Hall, Stuart; Evans, Jessica; Nixon, Sean (2013) [1997]. Representation (2nded.). London: Sage in association with The Open University. ISBN 9781849205634.

Scott, David (2017). Stuart Hall's Voice: Intimations of an Ethics of Receptive Generosity. Durham: Duke University Press.Hall, Stuart (1980). "Race, Articulation and Societies Structured in Dominance." In: UNESCO (ed). Sociological Theories: Race and Colonialism. Paris: UNESCO. pp.305–345. Hall, Stuart (with Bill Schwarz) (2017). Familiar Stranger: A Life Between Two Islands. London: Allen Lane; Durham: Duke University Press. ISBN 9780822363873. a b c d Morley, David; Schwarz, Bill (10 February 2014). "Stuart Hall Obituary". The Guardian. London . Retrieved 10 October 2021. Hsu, Hua (17 July 2017). "Stuart Hall and the Rise of Cultural Studies". The New Yorker . Retrieved 10 October 2021. Hall, Stuart (January–February 1997). "Raphael Samuel: 1934-96". New Left Review. I (221). Available online.

In the 1950s Hall was a founder of the influential New Left Review. At Hoggart's invitation, he joined the Centre for Contemporary Cultural Studies (CCCS) at Birmingham University in 1964. Hall took over from Hoggart as acting director of the CCCS in 1968, became its director in 1972, and remained there until 1979. [3] While at the centre, Hall is credited with playing a role in expanding the scope of cultural studies to deal with race and gender, and with helping to incorporate new ideas derived from the work of French theorists such as Michel Foucault. [4] Hall, Stuart (1973). A ‘Reading’ of Marx's 1857 Introduction to the Grundrisse. Birmingham: Centre for Contemporary Cultural Studies.This text represents the collective understanding of the leading centre for contemporary culture, and serves to situate some of the most important cultural work of the twentieth century in the new millennium. Hall, Stuart (1981). "Notes on Deconstructing the Popular". In: People's History and Socialist Theory. London: Routledge. Schulman, Norman (1993). "Conditions of Their Own Making: An Intellectual History of the Centre for Contemporary Cultural Studies at the University of Birmingham". Canadian Journal of Communication. 18 (1). doi: 10.22230/cjc.1993v18n1a717. ISSN 1499-6642. The Centre for Contemporary Cultural Studies deserves our gratitude for having begun to locate the real areas of discussion.’ - New Society Cultural Identity and Diaspora" (PDF). In Rutherford, Jonathan (ed.). Identity: Community, Culture, Difference. London: Lawrence & Wishart. pp.222–237. Archived from the original (PDF) on 24 October 2018 . Retrieved 10 October 2021.

Drabwell, Christine (3 January 2020). "Sixty years ago: Stuart Hall arrives to renew the Left". The Open University | Society and Politics . Retrieved 9 April 2023. The rise of mass media directed towards teenagers was another important factor. Alongside the consumption increase, was a rise in mass entertainment, art and culture, coined as the ‘communications revolution’, as it helped to influence youth’s perceptions. Johnson (1964) demonstrated that bands were often “bloated with cheap, confectionary and smeared with chain store make up”….”stiletto heels, the shoddy, stereotyped, ‘with- it’ clothes” (1975,19). An example was Top of the Pops, which commenced the same year Johnson was writing. These programs not only showed what was now attractive to teenagers, with the ‘must have’ clothing, but also characterised the change in attitudes and interests of the youth during the 1950’s. The use of programmes directed to the young, had a direct impact in the creation of the distinctive style of clothing they adopted within their wardrobe. Paterson, Richard; Gerhardt, Paul (11 February 2014). "Stuart Hall (1932–2014)". British Film Institute . Retrieved 10 October 2021.

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Hall was married to Catherine Hall, a feminist professor of modern British history at University College London, with whom he had two children. [3] After his death, Stuart Hall was described as "one of the most influential intellectuals of the last sixty years". [11] The Stuart Hall Foundation was established in 2015 by his family, friends and colleagues to "work collaboratively to forge creative partnerships in the spirit of Stuart Hall; thinking together and working towards a racially just and more equal future." [12] Biography [ edit ] Hall, Stuart; P. Scraton (1981). "Law, Class and Control". In: M. Fitzgerald, G. McLennan & J. Pawson (eds). Crime and Society, London: RKP. Hall, Stuart (1971). Deviancy, Politics and the Media. Birmingham: Centre for Contemporary Cultural Studies. Hall was a presenter of a seven-part television series entitled Redemption Song — made by Barraclough Carey Productions, and transmitted on BBC2, between 30 June and 12 August 1991 — in which he examined the elements that make up the Caribbean, looking at the turbulent history of the islands and interviewing people who live there today. [65] The series episodes were as follows:

In August 2012, Professor Sut Jhally conducted an interview with Hall that touched on a number of themes and issues in cultural studies. [73] Book [ edit ] Hall, Stuart; Jacques, Martin (July 1986). "People aid: a new politics sweeps the land". Marxism Today. Amiel and Melburn Collections: 10–14. Hall, Stuart (1988). The Hard Road to Renewal: Thatcherism and the Crisis of the Left. London: Verso Books.

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Jeffries, Stuart (10 February 2014). "Stuart Hall's Cultural Legacy: Britain Under the Microscope". The Guardian. London . Retrieved 10 October 2021. Hall, Stuart (June 1986). "The problem of ideology-Marxism without guarantees". Journal of Communication Inquiry. 10 (2): 28–44. CiteSeerX 10.1.1.1033.1130. doi: 10.1177/019685998601000203. S2CID 144448154. Hall, Stuart (1968). The Hippies: an American "moment". Birmingham: Centre for Contemporary Cultural Studies. OCLC 12360725. Hall, Stuart (Summer 1996). "Who dares, fails". Soundings, Issue: Heroes and Heroines. Lawrence and Wishart. 3.