DVDs, United States". Charlie Chaplin. Archived from the original on 24 December 2013 . Retrieved 23 December 2013. "DVDs, United Kingdom". Charlie Chaplin. Archived from the original on 13 March 2014 . Retrieved 23 December 2013. The Eight Lancashire Lads were still touring until 1908; the exact time Chaplin left the group is unverified, but based on research, A. J. Marriot believes it was in December 1900. [33] Between his time in the poor schools and his mother succumbing to mental illness, Chaplin began to perform on stage. He later recalled making his first amateur appearance at the age of five years, when he took over from Hannah one night in Aldershot. [d] This was an isolated occurrence, but by the time he was nine Chaplin had, with his mother's encouragement, grown interested in performing. He later wrote: "[she] imbued me with the feeling that I had some sort of talent". [31] Through his father's connections, [32] Chaplin became a member of the Eight Lancashire Lads clog-dancing troupe, with whom he toured English music halls throughout 1899 and 1900. [e] Chaplin worked hard, and the act was popular with audiences, but he was not satisfied with dancing and wished to form a comedy act. [34] Sir Charles Spencer Chaplin KBE (16 April 1889–25 December 1977) was an English comic actor, filmmaker, and composer who rose to fame in the era of silent film. He became a worldwide icon through his screen persona, the Tramp, and is considered one of the film industry's most important figures. His career spanned more than 75 years, from childhood in the Victorian era until a year before his death in 1977, and encompassed both adulation and controversy. Regarding the structure of Chaplin's films, the scholar Gerald Mast sees them as consisting of sketches tied together by the same theme and setting, rather than having a tightly unified storyline. [421] Visually, his films are simple and economic, [422] with scenes portrayed as if set on a stage. [423] His approach to filming was described by the art director Eugène Lourié: "Chaplin did not think in 'artistic' images when he was shooting. He believed that action is the main thing. The camera is there to photograph the actors". [424] In his autobiography, Chaplin wrote, "Simplicity is best ... pompous effects slow up action, are boring and unpleasant ... The camera should not intrude." [425] This approach has prompted criticism, since the 1940s, for being "old fashioned", [426] while the film scholar Donald McCaffrey sees it as an indication that Chaplin never completely understood film as a medium. [427] Kamin, however, comments that Chaplin's comedic talent would not be enough to remain funny on screen if he did not have an "ability to conceive and direct scenes specifically for the film medium". [428] Composing Chaplin playing the cello in 1915

a b Pfeiffer, Lee. "The Circus – Film by Chaplin [1928]". Encyclopædia Britannica. Archived from the original on 5 September 2015 . Retrieved 9 August 2015. AFI's 100 Years ... 100 Stars". American Film Institute. 16 June 1999. Archived from the original on 13 January 2013 . Retrieved 3 March 2023. Chaplin's final home, Manoir de Ban in Corsier-sur-Vevey, Switzerland, has been converted into a museum named " Chaplin's World". It opened on 17 April 2016 after fifteen years of development, and is described by Reuters as "an interactive museum showcasing the life and works of Charlie Chaplin". [480] On the 128th anniversary of his birth, a record-setting 662 people dressed as the Tramp in an event organised by the museum. [481] Previously, the Museum of the Moving Image in London held a permanent display on Chaplin, and hosted a dedicated exhibition to his life and career in 1988. The London Film Museum hosted an exhibition called Charlie Chaplin–The Great Londoner, from 2010 until 2013. [482] Chaplin memorial plaque in St Paul's, Covent Garden, LondonAlessandro Blasetti / Luis Buñuel / Frank Capra / George Cukor / Jean-Luc Godard / Alexander Kluge / Akira Kurosawa / Michael Powell / Satyajit Ray / King Vidor / Sergei Yutkevich / Cesare Zavattini (1982) Chaplin denied being a communist, instead calling himself a "peacemonger", [287] but felt the government's effort to suppress the ideology was an unacceptable infringement of civil liberties. [288] Unwilling to be quiet about the issue, he openly protested against the trials of Communist Party members and the activities of the House Un-American Activities Committee. [289] Chaplin received a subpoena to appear before HUAC but was not called to testify. [290] As his activities were widely reported in the press, and Cold War fears grew, questions were raised over his failure to take American citizenship. [291] Calls were made for him to be deported; in one extreme and widely published example, Representative John E. Rankin, who helped establish HUAC, told Congress in June 1947: "[Chaplin's] very life in Hollywood is detrimental to the moral fabric of America. [If he is deported] ... his loathsome pictures can be kept from before the eyes of the American youth. He should be deported and gotten rid of at once." [292] Republic Studio, Daniel J. Bloomberg, and the Republic Studio Sound Department / Walter Wanger / The House I Live In / Peggy Ann Garner (1945) The Story". Charlie Chaplin Comedy Film Festival. Archived from the original on 24 August 2012 . Retrieved 3 March 2023.

