The plastic case feels fine on my 8 (one of the criticisms posted elsewhere) and was a fair way to keep cost low.

Permite un enrutado flexible de entradas y salida, tiene dos auriculares a los que puedo asignar mezclas independientes, retornos virtuales (puedo grabar lo que suena en mi ordenador, tipo youtube o juegos). No statement or condition of sale contained within these terms affects or restricts your statutory rights as defined under the Consumer Contracts Regulation 2014. Combined with metering or other indicators on the hardware itself that are too dim or too small by nature, the user can be left with a worst-of-both-worlds experience that shouts “avoid”. x EVO Mic Preamps, 2 x JFET Instrument Inputs, 2 x Independent Headphone Outputs, 8 x Line Outputs, 2 x Optical Inputs, 2 x Optical Outputs. Two pairs of optical Toslink connectors are switchable between ADAT Lightpipe and stereo S/PDIF digital audio formats, and there’s also a word‑clock output so that you can keep connected devices locked to the EVO 16.Eight award winning EVO Preamps alongside their advanced converter technology will make everything you do, sound better. You can then choose which finance term you'd like to apply for, and change your deposit if you wish.

What’s really sold me on it , is that you can save a standalone mode , I was really in the market for a line mixer as I do any processing digitally , but I didn’t like any of the ones I could afford , so I ended up with an SLL Six a patchbay as I only need connections and gain. Main Features2 x EVO Mic Pres with High Performance ConvertersTrue Bus Powered +48vSmartgainSmart TouchpointsJFET Instrument InputHeadphone OutputAudient's EVO 4 offers high quality performance in a. Strictly speaking, the EVO 16 is part of Audient’s daughter brand EVO by Audient, which focuses on affordable, easy-to-use gear with a straightforward design. They’re also commendably clear and comprehensive, especially in regard to things like headphone output level, which is often overlooked. Mais attendez-vous à devoir remonter le niveau de vos casques car on se rend vite compte que les niveaux d'entrées baissent pour éviter toute saturation numérique.

The range’s audio performance matching that of its contemporaries should be a given; EVO’s shtick is quality and devastating simplicity in use. There’s no physical on/off switch, but the EVO 16 can be powered down by pressing and holding the main encoder. Engineered to simplify your workflow, the EVO Mixer enables you to effortlessly set up and route your inputs + outputs, provide ultra-low latency monitoring, set up dedicated artist headphone mixes and so much more. Providing a MASSIVE 121dB of dynamic range, EVO 16’s high performance converter technology makes sure you hear your audio accurately, helping you make creative decisions confidently, identify issues and improve your recording and mixing game. Helping out in the background, meanwhile, are technologies such as Smartgain, of which more presently.

Did my first proper recording session yesterday and it worked perfectly; Cue mixes with "more me", simple level setting and instant response. If the fault occurs within the first 180 days of your ownership, we'll collect the goods and deliver them back to you free of charge. Our EVO preamp technology not only has all the sonic advantages of an analogue mic pre, but combines it with digitally controlled precision, giving you the ability to set your gain with pin-point accuracy, right down to the decibel.

And finally, the EVO 16 offers two headphone outputs on the front side, each with its own volume control. In a way, level setting represents the final frontier for non-engineers wanting to take control of the recording process.

Like most interfaces of its ilk, the EVO 16 has a built‑in DSP mixer to handle routing, low‑latency cue mixing and use as a standalone mic preamp. Reflecting a wider shift in what the role of musician or engineer actually means, Audient’s EVO range presents the next level of useability for anyone who simply wants to record.

The Motion user interface (UI) has been designed to change the way you interact with your audio interface. Alternatively use the extra line outputs to send audio to external outboard gear, such as compressors or FX units, or to headphone amps for distribution to your artists.