There are concept art in the book as well, and they are great. There are designs for Dobby, dragons, props, environment art, etc. This is the only book where you can see them because there aren't any Harry Potter art books. At first, I was in love with this book. I am a big fan of the books and then the movies, and I always wondered how they adapted those wonderful books for the big screen. There is just so much information in this book, and it is presented artistically through pictures as well as words. When I finished it, I felt like I knew so much more than I could have ever asked for. However, after a while, I realized that something was missing. The book discussed the changing directors and how they brought their visions to films that became progressively more dark, but the changing composers that brought music to these films are never discussed. Being a musician, I was somewhat disappointed. I would have liked to read about how John Williams was chosen to start the series, why he left, and how he and the others created the music that brought so much feeling to these films. Emma Watson (Hermione) had a huge crush on Tom Felton (Draco) during the filming of the first several movies The stories on set designs are really interesting. You can find out how sets are constructed, like Hogswarts and all the different rooms and secret locations. I thought the underwater scene in Goblet of Fire was totally CGI but it turned out that Daniel Radcliffe actually had to swim, while holding his breath, and act in a water tank. And of course, there are details on how that water tank was built, with heaters, bacteria-killing UV lights, and the little things that don't cross our minds. The books is lavishly illustrated from production images both in front and behind the scenes - it shows a very intimate side to the films and the people who created them which is rarely seen especially on such film considering the huge budgets and massive attention they were drawing.

The book consists of a detailed chapter on each of the films, characters, costumes, locations, sets, creatures, makeup /digital effects, artifacts and prop making.An amazing Christmas gift... no way is this amazing volume going to be merely a coffee table book. I plan to read it cover-to-cover and soak up every amazing little detail that went into making this series. The Good & The Bad: I read another book on a *very* similar topic earlier this year, Harry Potter Film Wizardry. You might ask what the difference between them is, and the surface answers would be size and the fact this book encapsulates the final film, while the other (rushed out for last year's holiday gift-giving season) did not. But on a more realistic level, this is a book for a student of the films, not a fan. You have to have a real interest in production and art direction (which I'd say I somewhat do...but not quite to this degree) to really appreciate the final detail included here.

As soon as I got this book, I knew I would have to read it cover to cover to really feel complete. I couldn't just skim, I had to know everything! And it was lovely and so rewarding. I knew a lot of stuff, granted, but that's what comes with being so immersed in this universe for so long.This book has kind of made producer David Heyman one of my heroes. Love how he said he first grew interested in working on Harry Potter because he just generally adored reading so much.

Daniel Radcliffe wasn't even going to try out for the role of Harry Potter; fortunately for him, his family ran into one of the producers at an opera and talked his parents into letting him audition J. K. Rowling's Wizarding World: Movie Magic Volume One: Extraordinary People and Fascinating Places / Volume Two: Curious Creatures / Volume Three: Amazing Artifacts How I Came To Read This Book: I believe I first saw it in Entertainment Weekly and thought it'd be a good fit for my blog, so I requested a review copy. the Sorting Hat from pre-production on Harry Potter and the Sorcerer’s Stone. 8 MIDDLE The final Sorting Hat 8 ABOVE Steve Kill, a member of the design team, breaks down a group of Sorting Hat props to ready them for filming.There are exclusive photographs of the actors and the crew. There's a list of the actors' heights at the start of the franchise, in Harry Potter and the Philosopher's Stone. There's sketches of Dobby and Kreacher and Quidditch. There are concept arts. There are costumes. There are character references. This book is what happens when someone converts all the behind-the-scenes portion of the DVDs into writings on the printed papers of a hardbound tome. (And the DVD's extra features still can't compete with even half of the book.) Funny to hear actress Clemence Poesy talk about her character Fleur. She says she enjoyed playing the role, but that Fleur was just like all the girls she hated in high school. Lol The Bottom Line: A wonderful addition to any diehard Potterhead or avid movie fan's collection - but not an incredibly *necessary* one. Harry Potter: The Character Vault / Harry Potter: The Creature Vault / Harry Potter: The Artifact Vault Richard Harris actually thought the animatronic Fawkes was a real bird, it looked that lifelike on the set.

The only thing I missed, and would have liked to see was maybe a short interview from JKR herself. Although there are mentions of her collaboration in the book, it would have been nice to read her thoughts on seeing her magical world on the big screen. Having said that, if you are a fan of the movies or at least fans of the people working in the 8 HP movies, this is the one book you simply must have. If Harry Potter: Film Wizardry by Brian Sibley is the fan's ultimate fun book, this is the budding filmmaker's ultimate textbook on how to make an epic franchise that lasts a whole decade. Whatever shortcomings the films have, you can not deny that a lot of thought went into the making of the films. From casting to scriptwriting to designing sets and characters, this book reveals all of them. Admittedly, it got a little rote. The first half of the book was definitely the most interesting to me, although even then it veered into really dry territory. The second half had much less substance and was almost distracting with all the photo / captions. I mean really, did you ever really care to know what thought went into Percy Weasley or Crabbe & Goyle's "Looks"? No. All too often, the book felt like it was written for the people on the film, as a way to sing the praises of the very talented designers behind-the-scenes that you probably don't give a second thought about, but would if they weren't doing their jobs as well as they were. Sort of a catch-22. from everywhere—the best from the universities, the best from the cathedrals—and then slammed them together.” Although designed to look and feel like an enduring institution, Hogwarts has evolved to match the needs of the story over the course of eight films. “The way to go would have been to be able to read right through the seven books when we started,” Craig laughs. “But I think some of these changes and additions have added a level of interest to the films. We’ve moved things around, let things expand, had them develop, or made them disappear altogether.” Hogwarts seen through the trees from Harry Potter and the Goblet of Fire. 8 Potter and the Prisoner of Azkaban.

Really, really cool behind-the-scenes information about the production of the Harry Potter movies. I learned so much about the Harry Potter universe, the actors, and the way movies are made. Like the fact that Mafalda Hopkirk was played by Sophie Thompson, the younger sister of Emma Thompson, and Bill Weasley was played by Brendan Gleeson's son Domhnall. And that the prop crew bought sixteen Ford Anglias from around the country to use in filming. That most of the amazing props and sets were really physically made, with animatronics to make them move—like the Whomping Willow, the doors to the Chamber of Secrets, Aragog, the basilisk's head and 25 feet of its body, etc. The wizard's chess scene was done entirely in real life—the only effects they added digitally were some extra dust and debris for the explosions. They built those giant pieces and actually blew them up on-set. In addition to his role as a Weasley twin, James Phelps also served as an assistant director on the "Half-Blood Prince" set.