Under Canon testing standards with 32GB UHS-II card (during One-Shot AF, ISO 100, Standard Picture Style) Number of images depends on various settings and lens used. For details on supported lenses, refer to “cam.start.canon” Unique video portraits with Canon cinema zooms Unique video portraits with Canon cinema zooms Unique video portraits with Canon cinema zooms For ISO you don’t have to really worry too much as raw files can adjust this setting in post. That means you’ll likely be paying more attention to ND and aperture, especially as you’ll likely be following the 180-degree shutter rule. Building a winning photography portfolio Building a winning photography portfolio Building a winning photography portfolio

Take complete creative control of your images with PIXMA and imagePROGRAF PRO professional photo printers. Recording may be stopped due to a high internal temperature. Approximate times when tested at an ambient temperature of 23°C The reason I recommend the C70 is because it's a true cinema camera, not a hybrid one. That means you get connections like mini XLR and Time Code BNC / HDMI. You get a Dual Gain Output sensor with 16 stops of dynamic range. You get a bigger body with all the controls and inputs and buttons you need, multiple mounting points, and most importantly a huge battery that will last serious filming sessions.It's big and bulky, the 20MP resolution is a bit conservative, and the 1/2.3-inch sensor is never going to compete with those in mirrorless cameras. However, if you want an ideal camera for vacations, taking to the zoo, shooting the kids' soccer game and capturing 4K video, this beast has you covered. Though I would advise taking a look at the best bridge cameras from the competition, as there are some very compelling alternatives. Wired control via KOMODO Link Adaptor, using USB-C or Gigabit Ethernet (compatible USB-C to Ethernet adapter1 required) allowing camera control and live MJPEG preview video feed Right now this is Canon's flagship camera, and for good reason. Boasting a pro form factor with integrated vertical grip (and bigger battery), I find it the best-balanced EOS R camera when using pro lenses and long telephotos. It's also a technological powerhouse, with a feature that I don't think gets enough love: Eye Control AF.

We know precious little else at this point, but Canon is working on a series of optics that sit in the middle of its three product spheres: cinema lenses, photography lenses, and broadcast lenses. Each category has unique demands, such as focus breathing or remote control applications, so Canon has produced distinct product lines for each industry. Now, however, with the rise of hybrid cameras and hybrid shooters, it is producing lenses that can be used across all three disciplines. I would argue that the 90D's beefier body is more comfortable than its svelte mirrorless counterparts, and plenty of people (including my colleague Sebastian) prefer an optical viewfinder over the modern electronic version. Above all, though, the best reason to go for the 90D is its stunning battery life that leaves mirrorless cameras in the dust.The RED Raven is a discontinued camera kit that used the Raven brain (early DSMC2) and is the little brother of the RED Dragon-X. It has the original Dragon sensor but with 4.5K resolution, a fixed EF mount, and was the beginning of REDs move into the DSMC2 brain. RED Weapon R3D is objectively the best quality with massive editing potential. ProRes is better for less critical footage or long recordings, such as interviews, as it is smaller. Though honestly many people would be just fine with ProRes every time and still be incredibly happy. It may not require the usual accessories RED cameras are known to need, but the KOMODO is still a compact cinema camera that will benefit from some extra bits and pieces to make life easier. This camera especially has a fairly boxy form factor that could use some love. The RED Weapon 8K/6K was the original branding name of the new RED sensors paired with the DSMC2 brain. The RED Weapon term still exists, and you can cameras for rent that say “weapon”, but RED no longer sells the RED Weapons, they now only sell the DSMC2 body/brain with the Monstro and Helium 8K sensors, or Gemini and Dragon-X 5K sensors. REDCINE X Pro

The RED Epic is a camera body/brain. It came after the RED One, and originally featured the M-X sensor, but then offered the Dragon sensor, and you can now upgrade your Epic to the Helium and Gemini sensors. The Epic was the higher-end version of the first DSMC body/brain, and it has higher frame rate capability when compared to the RED Scarlet. RED Scarlet

ADVANCED

Want more Cinema EOS? The Canon EOS C50 and C90 are supposedly set to join the Canon EOS C70 and Canon EOS R5C in the RF-mount cine cam lineup. Not to be confused with the EOS R5, rumors persist that Canon is developing a high-resolution full-frame mirrorless camera to compete with the likes of the 61MP Sony A7R IV. In fact, we've even seen some reports suggesting that a medium format-rivaling 100MP EOS R is being worked on.

V-RAPTOR 8K S35 SENSOR OFFERS THE WIDEST LENS SELECTION AT THE HIGHEST RESOLUTION. CAPTURE SMOOTH AND FAITHFUL CHARACTER FROM CLASSIC CINEMA LENSES TO BROADCAST ZOOMS. THESE LENSES ARE JUST A FEW EXAMPLES OF WHAT MAKES A PERFECT MATCH WITH THE V‑RAPTOR 8K S35. The latest rumblings come in the form of a list of purported specs for what has been dubbed the Canon EOS RS– a nod to the Canon EOS 5DS, which is the 50MP high-res DSLR that the mirrorless version would effectively replace. When UVC/UAC is delivered, battery consumption is high, so when recording for a long time, AC-E6N and DR-E18 are recommended. In UVC/UAC, it is FHD 30p and internal recording is not possible.Power is not supplied from the USB during UVC/UAC/.Wired control via USB-C or Gigabit Ethernet (compatible USB-C to Ethernet adapter required) allowing remote camera control, live MJPEG preview video feed and remote media offload