The Spire: With an introduction by John Mullan

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The Spire: With an introduction by John Mullan

The Spire: With an introduction by John Mullan

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Second readings are dangerous enterprises. Anything can happen. When I first read this novel, I thought the Spire, that gives the name to the title, stood defiantly by the end of the book. My attention was focused on the descriptions of how architects and builders managed to pull up the complex architectural structures that miraculously were built during the Middle Ages. I did not pay too much attention to the writing. At the time, my English did not have strong foundations, and it was as much a guess-work as the art & craft of the medieval masons. This is the second time I’ve read The Spire. It’s so rich in imagery, symbolism and metaphor that it can be challenging to absorb in one reading. I understood the way Jocelin’s degrading spine connects to the instability of the spire and the significance of Goody’s red hair. But I’m still puzzled about the meaning of the mistletoe placed within the corpse of one character and which Jocelin scrapes off his shoes with disgust.

Comparisons between Goody and Rachel, Roger Mason's wife, are made throughout the novel. Jocelin believes Goody sets an example to Rachel, whom he dislikes for her garrulousness and for revealing that her marriage to Roger remains unconsummated. However, Jocelin overestimates Goody's purity, and is horrified when he discovers Goody is embarking upon an affair with Roger Mason. Tortured by envy and guilt, Jocelin finds himself unable to pray. He is repulsed by his sexual thoughts, referred to as "the devil" during his dreams. On the surface, the plot looks very simple. Nepotism plays a main role in placing a less qualified person as a Dean of a Cathedral. The Dean considers it as his Call. Later as a Dean he has a vision and wants to transform the vision into a reality by building a spire to the cathedral. This is an impossible undertaking for the Cathedral is on a marshy land and does not have the foundation necessary to hold a spire of 400 feet. Everyone is against. The Deans considers it his Call and goes ahead. This foolish attempt is always referred to as Dean's Folly. A vision is a dangerous thing. Combined with religious faith, a vision can be lethal. And not just for the visionary; a religious visionary with authority is a civil menace. The visionary must repress everything not relevant to achieving his vision - family, friends, workmates, intimacy and contentment of any kind, and, especially, the idea of reality. The visionary causes organisational chaos and political discord, and is proud of it. The visionary knows only work, effort to achieve. Like the spire, he is otherwise empty, and acutely vulnerable to the world’s ‘weather.’ Vision demands the ultimate sacrifice of oneself as a prayer. Jocelin ceases to care. He neglects his religious duties and stops praying. All his waking hours are devoted to spurring the workmen on to build higher and higher, even climbing up the scaffolding himself to help their endeavours.Don Crompton, in A View from the Spire: William Golding's Later Novels, analyses the novel and relates it to its pagan and mythical elements. More recently, Mark Kinkead-Weekes and Ian Gregor cover all of William Golding's novels in William Golding: A Critical Study of the Novels. Anselm is largely critical of the developments concerning the spire, arguing that it is destruction of the church. Jocelin had been prepared to lose his friendship with Anselm as part of the cost of the spire, but we learn by the end of the novel that they appeared not to have had a friendship in the first place. However, as the spire is gradually erected, a hole is dug that seems to point to the fragility of the cathedral's underpinnings, an insufficiency of the original beams, also revealing an array of crawling specimens below ground that make the place resemble a painting by Hieronymus Bosch. The author's verbal imagery is often stunning and the interplay between good & evil is quite reminiscent of The Lord of the Flies, Golding's best-known work. Nothing William Golding wrote about is what Golding wrote about—he was a master of metaphor, and his 1964 novel The Spire is a good example (as was his masterful Lord of the Flies, still on many reading lists).

I really can’t emphasise enough how visceral this experience is. Maybe it’s just me but I was completely swept up in Golding’s amazing writing. I don’t want to give the ending away, but those of you who only want to read books with happy endings should probably avoid this one.Miller, Jeanne C. "ELUSIVE AND OBSCURE." The Virginia Quarterly Review, vol. 40, no. 4, 1964, pp. 668–671. JSTOR, www.jstor.org/stable/26444912. Accessed 16 Apr. 2020. stars out of 5. Perhaps it is not the most engaging story, but for me it marks my very first exposure to true literary art and the seed from which my pretentious reading habit grew.

The more I think about this brilliant novel the more it opens up questions. The ambiguity that I am sure has frustrated many a reader is, for me, the core of its power and strength as a work of literature." In this case, not a pillar, exactly, but a nose: "He stood, smiling round his nose, head up …", "so Jocelin felt a smile bend the seams of his own face as he looked round his nose at him." The nose stands for the obstacle of the self. Lccn 79109894 Ocr tesseract 4.1.1 Ocr_detected_lang en Ocr_detected_lang_conf 1.0000 Ocr_detected_script Latin Ocr_detected_script_conf 1.0000 Ocr_module_version 0.0.11 Ocr_parameters -l eng Old_pallet IA-NS-2000225 Openlibrary_edition If his building went up and stayed up, Jocelin would remain cruel, and vain, and foolish and avaricious – but perhaps not so broken. His struggles would have produced something enduring, and beautiful. Something that has been admired for centuries and will be for many more to come. And so the book becomes a commentary on what it takes to produce a monument. I bought my copy of this last year at the Waterstones in Salisbury, after touring the cathedral and walking past Bishop Wordsworth's School, where Golding taught from 1945 to 1962.Kitabın sonuna doğru rahibin ustayı sıkıştırmaktan başka neler neler yaptığını da öğreniyoruz. Ama o da okuyanlara kalsın. Tabi Kulemizin akıbeti ne oldu? O da sürpriz.



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