However, despite the boots' obvious importance to him, he would repeatedly lose them or have them stolen. Billy loved football but was unfortunately one of the worst players in his school. However, when clearing out his grandmother’s attic he came across a battered old pair of footie boots that once belonged to ‘Dead-Shot’ Keen, a legendary player of yesteryear who had also been part of the England international team. When Billy put them on he discovered he could suddenly play in the style of Dead-Shot, with the boots having a seemingly supernatural power to improve his skills and guide his actions on the football pitch… In October 1971, John Gillatt took over the art for a 16-year run which truly defined the strip in readers’ eyes and minds, but that’s a treat for another volume… Remember Billy Dane? The kid who found an ancient pair of football boots that once belonged to professional footballer Dead-Shot Keen? And how those boots magically enabled Billy to play superbly in Dead-Shot's style? Billy's Boots was a popular British comic strip by writer Fred Baker and artist John Gillatt, later continued by Mike Western. The original Billy's Boots was an earlier humorous series, written and drawn by Frank Purcell, which appeared in Tiger from December 23rd 1961 until July 13th 1963, with a similar premise to this later series. The later more serious Billy appeared in the first issue of Scorcher in 1970, [1] and later moved to Tiger when the two comics merged in 1974. In 1985, Tiger in turn merged with Eagle and the strip moved again. Just a year later, Billy's adventures relocated once more, this time to Roy of the Rovers. New adventures were included in the weekly comic until May 1990 (later followed by reprints), before he switched to Best of Roy of the Rovers Monthly. The strip also appeared in annuals, including annuals for comics which had themselves ceased publication. The strip is still fondly remembered by fans of the "golden age" of British boys' comics. [2] In Finland and Sweden, Billy's Boots was published in Buster magazine. In the UK, stories based on Billy's earliest adventures appeared in Total Football magazine until it closed in 2001, and Billy's story was also reprinted for a few months in the defunct Striker comic.

However, despite the boots’ obvious importance to him, he would repeatedly lose them or have them stolen. Among its most memorable treasures was Skid Solo, Johnny Cougar, Rod and Line, Hot Shot Hamish, Nipper, Football Family Robinson, Billy’s Boots and Roy of the Rovers… Shoot launched in 1969, a junior, comics-heavy version of adult magazine Goal (which it eventually absorbed!) and Striker in January 1970. Its lead strip would graduate to The Sun newspaper. This astoundingly absorbing classic is another perfect example of purely British comics sensibilities: passionate, idealistic and desperately earnest as it follows the path of a working class hero navigating a treacherous path to glory or dismal defeat. This is a welcome reintroduction: inspirational, warm, beautifully rendered and absolutely unforgettable. Another treasure-trove from Rebellion’s ever-expanding Treasury of British Comics, this tale span generations and demands to be in every family bookcase. Join us at the start of a stunning saga which entertained football fans for over twenty years! Buy the hardcover now >> Buy the digital edition now >>The series concerned Billy Dane, a schoolboy and aspiring footballer, who was an extremely poor player until he discovered a pair of old style, ankle high, football boots while cleaning his grandmother’s loft. The boots, which his grandfather had bought as a souvenir, had belonged, decades before, to a famous professional striker called Charles “Dead Shot” Keen. In a manner which was never explained in the story, the boots possess special abilities which turn Billy into a fantastic football player when he wore them. In addition to giving Billy the physical skill to score great goals, the boots also granted him the intuition to be in the right place at the time on the pitch, leading him to feel that they have a “mind of their own”. Story overview [ edit ] The moment when Billy found the boots, from the first issue of Scorcher in 1970.

The artwork for the final episode was by Jaap Verwey, who also drew for the Dutch version of Bunty.Writer Fred Baker ably mixes the soap opera elements (Billy’s problems at school with other pupils and teachers, his worries for his gran who he lives with) with the sporting action (both the school teams and other clubs Billy goes on to represent). Those coming in to the strip afresh will need to accept that it was structured for weekly, incremental delivery – a constant rhythm of resolving the previous week’s cliffhanger, moving the action onwards, and then setting up that week’s cliffhanger. And, of course, collected in one place the repetitive elements that young readers will not have noticed over two years stand out all the more noticeably. Billy’s “magic” boots are regularly in jeopardy (something that would be a feature of the comic throughout its history), frequently needing to be rescued after being lost, thrown away, damaged and so on. The boots endowed Billy with sufficient ability to make regular appearances in schoolboy representative matches, appearing for Southern Schools against their Western, Northern and Eastern counterparts, and the full England Schoolboys team, with whom he travelled on tours to France and Germany. Billy's Boots used to be regularly translated into Bengali and published in the popular Bengali monthly magazine "Shuktaara" as "Billir Boot", circulated mainly in West Bengal, India. Its Bengali version also appeared in Anandamela Pujo Sonkhya (Festival edition). Unfortunately, being so old, after he wears them a few times the boots soon fell apart, and were unable to be repaired. Billy, fearing that he would lose his new-found ability and knowing that “Dead Shot” Keen had played for the local club, Amhurst Albion, decided to go to their ground to see if any of Keen’s other boots remained there. Having secretly entered the stadium, he found the boot room, and discovered another pair of Keen’s old boots which, much repaired, he used for the remainder of the story.