Beyond the twelve mythological paintings, many more artworks are displayed in the House of the Vettii. Most famously are the two depictions of Priapus, the god of fertility. The first image of Priapus is a fresco in the doorway. The painting depicts Priapus weighing his phallic member on a set of scales. The second image mirrors the first but in marble. Avasthi, Vivek (14 January 2020). "Sarees for women, dhoti for men: Officer's dress code for Kashi temple irks minister". The Federal. Archived from the original on 5 August 2020 . Retrieved 3 January 2021.

The only surviving mythological scene in the triclinium next to the small peristyle is Herakles and Auge, painted on south wall. This scene depicts the myth of the rape of Auge, who was the daughter of the King of Taega and the priestess of Athena, by a drunken Herakles. The union resulted in the conception of Telephus. Koppel, Lily (February 6, 2008). "Maharishi Mahesh Yogi, a Guide On the Beatles' Spiritual Path, Dies". New York Times. p.C.10. Brard, Gurnam Singh Sidhu (2007). East of Indus: My Memories of Old Punjab. Hemkunt Press. ISBN 9788170103608. The dhoti is touted as the male counterpart of the saari worn by females to religious and secular ceremonies ( functions). [6] Pitambar is a yellow silk dhoti worn on auspicious occasions. [7] [8] The dhoti worn over the lower waist and drawn up in between the legs, is a 5-yard-long piece of woven fabric; it must not be confused with prestitched "dhoti pants", which are a new ready to wear trend these days, popular among women and typical of children. [9] [10] [11] An illustration of sepoys (soldiers) recruited into the British Indian military. Etymology [ edit ] Khasi folk dancers wearing "Jaiñboh" dhotis and other traditional garb. Ariadne lies on a large red cloth spread on the ground. Her legs are extended to the left and her torso twists towards the viewer. Her left hand touches the red cloth while her right hand is raised to her mouth as she gazes at the retreating ship to the left. Cupid stands behind Ariadne and places his left hand on her left shoulder, pointing with his right hand towards the shop in the left hand section of the scene. The ship is manned by three figures. The first the helmsman and he is seated at the stern, leaning forward slightly, with the rudder in his right hand. This figure is possibly Theseus. Two smaller figures sit on either side of the mast. One holds the oar and the other adjust the sail. A fisherman stands in the lower left corner. [27] Hero and Leander [ edit ]Once they had secured their freedom, the two men “reached the highest ranks of local society, at least economically,” Zuchtriegel tells the Associated Press’ Francesco Sportelli. Based on their extravagant home, “they evidently tried to show their new status also through culture and through Greek mythological paintings, and it’s all about saying, ‘We’ve made it and so we are part of this elite.’” Birdwood, George Christopher Molesworth (1884). The Industrial Arts of India. Chapman and Hall. p.363. It is unusual to be able to access this expert knowledge in a format specifically tailored to veterinary practices and the team at Companion Consultancy is proud to lead the way in this area. Companion is one of the longest-standing specialist PR and marketing agencies in the animal health and veterinary sector, and Naomi explains that the team’s up-to-date knowledge of marketing trends and techniques is complemented by their insight into the veterinary world.

McLain, Sean (2014-07-23). "No Dhotis Please, We're Indian". Wall Street Journal . Retrieved 2017-11-03. The House of the Vettii was not one of the eighteenth-century discoveries, which were rifled for their museum-worthy objects. It was excavated between September 1894 and January 1896. There is evidence that the house was disturbed, perhaps looted, shortly after the eruption. Severy-Hoven, Beth (November 2012). "Master Narratives and the Wall Painting of the House of the Vettii". Gender & History. 24 (3): 554. doi: 10.1111/j.1468-0424.2012.01697.x. S2CID 53518290.Company, Fideler (1960). Life in Other Lands. Fideler. p.78 . Retrieved 3 January 2021. It is arranged to look like a pair of baggy trousers. This garment is called a dhoti and is usually made of cotton. If you are looking for specific details regarding Vetti, for example extract dosage, diet and recipes, health benefits, chemical composition, pregnancy safety, side effects, have a look at these references. context information There's a distinction between the lungi, a similar garment often worn by people at their homes, as it is more casual and comfortable, dhoti is sometimes even worn by secular politicians. [20] M K Gandhi in 1935. Feldman, Ella (10 January 2023). "See the Lavish Pompeii Home Owned by Two Men Freed From Slavery". Smithsonian . Retrieved 11 January 2023.

