In this bold, first-of-its kind collection, East Side Voices invites us to explore a dazzling spectrum of experience from the East and Southeast Asian diaspora living in Britain today. Je suis vraiment contente de l'avoir vu "parce qu'une actrice que j'aime en parlait" et qu'au final, c'était instructif et très important. Once Upon a Time in... Middlesex when Helena Lee describes how upset she'd get doing her Chinese school homework and feeling like the language didn't belong to her anyway. Dazzling . . . East Side Voices is a thoughtful, painful reminder of the grand narratives that get buried under belittling stereotypes’ Bidisha, Observer It is a testament to the quality of each author’s writing that despite the brevity of each account, I became deeply invested in their stories. I also found myself reflecting on my own experiences and difficulties as an Asian immigrant with greater clarity and understanding.

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All the anthology contributors are incredibly successful: society’s winners, global third-culture kids. As Chinese-Malaysian novelist Tash Aw writes poetically“: “We revel in the three-dimensional nature of our hybrid cultures and languages, rejoicing in the fact that we have an instinctive understanding of how the south-east Asian archipelago weaves its cultural connections.” Yet many of the testimonials demonstrate that no amount of privilege protects you from the racism of others. East Side Voices is a thoughtful, painful reminder of the grand narratives that get buried under belittling stereotypes, of how progress can also regress and how self-actualisation, self-discovery and personal excellence still grate against the perceptions of strangers. I did struggle a little with some of the essays feeling a little repetitive, and so short I struggled to really engage with them or the writers. I also felt that some of the essays were written for the purpose of promoting the writers’ non-writing activity rather than an enhancement to the collection of essays as there was little depth or exploration within them.

Asian women are blighted by racist and sexist tropes: the demure, obedient little woman; the steely, relentless Tiger Mothers; and the sexy, compliant super babes. Discussing passing for white, mixed race writer Rowan Hisayo Buchanan, recounts the times she has passed but wished she hadn’t. Such as when white men tell her they rate women by race, White, Asian, and Half, wearing their racism with a strange kind of pride. Women are guilty of blatant racism too, like the random woman who says, “Alright, Ching Chong?” as Hisayo Buchanan walks past.

East Side Voices by | Hachette UK East Side Voices by | Hachette UK

East Side Voices is a collection of essays written by people with East and South East Asian identity that lives in Britain. The themes and topics explored in this were very wide, which i appreciate. Every single essay is different from one another as they are all written by different people so it was refreshing to hear about each of their experiences but at the same time, the heart of the essays are the same which is about their journey of assimilating and accepting their identity and their experiences being Asian in Britain. Many of the essays discuss the unseen but inherent racism toward the Asian community in art, and media…which I rarely see discussed but is important that it is. The essays were compiled recently and there were frequent references to covid and the impact that prejudicial misinformation has had on Asian lives. A couple of weeks later, I came across an article written by the journalist Dan Hancox in the Guardian. I had thought I was pretty familiar with the long history of anti-Asian racism and discrimination in the UK and elsewhere; the shifting stereotypes, the scapegoating, Yellow Peril and the like, and the erasure of the contributions of the 140,000 men of the Chinese Labour Corps who risked their lives carrying out essential work for the allies in the first world war. But this was a story I had never heard before. One of the saddest stories concerns Claire Kohda, daughter of a Japanese mother and English father. As a child she visits her father’s parents, dreading the lukewarm reception she and her mother always receive. Surprisingly, her grandmother has painted a portrait of Claire, which is and isn’t Claire. Her grandmother has painted her as perhaps she would like to see her: her skin lightened, her features made more European. It is a devastating example of passive-aggressive racism.

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Publishing in January 2022, EAST SIDE VOICES is a first-of-its-kind essay anthology that showcases the brightest East and Southeast Asian voices in Britain today. E ast Side Voices boasts contributions from a dazzling range of east Asian and south-east Asian public figures, from Eternals actor Gemma Chan to model Naomi Shimada. It grew out of a salon convened by the book’s editor – and acting deputy editor of Harper’s Bazaar – Helena Lee in February 2020, just before the pandemic that Donald Trump branded the “China virus” and “Kung flu”, fuelling a wave of racist violence against east and south-east Asian people.

East Side Voices by Various, Helena Lee | Waterstones East Side Voices by Various, Helena Lee | Waterstones