Gunning, Tom (1990). " Chaplin and American Culture: The Evolution of a Star Image by Charles J. Maland". Film Quarterly. 43 (3): 41–43. doi: 10.2307/1212638. JSTOR 1212638. Silverberg, Miriam (2006). Erotic Grotesque Nonsense: The Mass Culture of Japanese Modern Times. Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0520260085. a b c d Vance, Jeffrey (4 August 2003). "Chaplin the Composer: An Excerpt from Chaplin: Genius of the Cinema". Variety Special Advertising Supplement, pp. 20–21.Williams, Gregory Paul (2006). The Story of Hollywood: An Illustrated History. Los Angeles: B L Press. ISBN 978-0977629909. Quittner, Joshua (8 June 1998). "Time 100: Charlie Chaplin". Time. Archived from the original on 23 May 2011 . Retrieved 11 November 2013. Charlie Chaplin". British Film Institute. Archived from the original on 22 June 2012 . Retrieved 7 October 2012.

Robinson speculates that Switzerland was probably chosen because it "was likely to be the most advantageous from a financial point of view". [314] In 1992, the Sight & Sound Critics' Top Ten Poll ranked Chaplin at No. 5 in its list of "Top 10 Directors" of all time. [467] In the 21st century, several of Chaplin's films are still regarded as classics and among the greatest ever made. The 2012 Sight & Sound poll, which compiles "top ten" ballots from film critics and directors to determine each group's most acclaimed films, Vevey: Les Tours "Chaplin" Ont Été Inaugurées". RTS.ch. 8 October 2011. Archived from the original on 28 October 2012 . Retrieved 22 July 2012. (In French) Google Doodles a Video Honouring Charlie Chaplin". News18. 15 April 2011. Archived from the original on 9 May 2016 . Retrieved 15 April 2011.This memoir was first published as a set of five articles in "Women's Home Companion" from September 1933 to January 1934, but until 2014 had never been published as a book in the U.S. The controversy surrounding Chaplin increased when–two weeks after the paternity suit was filed–it was announced that he had married his newest protégée, 18-year-old Oona O'Neill, the daughter of American playwright Eugene O'Neill. [262] Chaplin, then 54, had been introduced to her by a film agent seven months earlier. [ac] In his autobiography, Chaplin described meeting O'Neill as "the happiest event of my life", and claimed to have found "perfect love". [265] Chaplin's son, Charles III, reported that Oona "worshipped" his father. [266] The couple remained married until Chaplin's death, and had eight children over 18 years: Geraldine Leigh (b. July 1944), Michael John (b. March 1946), Josephine Hannah (b. March 1949), Victoria Agnes (b. May 1951), Eugene Anthony (b. August 1953), Jane Cecil (b. May 1957), Annette Emily (b. December 1959), and Christopher James (b. July 1962). [267] Monsieur Verdoux and communist accusations Monsieur Verdoux (1947), a dark comedy about a serial killer, marked a significant departure for Chaplin.