Harry Plotter and The Chamber of Serpents, A Potter Secret Parody

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Harry Plotter and The Chamber of Serpents, A Potter Secret Parody

Harry Plotter and The Chamber of Serpents, A Potter Secret Parody

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Columbus "Burned Out" ". Blogs.coventrytelegraph.net. 6 July 2010. Archived from the original on 1 January 2014 . Retrieved 2 March 2011. Harry Potter becomes highest-grossing film franchise". The Guardian. UK. 11 November 2007. Archived from the original on 2 November 2007 . Retrieved 17 November 2007.

An epilogue titled "Nineteen Years Later" describes the lives of the surviving characters and the impact of Voldemort's death. Harry and Ginny are married with three children, and Ron and Hermione are married with two children. John Lasseter and David Yates set to be honored by BAFTA Los Angeles". Los Angeles Times. 28 June 2011. Archived from the original on 3 July 2011 . Retrieved 28 June 2011. a b "Steve Kloves Talks Harry Potter". Empire Online. Archived from the original on 20 January 2012 . Retrieved 17 September 2012. The series follows the life of a boy named Harry Potter. In the first book, Harry Potter and the Philosopher's Stone, Harry lives in a cupboard under the stairs in the house of the Dursleys, his aunt, uncle and cousin, who all treat him poorly. At the age of 11, Harry discovers that he is a wizard. He meets a half-giant named Hagrid who invites him to attend the Hogwarts School of Witchcraft and Wizardry. Harry learns that his parents, Lily and James Potter, also had magical powers, and were murdered by the dark wizard Lord Voldemort when Harry was a baby. When Voldemort attempted to kill Harry, his curse rebounded, seemingly killing Voldemort, and Harry survived with a lightning-shaped scar on his forehead. The event made Harry famous among the community of wizards and witches. Rowling stated that she did not reveal Harry Potter 's religious parallels in the beginning because doing so would have "give[n] too much away to fans who might then see the parallels". [30] In the final book of the series, Harry Potter and the Deathly Hallows, Rowling makes the book's Christian imagery more explicit, quoting both Matthew 6:21 and 1 Corinthians 15:26 ( King James Version) when Harry visits his parents' graves. [30] Hermione Granger teaches Harry Potter that the meaning of these verses from the Christian Bible are "living beyond death. Living after death", which Rowling states "epitomize the whole series". [30] [31] [32] Rowling also exhibits Christian values in developing Albus Dumbledore as a God-like character, the divine, trusted leader of the series, guiding the long-suffering hero along his quest. In the seventh novel, Harry speaks with and questions the deceased Dumbledore much like a person of faith would talk to and question God. [33] Themes The novelist, J. K. Rowlinga b c d e "Christopher Columbus Remembers Harry Potter". Empire Online. Archived from the original on 16 June 2013 . Retrieved 9 September 2012. We realised that these movies would get progressively darker. Again, we didn't know how dark but we realised that as the kids get older, the movies get a little edgier and darker. Harry Potter and the Philosopher's Stone – Foreign Box Office Data". The Numbers. Archived from the original on 21 May 2016 . Retrieved 17 April 2020.

A Wizard Comes Of Age". Archived from the original on 19 November 2012 . Retrieved 29 September 2012. Craig commented on his experience working in the studio environment: "I'm the production designer, but on a big movie like Harry Potter I may be responsible for 30 to 35 people; from the supervising art director, and a team of art directors and assistants, to draughtsmen and junior draughtsmen, and then on to model makers, sculptors and scenic artists." He said, "Ten years ago, all the Harry Potter drawings were done in pencil. I would take my roughs and plans and sections and give them to a professional architectural illustrator, who would create concept art using pencil and colour wash on watercolour paper." He said the process changed slightly throughout the years due to, what he called, the "digital revolution" of making films. [51]