Enjoyed reading most of them very much. Fab collection. Very surprised to see Tash Aw in it (pleasantly surprised). 4 and a little more but rounded off to a full 5-star rating. I like how different each story was. This just felt like something that needed to be published. Haven’t read anything quite like this collection before. Very well edited, and for the most part, very well written too. Might write a longer review later. Maybe… My dad isn’t a man of many words, but that night he’d had a few glasses of wine. He told us that he used the bag regularly, despite its pristine appearance, and that the last time he’d used it in the local M&S the cashier had shrieked, “Oh my lord, I haven’t seen one of these in years,” and made the other members of staff gather round to take a look. This moment perfectly encapsulated what I would describe as Dad’s Golden Rule No 1: nothing goes to waste, which applies equally to food, clothes, household items, cars – everything really. Things will be used until they break, if they can be mended they will be mended, but rarely will anything be thrown away. This was established in his childhood out of necessity, but even now, in relative comfort, he still treats everything with such care and hates wastefulness. For ESEA people, East Side Voices is a testament to the little piece of Britain that our communities have carved out for ourselves. It reminds us that we are not alone. For all readers - not just ESEA people - this book is a fantastic insight into the experiences of what it means to be ESEA in a country that has by and large overlooked us. May East Side Voices be the first of many works dedicated to our peoples, our cultures, our struggles, and our triumphs. The essays are sharpest when various forms of objectification intersect – for example when sexual and racial abuse combine, as with novelist Sharlene Teo’s excellent, self-lacerating piece on exotification: “Once, a man followed me down a platform at Paddington station, chanting ‘ ni hao, konnichiwa, sexy sexy’ and I told him to get lost – only for him to start shouting and running after me.” Gemma Chan on the truth about her father’s life at sea: ‘He knew what it was like to have nothing’ The fact that there is a glimmer of resemblance between this anecdotal snippet from someone who frequently walks the red carpet and my own upbringing reminds me that we may all have shared pasts in some way or another, no matter our present or future.Timely and urgent, “East Side Voices” is a first-of-its kind collection exploring a spectrum of experience from the East and Southeast Asian diaspora living in Britain today, and the creation of Harper’s Bazaar’s features director, Helena Lee. It’s a continuation of the platform she founded in February 2020 to raise the visibility of talent of East and Southeast Asian heritage. Slowly regretting putting this off for so long because this was amazing and it took me less than a day to finish. During my childhood, my dad was the most selfless and diligent father. His love for my sister and me was expressed not through words but through small acts of devotion: always cutting fresh fruit for us; making sure we drank two full glasses of milk each day so our bones would grow strong (milk being a luxury they rarely had in Hong Kong); patiently teaching us how to swim (Golden Rule No 2: learn how to swim). However, when I was younger, there were some things about him that I found hard to understand: his obsession with education, his aversion to waste of any kind, his insistence that we finish every bit of food on our plates; and his constant reminders not to take anything for granted. It was because he knew what it was like to have nothing. I discovered this book thanks to the actress Gemma Chan whom I adore enormously. She also wrote an essay for this book, so I bought it haha. Contributors including Harry Potter actress Katie Leung and Andrew Wong, the chef-founder of the two Michelin-starred restaurant in Pimlico, share their thoughts on the legacies of family history, racial identity, assimilation and difference.

East Side Voices by Helena Lee | Goodreads

How long have you had this?” I asked in amazement. He shrugged. This was no ordinary plastic bag. Indeed, the bag was not of this millennium. It's astonishing that I'm 26 now and I've never read a book like this before. I've read books like The Good Immigrant, but never one that's focussed entirely on the experiences of east Asians in Britain. I'm so glad this book exists. I realised that farming was the link to everything. Food and the making and growing of the food were the thread that tied so much together: the rhythms of farming, the myths of farming, the spirits and gods and souls of everything in the jungle. And so I learnt that I am from the jungle, no matter how far I am, the rituals and rhythms of the soil of the jungle sit within me.’ Gemma Chan’s father in 1975, during his time in the merchant navy. Photograph: Courtesy of Gemma ChanThis book was a great insight into the lives of individuals in the East and Southeast Asian (ESEA) community living in the UK, and some of the difficulties they have faced as a result of being from this community. Most poignant to me were the stories of the desire to assimilate and be accepted, and the associated hardships. As someone from the ESEA community who lives in England, I truly resonated with many of these accounts. I wish that I had read this book much earlier in life. Reading this book was so therapeutic. I often feel like I'm in between cultures, not Chinese or Malaysian enough to be either, but also not fully British or English. Reading essays from people who have also experienced life like this was very enriching and validated a lot of feelings I've had while growing up. HL: I really wanted a diversity of voices within the collection, to learn about areas I wasn’t especially familiar with, who could draw us into their worlds with their strength of storytelling. So, we had writers like the gal-dem contributor June Bellebono, who showed us the experience of a trans spirit festival in Myanmar, and how that changed the way they saw themselves. There are untold narratives brought to the fore, such as the actor Gemma Chan’s essay on the Chinese Liverpool seamen, who were secretly deported from Britain, and the writer Claire Kohda’s devastating piece on how her Caucasian grandmother erased Claire’s Japanese heritage in an acrylic painting she made of her. I appreciate that this essay collection, not only is wide ranging in their topics and themes but also very much intersectional. My favorite essays are probably by June Bellebono who talked about the trans community in Myanmar; Anna Sulan who wrote about her migration story and her identity of having a white mother and an Iban father; and Helena Lee who talked about her guilt and experiences of wanting to belong that when she was little she distanced herself from her heritage, dismissing her parents' experiences of being immigrants and how she finally came to understand it as she grew older (there was a paragraph where she talked about how she realized how different herself is from her friends by all the enid blyton's books she has read and it reminded me of my sixth grade self). I also really liked the fact that these essays were written by various figures, ranging from journalists, actors, poets, and even chefs. Drawing on her more than 10 years of experience working at Harper’s Bazaar – where she is responsible for the publication’s art and culture content, often collaborating and commissioning award-winning writers and artists, the collection brings together a selection of original essays and poetry from celebrities, prize-winning literary stars and exciting new writers.