There is a definite openness occurring with a perceivably wider stage and these tips add some punch to the treble region for me. However, the DKC is actually able to keep up with some fast tracks like Billy Strings “ The Fire On My Tongue“. It’s a single DD IEM with a balanced tuning with a substantial bass hump for low-end energy, ample upper mids for vocal clarity, and a relaxed treble that adds a hint of air.

Electric bass as well as bass guitar has enough of a presence in the mid-bass to sound gritty and gravelly. For example, male vocals with a deeper pitch and tone like Cody Jinks in the track “ Somewhere Between I Love and I’m Leaving” sit right dead smack in the middle of the rest of the instrumentation listening with the Dunu Kima Classic. It doesn’t have to be some dry and analytical iem that brings out every last detail because that’s not what the DKC is or what it was tuned for. This new set is said to have some more low-end emphasis as well as a bump in the upper-mids to treble region making it a true V-shaped iem and built for a more popular type tuning.The Olina has better resolution and is more balanced across the mix while the DKC is clearly more fun and dynamic. Continuing on from the boosted upper midrange, the lower treble has a peak around the 5 - 6 kHz region, and it rolls off thereafter. Of course, this doesn’t mean the DKC is inherently bad at detail retrieval, but it means that it has that much more of an uphill battle at illuminating the fine details. to be superior as the sound has such a nice and clean sound, but also a punchy and dynamic presentation. This doesn’t mean that the Galileo lacks down low as it conforms to the tuning very well and fits with the mix nicely, but compared to the DKC it comes across a bit bass lite.

Discounts offered by companies other than HiFiGo shall be dealt with per the terms and conditions of the relevant companies. The case is a hard-shelled fabric and hinged, and it only opens about 4-5cm, which makes it slightly difficult to get things in or out. On Melancholy Hill” by the Gorillaz begins a nice bassline right away and the DKC does well to replay the fast-undulating bass with palatable density. Using the Hidizs S9 Pro on balanced, the sound brings the DKC right up to its peak in output power thirst. An international package could experience delays like postal strikes or severe weather or Cov-19 situation.This time around, we get the standard high-purity single-crystal copper silver-plated Litz cable just like the OG Kima IEMs but with a new dark-color outer covering. Harmonica, as evidenced in the Blues Traveler track “ Hook” sounds edgy and bright, all the while not coming across “too bright” or out of control. But we usually declare an item at a lower value , leave us a message with the desired value if you want. To conclude my review of the Dunu Kima Classic I simply want to make sure that anyone reading this review will also check out other reviews. The bass has more of a punch than a rumble, but the treble is quiet and the middle sounds very much like the V6.

The Kima Classic builds upon feedback garnered from the original Kima, improving on dynamics and extension at both ends, in addition to providing better technicalities. Resolution is nice for a V-shape, but isn’t perfect, and this can cause a few minor clarity issues as far as instrumentation is concerned. Using a simple IPad 6th generation I was actually able to bring the DKC to a nice volume, but I noticed that separation, detail retrieval and the overall dynamic expression suffers a bit. To stand out, a pair of IEMs have to do something different; they have to be exceptional in some way. The faceplates have a very distinctive angular motif, to breathe some air of distinction amongst the run-of-the-mill black and silver IEMs.

Dunu Kima Classic​This is my full written review of Dunu’s latest single Dynamic Driver iem, the Dunu Kima Classic. Yet, his voice is clearly distinct and nicely weighted, with a smoother inflection to the fundamental tone of his voice and a crisp note outline at the outer edges. As the upper midrange transitions into the higher frequencies, there continues to be enough presence to remain articulate, but nothing jumps out. What houses this new driver is a dual cavity design with a N52 Strong Magnetic Circuit and high tension ultra fine voice coil. Males come across less vibrant and not as hard edged, in that I don’t hear that hard lined attack to a male voice.