Batman: The Cult #1 (of 4)

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Batman: The Cult #1 (of 4)

Batman: The Cult #1 (of 4)

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Batman: Four of a Kind #1 (1995) - Collects the Year One Annuals for Poison Ivy, The Riddler, Scarecrow, and Man-Bat. From Issue 1, the hallucination of The Joker tells Bruce "he's there to educate him, just like in Sesame Street".

No One Could Survive That!: Done to Batman when he escapes into the sewer. Fortunately, Robin knows better.Batman gets brainwashed in this story, and we see him like never before. He mows people down with a machine gun in one instance, and acts like a coward in many other instances.

The next issue features a note indicating that Todd Klein was incorrectly credited as the letterer of this issue. The actual letterer was John Costanza. Batman: The Cult is a four-issue comic book miniseries. It was published by DC Comics in their Prestige Format and released in 1988. It was written by Jim Starlin, illustrated by Bernie Wrightson, colored by Bill Wray and edited by Denny O'Neil. Meanwhile in Arkham, Nashton is upset that his plan failed and wailing in his cell. A neighboring cell mate, who is largely obscured behind the steel door of his cell, proposes Nashton a riddle, asking, "Riddle me this. The less you have of me, the more I am worth." Nashton answers, "A friend." They laugh together. Tranquilizer Darts: Batman and Robin use hundreds of them during their return to Gotham. They even use them in rifles and turrets. Of course they all cause Instant Sedation. The reason the homeless - or “Underworlders” as they're referred to - are able to take over the city is mostly due to incompetence from everyone in the book, Batman included. They use the sewers as their base of operations and everyone knows this but nobody goes down there to take them out, they just allow them to skulk around and pop up. Nobody has the wherewithal to throw down tear gas and then go in guns blazing - riot police could have this situation sorted no problem.Horror: Part Psychological Horror, part Survival Horror. It makes Arkham Asylum: A Serious House on Serious Earth look like a children's movie at times. The artwork was also very good, had some good looking panels and it added to the overall gritty atmosphere. I also love Batman's design where he's this huge guy, with the long bat ears we don't see much today. The Others: Not sure about this one. It seemed to hold together as a story while I was reading it, but on analysis the holes are… maddening. Maybe they were supposed to be.

He first appeared in Batman: The Cult #1 (1988) and was created by Jim Starlin and Bernie Wrightson. [1] Fictional character biography [ edit ] Between their first encounter and the time of Eternal, the Deacon has taken over the body of Maxie Zeus, in attempt to regain entry into this world. [7] This is the weirdest Batman story I have ever read, and I have very mixed feelings about it (some spoilers ahead).But we see the GCPD fail, the National Guard fail, and Batman fail, to defeat simplistic tactics by homeless people with guns and knives. It's such bad plotting because these hurdles could’ve been jumped by any one of them if they actually behaved as they would rather than how Starlin wants them to. And the Army don't get involved because a newsreader (there's an abundance of newsreaders overused throughout to serve as both narrators and the Greek chorus - they become a hindrance to the flow of the story and tedious to read long before the end) informs us the President thinks it would be too costly to send the Army into a city in mainland US soil that's under siege! Riiiight, so if a major US city were held hostage, the government would write it off and allow it its own sovereignty? I realise “Dark Knight Rises” has this as a big part of its story but at least with the film there were large stakes – a nuclear bomb – as opposed to thousands of homeless people wandering the streets. Interestingly, The Cult also features Jason Todd as Robin and is most likely the only Todd trade outside of A Death in the Family. For once he's not annoying. This is certainly his strongest performance, one last hoorah before death. Disposable Vagrant: When it becomes apparent that the homeless of Gotham have seemingly disappeared, one cop comments that he doesn't care where they went, just that they're gone.

when you can get your hands on some stuff by Starlin but in the distinguished competition, well, it’s not brainer to buy it right away. To be fair, there are some interesting aspects of The Cult. It is easy to see how it could have inspired Christopher Nolan. In some respects, The Dark Knight Rises owes as much to The Cult as it does to No Man’s Land, with Bane using an almost religious fervour to raise an army of the dispossessed to claim Gotham as their own. Even the iconography is similar – the bodies strung up on the street lamps here evoke the bodies dangling from the bridge in The Dark Knight Rises. ( The Cult also provides the inspiration for that lovely “Batman visits Gordon in hospital, vows to return” scene.)Big Guns • Brothers in Blood • A Darker Shade of Justice • Freefall • The Great Leap • The Hunt for Oracle • A Knight in Bludhaven • The Lost Year • Love and Bullets • Love and War • Mobbed Up • On the Razor's Edge • Renegade • Road to Nowhere • Rough Justice • Ties That Bind • Traps and Trapezes • Year One



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