Taylor, Ella (August 18, 2009). "Quentin Tarantino: The Inglourious Basterds Interview". The Village Voice. Archived from the original on January 20, 2022 . Retrieved March 6, 2022. Anderson, Nate (December 7, 2007). "German politician sues, unsues Wikipedia over Nazi symbols". Ars Technica. Condé Nast Publications. Archived from the original on June 4, 2009 . Retrieved September 26, 2009. She worked in the projection booth at the New Beverly Cinema—an arthouse theater in L.A. owned by Quentin Tarantino—for 10 days prior to filming. 13. The film’s title card is in Tarantino’s handwriting. executive in charge of post-production: The Weinstein Company / executive in charge of production: The Weinstein Company Leibovitz, Liel (August 21, 2009). "Inglorious Indeed". Tablet Magazine. Nextbook. Archived from the original on February 24, 2010 . Retrieved September 9, 2009.

Letterman, David and Tarantino, Quentin (August 17, 2009). "Quentin Tarantino Interview". Late Show with David Letterman. CBS. Binlot, Ann (September 30, 2016). "Academy Award Winner Christoph Waltz Talks Dom Pérignon". Forbes. Archived from the original on October 24, 2021 . Retrieved October 23, 2021. Cinema Junkie: Inglourious Basterds". KPBS. San Diego State University. August 21, 2009. Archived from the original on November 6, 2009 . Retrieved January 20, 2010. Vincent, Alice; Saunders, Tristam Fane (December 10, 2015). "Quentin Tarantino: his 10 best cameo roles". The Daily Telegraph. Archived from the original on August 12, 2018 . Retrieved August 12, 2018.Inglourious Basterds" Tarantino wanders in a fictional World War II". Le Monde (in French). La Vie-Le Monde. May 21, 2009. Archived from the original on May 22, 2009 . Retrieved July 1, 2009. Movie Review: Inglourious Basterds". ATN zone. August 27, 2009. Archived from the original on April 5, 2010 . Retrieved January 20, 2010. They spent WAY too much time on the shoshanna story and not enough on the basterds themselves, if it had just focused on the basterds with glimpses of shoshanna's activity here and there, I would've liked it better. I love R-Dogs, Pulp fiction, NBK and true romance but everything else has been mediocre to complete shit (no offense). This looks overdone, I mean the jew bear, the jew hunter, that is so dumb but he thinks it's original or something. The speech is excellent but the scalping thing never ever happened or wasn't even recorded happening once, that was just a little extra violence to throw in. I hope he edits it severely. Nevertheless, good plot and Aldo Raine is an interesting character. I hope this film turns out good, because it would be a shame. We open on a deceptively idyllic farm scene in the French countryside. A farmer and his daughters are going about their work when a train of Nazi vehicles approaches their home. The superimposition, “Once Upon a Time… in Nazi-occupied France,” is all we need to know. Inciting Incident

UPDATE: How 'Toxic' Is IFTA's Best Indies?". Deadline. September 10, 2010. Archived from the original on February 2, 2017 . Retrieved January 23, 2017. Sperling, Nicole (August 23, 2009). "Inglourious Basterds rules the weekend box office". Entertainment Weekly. Time Warner. Archived from the original on August 27, 2009 . Retrieved September 4, 2009. Thompson, Anne (June 8, 2009). "Weinstein Co. Up Against the Wall". IndieWire. Archived from the original on February 7, 2020 . Retrieved September 13, 2019. a b Kulish, Nicholas (February 15, 2009). "Winslet and Cruise Star in a German Studio's Latest Act". The New York Times. Archived from the original on December 30, 2017 . Retrieved January 20, 2010. Nakam – also referred to as "The Avengers" or the "Jewish Avengers", a Jewish partisan militia which targeted NazisJones, Rachel (August 17, 2009). "Tarantino's glorious 'masterpiece' ". The Courier Mail. Archived from the original on April 20, 2021 . Retrieved February 28, 2010. Quentin Tarantino – Film Maker". H2G2. BBC. July 16, 2003. Archived from the original on November 30, 2010 . Retrieved February 28, 2010.

