The Ashes of London: The first book in the brilliant historical crime mystery series from the No. 1 Sunday Times bestselling author: Book 1 (James Marwood & Cat Lovett)

£4.995
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The Ashes of London: The first book in the brilliant historical crime mystery series from the No. 1 Sunday Times bestselling author: Book 1 (James Marwood & Cat Lovett)

The Ashes of London: The first book in the brilliant historical crime mystery series from the No. 1 Sunday Times bestselling author: Book 1 (James Marwood & Cat Lovett)

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Oliver Cromwell was an English general and statesman who led the Parliament of England's armies against King Charles I during the English Civil War and ruled the British Isles as Lord Protector from 1653 until his death in 1658. He acted simultaneously as head of state and head of government of the new republican commonwealth.

The Ashes of London weaves a pacy story from the framework of true events. A new Shardlake may rise from the ashes' The TimesWhat did Samuel Pepys bury in his garden as the Great Fire of London blazed towards his home? The answer, one that all self-respecting pub quiz bores know, is a wheel of parmesan cheese. Sam Pepys truly is this country’s first middle-class hero. People in the 1600s did think differently to the way we generally do and Taylor puts in the different factors: fear of negative opinions of the aristocracy, distrust of those whom you don't know, a total inability to defend oneself against an employer, caution where different political or religious opinions might obtain and fear of long term dangers. You can feel the need to fear most people, most events, and anything out of the regular. Add something like this incredible fire and the destruction it caused and it would not be surprising if there were a number of strokes and other collapses during those last months of 1666. Catherine’s story is told almost entirely in the third person, which I thought rather a shame. She is the stronger and more ambiguous character, surprisingly modern in both outlook and reaction to adversity. You may change or cancel your subscription or trial at any time online. Simply log into Settings & Account and select "Cancel" on the right-hand side. There were a number of times that I wanted to query a character or the author but each time it was immediately followed by Taylor's explanation or justification.

The Great Fire rages in London. James Marwood, the narrator, who works as an underling reporter for Joseph Williamson, who in turn is in the employ of the Earl of Arlington, is despatched to discover what the feelings on the streets are amongst the populace about the conflagration. James’s father, a printer, was a convicted Fifth Monarchist, who had been imprisoned for participating in Thomas Venner’s 1661 uprising, but is now entering senility. I really enjoyed this book and was fascinated by the politics and history of the period. I look forward to reading the sequel. I found the descriptions of London vivid, convincing and authentic with every sense catered for so that I could not have been more impressed by the quality of research and realism in this brilliantly conveyed narrative. The Ashes of London has a filmic quality I thought was simply fabulous. Andrew Taylor provides a masterclass in how to weave a well-researched history into a complex plot.' The Times, Books of the Year He has won many awards, including the CWA John Creasey New Blood Dagger, an Edgar Scroll from the Mystery Writers of America, the CWA Ellis Peters Historical Award (the only author to win it three times) and the CWA's prestigious Diamond Dagger, awarded for sustained excellence in crime writing. He also writes for the Spectator.Australia retained the Women's Ashes despite it finishing 8-8 on points in the multi-format series. It’s a heavyweight piece and solid historical fiction, if perhaps not Taylor’s finest. The ending, although tying these events up in a perfectly satisfactory style, still felt slightly open, like a sequel might be in the offing. Taylor is very good at giving one the sense that much is going on behind the scenes that neither we, nor our protagonist, is aware. Although the fire is not a major focus of the story, the destruction of whole areas, and the impact on people’s lives, as well as the planning of rebuilding does play, in part, an important role. We are also reminded that some things haven’t really changed in 600 years; women are still held responsible for men’s indiscretions, and that environs of sanctuary are not a new concept.

There were a couple of things that bothered me. The protaganists had a rather too modern outlook and view of the world, especially in their attitude to religion. Religious people were depicted as either mad or bad, with very little in between and I think this is a very over-simplistic and silly depiction, especiallly in the context of the time. We meet another character Cat, she has dreams and passions for the future but she is a young lady with intelligence and desire. But now she is in dire trouble and her life is in peril. She has no choice but to run. Taylor creates fascinating characters and intermingles them with actual historical figures, yet without ever allowing the fictional characters to be overshadowed. As well as carrying the story, they facilitate the conveying of historical facts about which we may never have heard, such as the group known as the Fifth Monarchists. Still, it is Richard, Cat, Mrs. Alderley, Master Hakesby who play critical roles. Mrs. Alderly, in particular, is an interesting character. There is much more to her than we first believe. The Monday Night Club discuss whether Jude Bellingham is England's best talent since Paul Gascoigne, after he was named best young player at Monday's Ballon d'Or ceremony. If you do nothing, you will be auto-enrolled in our premium digital monthly subscription plan and retain complete access for 65 € per month.

London,1666. The Great Fire rages through the city, consuming everything in its path. Even the impregnable cathedral of St. Paul's is engulfed in flames and reduced to ruins. Among the crowds watching its destruction is James Marwood, son of a traitor, and reluctant government informer. Thrilling... Gripping, fast-moving and credible... It's a well-constructed political thriller with moments of horror, admirable and enjoyable. Taylor has done his research so thoroughly as to be unobtrusive' Spectator



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