One day, Elgin visits the narrator to talk about Louise, to talk about her cancer to be precise, which the narrator didn't previously know about. Elgin convinces the narrator that he will be able to take care of Louise, to cure her and persuades the narrator to make a heroic step of leaving Louise for her own good. After being asked, Louise tries to convince that it is not serious, that she will look for another doctor's opinion, but the narrator has already fallen down the hole of fear and making the difficult decision to leave Louise for her own good. Nevertheless, the cliché second chance at love is given at the end, but the narrator is still unsure whether this is the happy ending, unsure what comes after. They are "let loose in open fields", let loose because of the unpredictability of life, it is a satisfying ending to the novel, but it doesn't mean the end of their story. Update this section!

Leigh Gilmore, “An Anatomy of Absence,” The Gay 90’s ed. Thomas Foster et al. (New York: New York UP, 1997): 224–51. Simpkins, Laura Grace. "12 Bytes review: Jeanette Winterson on AI and making life less binary". New Scientist. Archived from the original on 22 September 2021 . Retrieved 19 September 2021. The Daylight Gate by Jeanette Winterson – review". The Guardian. 16 August 2013. Archived from the original on 4 June 2014 . Retrieved 9 October 2013. The novel breaks again from its conventional structure to offer a series of narrative poems on various parts of the body, including the skeleton, the skin, the cranial cavity, and the eye. 13y isolating and examining the parts of the body, the narrator burnishes her or his love for Louise in its particulars. Yet Winterson’s language for the first time seems less clever, less daring than before, as if by accepting the medical book’s categories and definitions her own adventurous language is stilted. These are familiar body parts, with familiar assumptions of what the body is and does. The one exception is the section on the nose, which is really a section on the scent of Louise’s vagina. In this loving, earthy detail, Winterson can shine, perhaps because she is claiming this untraveled literary territory as her own. “I shall visit her gamey low-roofed den and feed from her,” the narrator declares. The writing is provocative, and, more than in any of the other descriptions of the body parts, the narrator’s obsessive desire shines through.Winterson was born in Manchester and adopted by Constance and John William Winterson on 21 January 1960. [2] She grew up in Accrington, Lancashire, and was raised in the Elim Pentecostal Church. She was raised to become a Pentecostal Christian missionary, and she began evangelising and writing sermons at the age of six. [3] [4] Bamby Salcedo, President & CEO of The TransLatin@ Coalition Written on the Body beautifully paints the picture of what happens to people of trans experience when it comes to sexual assault and violence. This book provides the opportunity to tell our stories on a way that is our own, because these are our experiences. It is a way for us to find some type of healing, to find comfort and to provide some type of hope to many of us who are still dealing with these difficult issues. Jeanette Winterson: 'The male push is to discard the planet: all the boys are going off into space' ". The Guardian. 25 July 2021. Archived from the original on 31 August 2021 . Retrieved 3 September 2021. BBC 100 Women 2016: Who is on the list?". BBC. 21 November 2016. Archived from the original on 23 December 2016 . Retrieved 7 December 2016. I said: ‘Oh good. Now I can sleep easy in my bed tonight.’ The senior man exchanged a glance with his colleague and said: ‘So can we, laddie, so can we’. The vesicles multiplied, itched like hell, scabbed and eventually went away. I survived. But I felt as if one of the wings of the angel of death had casually brushed over my face. We never told my parents.

Jordan, Justine (24 July 2019). "The Booker prize 2019 longlist's biggest surprise? There aren't many". The Guardian. ISSN 0261-3077. Archived from the original on 4 September 2019 . Retrieved 4 September 2019– via www.theguardian.com. See, for example, Carolyn Allen, Following Djuna: Women Lovers and the Erotics of Loss (Bloomington: Indiana UP, 1996). Winterson, Jeanette (21 September 2023). "Jeanette Winterson: I didn't believe in ghosts… until I started living with them". The Daily Telegraph . Retrieved 22 September 2023. The narrator spends almost a year away from Louise, imagining her going through her treatments with Elgin at her side. However, the narrator misses Louise so much that the only way to deal with it is to learn all there is to know about the human body. Soon the narrator knows all there is to know about cancer and the systems of the body.In this section, with its poetic rendering of the corporeal self, the title of the novel should really resonate. Oddly, this fails to occur, perhaps because of the way the book itself interprets the phrase. Earlier, the narrator had noted that written on the body is a “secret code” containing the story of one’s life. This is a truly idiosyncratic view of the body. Only with a great stretch of the imagination can the body be viewed as hosting a secret code. The body is each person’s first introduction to another, a fact Winterson knows when she describes Louise 5 initial attraction to the narrator after glimpsing her or him in the park. By describing the body as secret code, Winterson has abandoned a wealth of other interpretations of the phrase “written on the body,” the most obvious being the postmodern interpretation that one’s body “writes” one’s identity. Consider how what a person looks like affects who the person is. Consider the ways one modifies oneself—the hair, the face, the body with clothing—to control the way others “read” one.