Critics' initial reactions at the Cannes Film Festival were mixed. The film received an eight- to eleven-minute standing ovation from critics after its first screening at Cannes, [122] [123] although Le Monde, dismissed it, saying "Tarantino gets lost in a fictional World War II". [124] Despite this, Anne Thompson of Variety praised the film, but opined that it was not a masterpiece, claiming, " Inglourious Basterds is great fun to watch, but the movie isn't entirely engaging ... You don't jump into the world of the film in a participatory way; you watch it from a distance, appreciating the references and the masterful mise en scène. This is a film that will benefit from a second viewing". [125] When first saw this movie, I was blown away. This film is probably better than Pulp Fiction. For starters, it won and nominated Christoph Waltz so many awards along with many of the other actors and it almost won the best original screenplay of 2009. The reason why this movie is so great is because it does a good job of portraying what could have happened if the characters in the movie really did exist. Fleming, Michael (August 29, 2008). "Kruger, Waltz join Tarantino film". Variety. Archived from the original on September 23, 2009 . Retrieved January 30, 2010. Quentin Tarantino, Charlie Rose (August 21, 2009). An hour with Filmmaker Quentin Tarantino about his film 'Inglourious Basterds' . Charlie Rose. Event occurs at 10min 38s. Archived from the original (FLV) on March 4, 2010 . Retrieved February 24, 2010. Mendelsohn, Daniel (August 13, 2009). "Tarantino Rewrites the Holocaust". Newsweek. Archived from the original on June 19, 2020 . Retrieved August 17, 2020.

Guimón, Pablo (December 23, 2016). "Michael Fassbender arriesga su dinero y su reputación con 'Assassin's Creed' ". El País (in Spanish). Archived from the original on January 30, 2018 . Retrieved January 30, 2018. Wonderful, just wonderful. Tarantino did an amazing job, great story, great ending, graphic, awesome. Wonder how this will go with the movie crowd though because it doesn't have a lot of action, except for the ending and the one bar scene.

Pederson, Nicole (August 17, 2009). "The Tarantino Universe Is A Small One - Eli Roth's Inglourious Basterd Character Is The Father of True Romance Producer Lee Donowitz!". Collider. Archived from the original on January 8, 2020 . Retrieved March 7, 2022. Fleming, Michael (May 17, 2009). "Tarantino Reflects On 'Basterds' ". Variety. Archived from the original on March 3, 2012 . Retrieved December 23, 2011. Tarantino wanted Nastassja Kinski to play the role that eventually went to Diane Kruger. 9. The film-within-a-film was directed by Eli Roth. We are presented with “Operation Kino.” Shoshanna’s movie night unknowingly will be crashed by Aldo and his gang and a British Lieutenant, Hicox. They have the same goal as Shoshannah, but don’t know it. Hicox meets with Churchill to discuss meeting Bridget Von Hammersmark — Germany’s famous actress who has been working with the Allies for some time and came up with the operation to take down Germany’s most powerful inside the cinema. Plot Point TwoThe film received four Golden Globe Award nominations [143] including Best Motion Picture – Drama and Best Supporting Actor for Waltz, who went on to win the award. [144] And go easy on the grammar stuff guys. Tarantino has dyslexia, and personally I think it's all the more impressive he can write so well and be so successful with that disability. Clark, James (June 8, 2016). "10 Things You Didn't Know About 'Inglourious Basterds' ". Task & Purpose. Archived from the original on June 19, 2021 . Retrieved March 5, 2022. Col. Hans Landa, leading the train of Nazis, sits down with farmer LaPadite. They have an intense conversation, which reveals that LaPadite has been sheltering Jews in his home. Col. Landa opens fire on the floorboards of the farmers kitchen and kills an entire family, except for one person, 16-year-old Shoshanna. Plot Point One Tarantino teamed with the Weinstein Company to prepare what he planned to be his film for production. [71] In July 2008, Tarantino and executive producers Harvey and Bob Weinstein set up an accelerated production schedule to be completed for release at the Cannes Film Festival in 2009, where the film would compete for the Palme d'Or. [72] [73]