 Spring ANPAT 2019 Fall ANPAT 2019 Spring ANPAT 2018 Fall ANPAT 2018 Spring ANPAT 2017 Fall ANPAT 2017 Spring ANPAT 2016 Fall ANPAT 2016 Spring ANPAT 2015 Fall ANPAT 2015 Spring ANPAT 2014 ANPAT 2013 ANPAT 2012 ANPAT 2011 ANPAT 2010 ANPAT 2009 ANPAT 2008 ANPAT 2007 ANPAT 2006 ANPAT 2005 ANPAT 2004 ANPAT 2003 ANPAT 2002 ANPAT 2001 Nikonians Academy North America Workshops Nikonians Academy European Workshops Nikonians Chapters - North America Nikonians Chapters - Europe Nikon Solutions Expo 2009 PMA 2006 Mayan Expedition 2004 Brussels 2003 body only; 616g (1.358lb) with EN-EL3 battery; 826g (1.821lb) with battery and AF-S DX ZOOM - NIKKOR 1 8 - 5 5 mm f/3.5-5.6 GED kit lens Automatic, Portrait, Landscape, Child, Sport, Closeup, Night Portrait, Manual, Aperture Priority, Shutter Priority, Programmed Auto In this mode the camera automatically selects aperture and shutter speed based on the current metered exposure value, exposure compensation and selected ISO sensitivity. The Program AE on the D50 is flexible, which means that you can select one of a variety of equal exposures by turning the main command dial. Example:

Nikon D50 Overview - Digital Photography Review Nikon D50 Overview - Digital Photography Review

Text description of Digital Vari-program modes taken from the Nikon D50 user manual with permission. Top of camera controls (right) Eric is sixteen years old and has been using Nikon SLRs (N8008s and N90s) since he was eight years old (he started very early!). He made a 100% shift to digital a little more than a year ago when the Nikon D70 arrived on the market. Since then, he has shot thousands of images with that camera in a wide variety of situations. More recently, he’s working as a photographic intern at our local newspaper and shooting events with that camera. Because of his knowledge of the Nikon D70, plus the fact that he’s a very fine photographer, I asked him to help with this review. The images you see in this review, with the exception of the shot of the equipment, were all made by Eric with the Nikon D50. So, it all looks good so far - but just wait until you turn the D50 on. It responds nearly instantly, leaving some current professional cameras behind in the dust. Shutter lag is very short too: not quite as brisk as top models, but entirely usable. Other aspects of handling also deserve high praise. For example, the LCD screen is not only large and clear, it's highly responsive and able to display new images even as the most recent one is being written to memory. The menu items are large and clearly legible, but zooming into the review picture needs careful sequencing between two buttons. Autofocus performance with the 18-55mm zoom is entirely satisfactory: neither the fastest nor the slowest in this class, but working well into low light levels. Clean performanceThe Best of Nikonians - 2023 Images The Best of Nikonians - 2022 Images The Best of Nikonians - 2021 Images The Best of Nikonians - 2020 Images The Best of Nikonians - 2019 Images The Best of Nikonians - 2018 Images The Best of Nikonians - 2017 Images Nikonians Photography Awards 2017 Finalists The Best of Nikonians - 2016 Images The Best of Nikonians - 2015 Images The Best of Nikonians - 2014 Images The Best of Nikonians - 2013 Images Triple Crown - 2012 The Best of Nikonians - 2011 Images The Best of Nikonians - 2010 Images Nikonians 10th Anniversary Contest The Best of Nikonians - 2009 Images The Best of Nikonians - 2008 Images 2007 Nikonian Photographer of the Year 2006 Nikonians Photographers of the Year 2005 Nikonians Photographers of the Year 2004 Nikonians Photo Contest 2000-2001 Nikonians Photo Contest The D50's fully automatic exposure mode configures the camera to make most of the decisions for you, for example you can't set exposure compensation, flash compensation, white balance, ISO (default to Auto), metering mode or image parameters. However you do still have control over some camera functions: High shutter speeds freeze motion for dynamic sports shots in which main subject stands out clearly. In compensation, midtone contrast is good, so the overall impression of the images is very favourable. This is in part a testament to the lens too, which performs well for its class: images are well drawn, although detail could be more crisply rendered.

Nikon D50 - Wikipedia Nikon D50 - Wikipedia

It’s important that manufacturers also provide inspirational cameras at the top end for new photographers to dream about. The Nikon D2X and Nikon D2HS certainly fill that role well, and the Nikon D50 is one of the ways Nikon will be able to continue to fund development of the next generation bodies. Given all that, it’s not surprising there is a strong focus on this segment of the market. Wildlife Photography Landscape Photography Micro, Macro & Close-Up Photography Sports Photography Motor Sports Photography Photojournalism Photography Street Photography Stage, Clubs, Concerts & Nightlife Photography Architecture & Industrial Photography Weddings & Social Events Photography Glamour & Portrait, Commercial & Studio Photography Travel Photography Aviation Photography Infrared and Ultraviolet Photography Panorama Photography Underwater & Aquatic Photography Time-Lapse Photography Astrophotography Digital Artistry Abstract Photography Family & Pets Another pleasant surprise awaits you when you lift the camera to your eye: the view is bright, crisply contrasty and looks neutral. This level of image would have done a professional camera proud a few years ago and is superb performance for any camera now. Bear in mind that the lens tested is a relatively slow f/3.5 maximum aperture at the wide end, yet even at the f/5.6 long setting, the viewfinder is a pleasure to use.On the other side of the body, you find the mode dial: meatily designed, with over-large but clearly readable settings. These range from the usual exposure modes of Manual, Aperture and Shutter Priorities and Program, to full default Auto, and six useful special modes for Night-time Portrait, Close-up, Sports and other common situations. These modes determine not only exposure mode but other features too, such as colour rendering. The Child mode, for instance, attempts to bump up bright colours while leaving skin tones as they are. In this mode you select the aperture and the shutter speed from any combination of the above (plus BULB for shutter speed, apertures limited by the lens used). Command dial alone selects shutter speed, hold the exposure compensation button and turn the dial to select aperture. The meter on the viewfinder status bar immediately reflect the exposure level compared to the calculated ideal exposure, if it's outside of +/- 2EV the indicator bar will add an arrow '<' or '>' on the end of the meter. Hold this button and turn the command dial to select exposure compensation (all modes except M), hold this button and turn the command dial to select aperture (mode M).