Critical discussions of the story tend to focus on whether Kafka is foreseeing the murderous regimes of Hitler and Stalin (or even the tortures practiced in our own day). Is the apparently liberal and humanitarian visitor too cautious in declaring his opposition to this brutal method of execution, which is in any case on the verge of obsolescence? Is Kafka saying that life is bound to involve suffering? These are all intriguing questions and one can speculate endlessly on what the sage of Prague is really on about. But I would like to draw your attention to a more specific point in the story. The ‘sentence’ that is written on the condemned man's body is not what is to be done to him but the lesson that the authorities say he needs to learn. In the case of the prisoner in the story it's ‘honour thy superiors’ and in the case of the officer, who eventually decides to feed himself to the machine, it is ‘be just’. Through a Disability Studies lens, Dr Shahd Alshammari of Gulf University for Science and Technology in Kuwait discusses Written on the Body, a 1994 novel by Jeanette Winterson, in terms of love and loss and the discovery of the failed and deformed body. Anna, Gabriele. Review of Written on the Body. The New York Review of Books 40, no. 5 (March 4, 1993): 22. A long and extremely thorough review which gives as much attention to previous works, particularly Oranges Are Not the Only Fruit, as it does to the subject text. Also contains references to and comparisons with other authors and/or literary works and interesting biographical details about Winterson. Jeanette Winterson's vision of the future of AI is messianic – but unconvincing". 18 August 2021. Archived from the original on 21 September 2021 . Retrieved 19 September 2021.Cath Stowers, “Journeying with Jeanette,” (Hetero)sexual Politics, ed. Mary Maynard and June Purvis (London: Taylor & Francis, 1995): 139–58. Thomas-Corr, Johanna (20 May 2019). "Frankissstein by Jeanette Winterson review – an inventive reanimation". TheGuardian.com. Archived from the original on 2 June 2019 . Retrieved 14 June 2019. Alison Booth, “The Scent of a Narrative: Rank Discourse in Flush and Written on the Body,” Narrative 8.1 (2000): 18. Heather Nunn, “ Written on the Body: An Anatomy of Horror, Melancholy and Love,” Women 70 (1996): 16–27. Ute Kauer, “Narration and Gender: The Role of the First-Person Narrator in Jeanette Winterson’s Written on the Body,” Grice and Woods 40–51. The narrator and Louise become lovers. The narrator tells Jacqueline right away, allowing her the dignity of walking away before the lies become too much to overcome. Jacqueline takes the news with outrage, destroying the apartment she shared with the narrator in an attempt to injure in response to her own pain. The narrator is not bothered by Jacqueline's anger and instead focuses on Louise. Louise tells her husband about their affair, also reluctant to live with lies. For a time Louise and the narrator carry on their relationship in her husband's house. However, Elgin eventually has enough of their relationship. Louise decides to file for divorce.

As a storytelling organization we are encouraged by projects like Written on the Body. This anthology is in the vanguard of a growing body of storytelling rooted in transgender and non-binary experiences. The acts of writing, reading and sharing these stories has the capacity to build empathy, to heal and to empower more individuals to share their stories as well. Stuart Jeffries (22 February 2010). "Jeanette Winterson: 'I thought of suicide' ". The Guardian. London. Archived from the original on 21 July 2013 . Retrieved 15 August 2011. How the world finally caught up with Jeanette Winterson". Penguin Books. 26 August 2019. Archived from the original on 4 September 2019 . Retrieved 4 September 2019. Winterson, Jeanette (12 June 2010). "Once upon a life: Jeanette Winterson". The Guardian. ISSN 0261-3077. Archived from the original on 5 July 2018 . Retrieved 12 January 2019– via www.theguardian.com.

Interesting books

The Queen's Birthday Honours List 2018". gov.uk. Archived from the original on 10 June 2018 . Retrieved 8 June 2018. Television in 1991". awards.bafta.org. Archived from the original on 26 August 2019 . Retrieved 12 January 2019. Andrea Harris, Other Sexes: Rewriting Difference from Woolf to Winterson (Albany, New York: State U of New York P, 2000). Written on the Body is one of the most honest and intimate portrayals of the emotional landscapes of survivors of sexual violence. This collection of writing is truths building history, a witness to pain, a friend to let you know that you are not alone. The harmony of these trans and non-binary voices that have been silenced for so long invite you to listen.