Recent restoration projects include the Villa dei Misteri or Villa of the Mysteries, a large suburban villa located on the outskirts of Pompeii, and the House of Lovers, named after an inscription on the house which read: "Amantes ut apes vitam melitam exigent. (Lovers, like bees, make a life as sweet as honey)." The House of Lovers was first excavated in 1923, and most of its decorations were found almost entirely intact. It reopened to visitors during the pandemic after closing more than 40 years ago following earthquake damage. Beth, Severy-Hoven (November 2012). "Master Narratives and the Wall Painting of the House of the Vettii". Gender & History. 24 (3): 540–580. doi: 10.1111/j.1468-0424.2012.01697.x. S2CID 53518290. In this scene, Ixion is bound to the wheel and Hermes stands in the forefront, identifiable by his winged sandals and caduceus. Hephaestus stands behind the wheel, one hand resting on the wheel to set it into motion. Hermes, however, also has one hand on the wheel keeping it still as he looks to Hera. Hera is enthroned to the right, holding a long golden scepter and wearing a golden crown. Beside her is her messenger, Iris, extending her arm to present to Hera Ixion's punishment. Hera pulls aside her thin veil to watch the scene. A young woman sits next to Hermes with one hand up. She is identified by scholars as either Ixion's mother or Nephele. [16] Daedalus and Pasiphae [ edit ] Daedalus and Pasiphae in the House of the Vettii in Pompeii There are two service areas in the house, the first being centered around the small atrium. The second was accessible from the main atrium of the house as well as the second entrance from the Vicolo di Mercurio on the south facade. Here a large gate opened into the shop or otherwise known as the taberna. Draft animals were moved through this gate and stabled in the shop. [11] Besides the shop is an additional chamber and latrine. Indian Dhoti". Indian Mirror. Archived from the original on 29 July 2020 . Retrieved 3 January 2021.The small atrium and small peristyle are located on the north section of the house. [9] The large atrium is surrounded by four cubicula (bedrooms), which belonged most likely to the main occupants of the house. There are also two alae and a winter triclinium surrounding the atrium. To enter the atrium from the main entrance, one has to pass through the fauces and vestibulum. The small atrium is surrounded by four rooms which are believed to have been used by servants and as storage rooms. A kitchen is also located near the small atrium along with a cubiculum meant to house the cook and an impluvium, which was designed to catch rainwater from an opening in the roof. A staircase was found in the southeast corner of the small atrium but the second floor no longer remains. [10] In the past, historians thought the two men may have been brothers. But Zuchtriegel says they were more likely unrelated individuals enslaved by the same person, whose name was Aulus Vettius. On Tuesday, officials unveiled the newly restored home, welcoming tourists to observe the ancient architecture and elegant frescoes. Veterinary PR and marketing agency Companion Consultancy has announced the launch of Vetti, a subscription-based learning portal designed to help veterinary teams develop their marketing skills. Severy-Hoven, Beth (November 2012). "Master Narratives and the Wall Painting of the House of the Vettii, Pompei". Gender & History. 24 (3): 549. doi: 10.1111/j.1468-0424.2012.01697.x. S2CID 53518290.

K Parker, Lewis (1994). India. Rourke Book Company. p.14. ISBN 9781559160056 . Retrieved 3 January 2021. Boys and men often wear a dhoti. This is a piece of white cloth wound around the waist. Dhotis look like comfortable, baggy pants. The final mythological scene in the south-east triclinium is Achilles on Skyros, painted on the east wall. This scene depicts Achilles stay on the island of Skyros. After learning that Achilles would die during the Trojan War, his mother, Thetis, sent him to live on the island of Skyros. Achilles was disguised as a maiden among Lykomedes daughters. While living on Skyros, Deidameia bore Achilles a son. Odysseus discovers Achilles' concealment and comes to Skyros to reveal Achilles. Odysseus displays gifts in front of the King's daughter, including arms and armor. When a trumpet sounds, Achilles grabs the weapons, revealing his true nature. Starts with ( +18): Vetti-vellu, Vetti-ver, Vetti-veru, Vettia, Vettibikki, Vetticcay, Vettijuvvi, Vettikan, Vettil, Vettila, Vettilai, Vettilai-pattai, Vettilaipattai, Vettilaippattai, Vettile, Vettipala, Vettippattam, Vettippeccu, Vettippecu, Vettiracanam.Rowland, Ingrid D. (2014). From Pompeii: The Afterlife of a Roman Town. Cambridge, Massachusetts: Harvard University Press. The final mythological scene in the southern triclinium is the Infant Herakles strangling the snakes, located on the north wall. This scene depicts Herakles as a child strangling the snakes sent by Hera to kill him. Herakles is the son of Alkmena and Zeus, Hera's husband. Hera become jealous of this relationship and sets out to kill the product of her husband's affair. She sends two snakes into Herakles crib, but the child easily averts her efforts by killing the snakes. William, Archer (1981). The Paintings of the Casa Dei Vettii in Pompeii. Pro Quest Dissertations and Theses. p.434.