Jane Elizabeth Mary Fallon (born 9 December 1960) [1] is an English author and television producer. She was educated at St Bernard's Convent School in Slough, Berkshire, and University College London, where she studied history, graduating with a bachelor of arts in 1982. [3] Alongside her studies, she started writing for the history department's magazine, for the university newspaper, London Student, and for Pi Magazine. [4] Career [ edit ]

In 2011, Foursome was nominated for the Melissa Nathan Award for Romantic Comedy Fiction and in 2018, Faking Friends was nominated in the popular fiction category of the National Book Awards. [7] [8] In 2019, it was longlisted for the Comedy Women in Print Prize. [9] In 2020 she was awarded an honorary fellowship of University College London. [4] Personal life [ edit ] I usually love Jane Fallon the way she creates interesting characters, allows a bond to develop, drops a bombshell about them which makes you question your morals and then makes you hate/love them before ensure their worlds collide with a harsh dose of reality and a serving of justice. a b c d UCL 11 February, 2020, "Top novelist and television producer Jane Fallon awarded UCL Honorary Fellowship" Helen demands more of his time, but initially he refuses to leave his wife Sophie and his two daughters and Helen is left frustrated and alone in her flat with just her TV dinners for company.After her studies, she began working for a theatrical literary agency. After a few years there, she decided to become a freelance script reader and script editor for different theatrical productions and television, and in 1994, she advanced to become a producer on the series EastEnders. This was followed by a number of awarded series, such as This Life, 20 Things to Do Before You're 30, and Teachers. [4] Fallon gets her characters into situations that seem impossible to get out of, stretching the limits of the reader’s expectations constantly. I found myself saying, “I have no idea how she’s going to get out of this one” and, “I can’t believe that just happened!” many times throughout the novel. Any book that truly takes me by surprise is appreciated by me, but a book that continuously keeps me on my toes with absolutely no clue as to how the characters’ situations will resolve – or whether they will at all – is refreshingly brilliant.

I really enjoyed the first part of the book where the savage office relationship between Rebecca and Lorna is explored. Lorna is a hateful character, memorable, spiteful and with a fantastic turn in passive aggressive behaviour. I had the urge to throttle her, and, as far as I'm concerned, if an author makes you have a visceral reaction like that to a character then they are doing a fine job. PLAN B: Accidentally on purpose bump into his wife Sophie. Give yourself a fake name and identity. Befriend Sophie. Actually begin to really like Sophie. Snog Matthew's son (who's the same age as you by the way. You're not a paedophile). Buy a cat and give it a fake name and identity. Befriend Matthew's children. Unsuccessfully. Watch your whole plan go absolutely horribly wrong. It all blows up when Sophie brings Matthew to drinks with Elena. She’s understandably mad and confused and the friendship takes a hiatus. A little later they reconnect and we find out Matthew is with yet another woman!With that said, I think Fallon also has a deft touch when it comes to characterisation. She writes strong and real female characters, who are bitchy and loving by turn. Those that are mothers have warm and realistic relationships with their children, who are also written well. Alloy’s romance Purple Hearts, starring Sofia Carson and Nicolas Galitzine, just became the seventh most-watched movie in Netflix history. The film from director Elizabeth Allen Rosenbaum follows struggling singer-songwriter Cassie (Carson) and troubled Marine Luke (Galitzine) as they agree to marry solely for military benefits, in spite of their many differences.But when tragedy strikes, the line between real and pretend begins to blur. My problems came when Rebecca decided that, rather than tell her bosses that Lorna was going through big personal issues that kept her from work (the normal way to deal with a work issue), she decides to perform a series of lies and charades to pretend that everything is fine with Lorna's performance. This just wouldn't happen, and I could not suspend my disbelief. At all. I found myself rolling my eyes at the behaviour of many of the characters. Ocr tesseract 5.0.0-alpha-20201231-10-g1236 Ocr_detected_lang en Ocr_detected_lang_conf 1.0000 Ocr_detected_script Latin Ocr_detected_script_conf 1.0000 Ocr_module_version 0.0.13 Ocr_parameters -l eng Old_pallet IA-NS-2000261 Openlibrary_edition I have rated this book on the level which I enjoyed it rather than the quality of the writing. The writing is actually pretty good - except for the odd glitch where absent characters suddenly speak in conversations - but unfortunately this type of novel isn't my thing.

Access-restricted-item true Addeddate 2021-05-07 19:00:43 Boxid IA40099209 Camera USB PTP Class Camera Collection_set printdisabled External-identifier urn:lcp:gettingridofmatt0000fall_w4q7:epub:16b421be-ec38-4d91-a82e-bb03fd4136d6 Foldoutcount 0 Identifier gettingridofmatt0000fall_w4q7 Identifier-ark ark:/13960/t6s005b5j Invoice 1652 Isbn 9781846178801 She then worked for several years as a script editor before ending up as the series script editor at EastEnders. Later she met Tony Garnett at World Productions, who was in talks with the BBC about a new show, This Life, about a group of young solicitors living in the capital. This is a story about fairly average people. Two couples, Rebecca and Dan and Isabel and Alex who have been best friends since uni. That is, until arrogant Alex leaves his wife, Isabel, craps all over his best mate, Dan, by telling said best mate's wife, Rebecca, that he's in love with her and the ensueing mess that follows. The book touches on the world of acting because Rebecca works for an acting agency, and I enjoyed these little offshoots in the novel. Ithink it added a new perspective to the story and gives you a little break from the more emotional storylines that feature in the book. Fallon’s writing is so easy to read, you can lose yourself in the shortish chapter in the books and find that you’ve ploughed through a quarter of it before you’ve realised as its so enjoyable. I really couldn’t put it down because I wanted to find out what was going on next!I have listened to this book at least two times and I know I’ll listen to it again and again. I have only ever listened to one other audiobook more than once, and I’ve listened to a large amount of audiobooks in my time, so that should tell you just how well written this book is. Aside from the comedy aspect, the clever turns of phrase used in place of cliches and dry description add so much color to the narrative, even in droughts of dialogue. Fallon dips into smaller characters’ lives as necessary and in details that matter, leaving out anything the reader might not find useful or interesting as well as anything that doesn’t apply to the current situation. In times that delving into a minor character’s past seems unnecessary, just wait – there’s always a reason, soon to follow, that it has been described. Fallon doesn’t waste words. At the start of the novel, Fallon switches the reader's viewpoint between Helen's life and Matthew's wife Sophie. The 2 women stay friends with the truth all out there and I love it!! Helen also talks about maybe restarting her relationship with the son who is actually closer to her age!