Dyer R (2008) Learning through glass: the Blaschka marine models in North American post-secondary education. Hist Biol 20(1):29–37

Art Forms in Nature - Penguin Random House

Shirley P, Wyman C (2017) Generating stratified random lines in a square. J Comput Gr Tech 6(2): 48–54. http://jcgt.org/published/0006/02/03/ Wertheim M (2007) A field guide to hyperbolic space: an exploration of the intersection of higher geometry and feminine handicraft. Institute for Figuring, Los AngelesHopwood N, Chadarevian S (2004) Dimensions of modelling. The third dimension of science, Models, pp 1–15 Oliver S, Kuperman A, Coombs N, Lough A, Ozin GA (1995) Lamellar aluminophosphates with surface patterns that mimic diatom and radiolarian microskeletons. Nature 378(6552):47

Art Forms in Nature by Karl Blossfeldt - AbeBooks Art Forms in Nature by Karl Blossfeldt - AbeBooks

Bertini M, Verveniotou E, Lowe M, Giles Miller C (2016) Laser ablation inductively coupled plasma mass spectrometry investigation of late 19th Century Blaschka marine invertebrate glass models. J Archaeol Sci Rep 6:506–517

Breidbach O (2003) The beauties and the beautiful—some considerations from the perspective of neuronal aesthetics. In: Voland E, Grammer K (eds) Evolutionary aesthetics. Springer, Berlin, pp 39–68 Sabin JE, Jones PL (2008) Nonlinear systems biology and design: surface design. In: International conference ACADIA proceedings Today’s discoveries about our planet’s biological diversity build upon the research of previous generations of scientists. The Biodiversity Heritage Library (BHL) is a digital library committed to providing free and open access to this treasure trove of information, much of which is held in the libraries of natural history research institutions around the world. Gardner M (2001) The colossal book of mathematics: classical puzzles, paradoxes, and problems. In: Mathematical zoo, WW. North, New York, p 643 (Originally GARDNER, MARTIN. "MATHEMATICAL ZOO OF ASTOUNDING CRITTERS, IMAGINARY AND OTHERWISE." Scientific American 238, no. 6 (1978): 18.) Yoshino T, Katsunori Kimoto N, Kishimoto AM, Kurihara T, Ishida N, Matsuura S (2009) A simple mathematical model for chamber arrangement of planktic foraminifera. FORMA 25:87–92

Art Forms in Nature | Geraldine Diem - Academia.edu (PDF) Art Forms in Nature | Geraldine Diem - Academia.edu

Wertheim M (2009) Margaret Wertheim on the beautiful math of coral. TED talk. https://www.ted.com/talks/margaret_wertheim_crochets_the_coral_reef Access-restricted-item true Addeddate 2021-11-25 16:07:11 Autocrop_version 0.0.5_books-20210916-0.1 Bookplateleaf 0008 Boxid IA40295823 Camera Sony Alpha-A6300 (Control) Collection_set printdisabled External-identifier Mertins D (2017) Bioconstructivisms 1. In: Sabin JE, Jones PL (eds) LabStudio: design research between architecture and biology. Routledge, Abingdon, pp 3–16van Embden Andres MV, Turrin M (2009) “Structural DNA.” In: Southwest ACSA conference proceedings. http://www-personal.umich.edu/~pvbuelow/publication/pdf/ACSA_09-embden_turrin_pvb.pdf Richeson DS (2012) Euler's Gem: the polyhedron formula and the birth of topology. Princeton University Press, Princeton, NJ flowers, plants, trees, botany, animals, cells, anatomy, bodily systems, weather, geology, matter, energy, fossils, any of the natural sciences, water, fire, environment, conservation, natural history, processes, evolution, birth, growth, aging, decay, change...

Karl Blossfeldt | The Glucksman

Ball A, Abel R, Ambers J, Brierley L, Howard L (2011) Micro-computed tomography applied to museum collections. Microsc Microanal 17(S2):1794–1795 Shaw MD, Szczepanski JZ, Murray SF, Hodge S, Vink CJ (2017) Ideas made glass: Blaschka glass models at Canterbury Museum. Rec Canterb Mus 31:5–84Deane W (1894) The Ware Collection of Blaschka glass models of flowers at Harvard. Bot Gaz 19(4):144–148 Sabin JE, Jones PL (eds) (2017) LabStudio: design research between architecture and biology. Routledge, Abingdon Stafford BM (1991) Body criticism: imagining the unseen in enlightenment art, science, and medicine. MIT Press, Cambridge, p 84 Sustainable art is a movement whose aims are to ignite discussion (and adjust our perception) about the way we use our resources. Sustainable art seeks to make us think more deeply about the impact that our lifestyle choices have on the planet.