If you want to demonstrate how good vinyl can sound, play Side C of this record - Reckoner and House Of Cards both sound absolutely phenomenal. it seems to best align with this release, yet also has a matte cover and sleeve like the comment below. It's a shame we don't know who at Record Industry cut the vinyl as they deserve a huge amount of credit. Record box manufactured by Clear Sound And Vision (credited as "Record box produced by Clear Sound + Vision" on release.

Somehow I bought this fantastic album back around 2010, opened it up and looked at the pretty art, but then didn't get around to listening to it until today.At times it’s hard not wince in familiarity yet he is not wallowing in self-pity, he is human and articulate and unfortunately for us, we know where he’s coming from. That said, there is a lot of space here, lots of room between the instruments and you can follow each instrument through all of its parts, except where it all gets real heavy and layered, but that was not likely the band's goal in those passages, and it might be one of vinyl's few weaknesses anyway. Anyone who has had the pleasure of seeing Jalen perform live knows that he is one of the most captivating performers on today's soul scene.

Especially in 15 STEP and BODYSNATCHER the voice is muddy and almost entirely "covered" by the rest of the instruments\music. Weird Fishes/ Arpeggi" and "Reckoner" both appear to be the odd cousins of John Fruscianti’s California funk, in which both the drums are mixed high, giving your heart something to worry about. After 15 years of continual, radical transformation, Radiohead found themselves with time, freedom and acquired wisdom. More minimal that their "Kid A" period, "In Rainbows" does something that very few albums have done - its sound is distinct from previous Radiohead albums, but is still clearly Radiohead. This version is EXACTLY the same as the original entry, with one distinct exception: Record One has Side One pressed on both sides, as described in the tracklisting.As "15 Steps" transitions from an electro beat to a full band number, the currents drag you deep into Radiohead’s idiosyncrasies, by the time Bodysnatchers hits (and it doesn’t half hit) nothing else seems to matter but the burnt out kraut hook and Yorke’s pained whines. Previous experiments bleed all over the album, warped electronics, brazen hooks and maudlin melodies while Yorke turns the screw on the human psyche.