Original Costumes

Ryzik, Melena (7 February 2012). "Harry Potter and the Continuity Question". The New York Times. Archived from the original on 2 November 2012 . Retrieved 10 September 2012. WB Name Drops Big Titles". ERCBoxOffice. 23 February 2009. Archived from the original on 26 February 2009 . Retrieved 3 March 2009. Box Office Mojo". boxofficemojo.com. Archived from the original on 27 September 2010 . Retrieved 11 March 2011.

a b c d e "Hero Complex". Los Angeles Times. 20 July 2009. Archived from the original on 24 July 2009 . Retrieved 4 May 2010. Radcliffe had already established himself as an actor in the 1999 BBC television production of David Copperfield in which he played the title role's childhood years. Heyman persuaded Radcliffe's parents to allow him to audition for the part of Harry Potter, which involved Radcliffe being filmed. [10] [n 1] Rowling was enthusiastic after viewing Radcliffe's filmed test, saying she didn't think there was a better choice for the part of Harry Potter. [10] [26] In an 8 November 2002 Slate article, Chris Suellentrop likened Potter to a "trust-fund kid whose success at school is largely attributable to the gifts his friends and relatives lavish upon him". [123] In a 12 August 2007, review of Deathly Hallows in The New York Times, however, Christopher Hitchens praised Rowling for "unmooring" her "English school story" from literary precedents "bound up with dreams of wealth and class and snobbery", arguing that she had instead created "a world of youthful democracy and diversity". [124] After Spielberg left, conversations began with other directors, including Chris Columbus, Jonathan Demme, Terry Gilliam, Mike Newell, Alan Parker, Wolfgang Petersen, Rob Reiner, Tim Robbins, Brad Silberling, and Peter Weir. [17] Petersen and Reiner both pulled out of the running in March 2000. [18] It was then narrowed down to Columbus, Gilliam, Parker, and Silberling. [19] Rowling's first choice was Gilliam. [20] However, on 28 March 2000 Columbus was appointed as director of the film, with Warner Bros. citing his work on other family films such as Home Alone and Mrs. Doubtfire as influences for their decision. [21] Lensers aren't afraid of the dark". Variety. 12 December 2012. Archived from the original on 11 November 2012 . Retrieved 30 September 2012. What I loved about the last film is that David pushed me to go dark, which all cinematographers love to do. And usually you're fighting with the producers (about the look) but they all wanted it dark and atmospheric, too.

Breathtaking Sets

Harry Potter and the Deathly Hallows: Part 2 (2011)". Metacritic. Archived from the original on 22 April 2019 . Retrieved 17 May 2019. Radcliffe, Grint, and Watson were honored outside Grauman's Chinese Theatre at the Hand, Foot, and Wand Ceremony, Hollywood Walk of Fame, July 2007. In 2016, an article written by Diana C. Mutz compares the politics of Harry Potter to the 2016 Donald Trump presidential campaign. She suggests that these themes are also present in the presidential election and it may play a significant role in how Americans have responded to the campaign. [125]

The production designer for all eight films is Stuart Craig. Assisted by Stephenie McMillan, Craig has created iconic sets pieces including the Ministry of Magic, the Chamber of Secrets, Malfoy Manor, and the layout for the CGI Horcrux Cave. Because the novels were being published as the films were being made, Craig was required to rebuild some sets for future films and alter the design of Hogwarts. [48] The studio film set of The Great Hall of Hogwarts was one of the first sets ever created for the series. [49] a b "Harry Potter and the Half-Blood Prince (2009)". Box Office Mojo. Archived from the original on 1 July 2012 . Retrieved 1 December 2009. Harry Potter, Dissected". The New York Times. 14 July 2007. Archived from the original on 4 May 2012 . Retrieved 17 September 2012.David Heyman commented on the "generosity of the directors" by revealing that "Chris spent time with Alfonso, Alfonso spent time with Mike and Mike spent time with David, showing him an early cut of the film, talking through what it means to be a director and how they went about [making the films]." [40]



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