I also liked the interaction with Captain America, though it was laid out very oddly, with an interlude between his arrival and his reappearance, that made little to no sense at the time. Then, Spider-Man and Daredevil team up when Black Cat is arrested and Murdock is the only lawyer who will touch her (her case, we mean). Okay, and I did read it in one go, but not enough to make me love the character (unlike, for example, Kelly Sue’s Captain Marvel or the new elements introduced to the team in Gillon’s Young Avengers, which were also Marvel Now titles).

As York's tenured, however, nothing comes of it beyond a quiet apology for the 'misunderstanding' from Columbia.

The balance between his cases as a lawyer and his role as Daredevil works well, though, which is something that should always be the case. Daredevil might not make my top 10 superheroes, however, it was nice learning more about The Man Without Fear and I look forward to delving into his world again soon. It's got some Tim Sale mixed in with some more classic John Byrne style stuff, and comes across a little more classy than previous rough, noirish Daredevil art.

Even popular runs by Bendis and Brubaker followed the Miller Maxim that Daredevil must be forever picking up the pieces of a shattered life.Significant Wardrobe Shift: During the San Francisco run, without his secret identity, Matt decides to discard his regular costume for a completely red three-piece suit, but he goes back to the classic costume in the end. Daredevil is a great character, but has often been presented as too grim since the Frank Miller era. Always Someone Better: Ikari, Daredevil's Evil Counterpart, is played as this, as a heavily skilled and similarly empowered mook of Bullseye who has the ability to see.