This sumptuous and faithful graphic novel of the 1911 suffrage classic brings to life the exciting story of gender, class, the ethics of civil disobedience and the right to be equal before the law – offering an accessible, entertaining and rewarding read to a new generation. Illustrating London in 1910 required research. No Surrender has a deeply immersive world for the words to play out across. Tressell was a decorator who wrote about economics from his working-class point of view, and died in poverty in 1911 before it was published,” says Scarlett. “It was a difficult book in prose form, and we wanted to make it more accessible because it contains important ideas.”

No Surrender – Constance Maud’s 1911 Novel on Women’s Fight No Surrender – Constance Maud’s 1911 Novel on Women’s Fight

No Surrender was first published in 1911, the year women across the country boycotted the British census by spoiling forms with the words “I don’t count so I won’t be counted” and “no persons here, only women.” Pioneering Suffragette Emily Wilding Davison loved it, pronouncing that it “breathes the very spirit of our women’s movement” – a spirit that lives on in this new graphic novel edition. The sisters scored a publishing sensation in 2020, when their graphic novel adaptation of Robert Tressell’s seminal socialist novel, The Ragged Trousered Philanthropists, illustrated the thirst for this type of story. No Surrender is like a sister volume to The Ragged Trousered Philanthropists,” says Scarlett. “Maud was an active suffragette, writing fiction in the same era about her authentic experience of living a marginalised life. While The Ragged Trousered Philanthropists examined the arguments for and against socialism, No Surrender explores the battle for equality, how women were regarded, and the ethics of civil disobedience.” Jenny Clegg is a Lancashire mill-hand with dreams of equality and freedom. Along with friends from every walk of life, she brings the fight to the Prime Minister’s door – and suffers for her cause. Written by a Suffragette from the heat of the battle, this novel is a vivid social record of a tumultuous era, told through the lives of a broad cast of powerful characters.Jenny Clegg is a wonderful working-class hero,” says Sophie. “We were drawn to her vitality and turn of phrase because of our childhoods. No Surrender was written in part as a recruiting tool for the suffrage movement, and the way it explores things from the point of view of all kinds of women from all walks of life adds to the sense of unity. Jenny, Mary and Alice all have individual strengths and challenges, and there is something there to relate to.” The story of the lives of the people who feature in the novel are well described and contrasted. Jenny works in the mill, partly to help support her family, in which her demanding father is never satisfied, her downtrodden mother scrapes to find enough food, and Peter, her brother is still recovering from work related illness. A sister has been ill treated by her husband and deprived of her children. Jenny’s focus has become the fight for the vote for women which she sees is the route to equality before the law and genuine hope for women. A male advocate of the socialist cause is interested in Jenny, but she knows that their paths lie in different directions, and that her solidarity with the cause and other women may well end in her imprisonment. Meanwhile wealthy women are being criticised by their acquaintances and even their families for wanting to stand with the women’s cause, and indeed witness the formation of anti-suffragist groups. Not that men are excluded – they are often opposed to the fight but some clear sighted men are sympathetic and supportive. There are crises throughout the book – as arrests are made and protests occur in prisons which test everyone’s beliefs. A young woman is arrested for her desperate acts, and it takes extreme events to bring about life changing decisions.

No Surrender by Sophie Rickard published by Selfmadehero No Surrender by Sophie Rickard published by Selfmadehero

As they saw the success of their work translating Tressell into another literary form, Maud’s book came on their radar. This is a fascinating story and equally an important piece of social history – deserving a modern audience. But written in a language that reads like a period piece, No Surrender was ready to be updated. Constance Maud was at the heart of the British campaign for women’s votes. Her novel No Surrender was published at the height of that struggle and used as a persuasive tool by suffragists.

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Our graphic novel of The Ragged Trousered Philanthropists has gone down well with people who love the original, and with people who’d never heard of it before,” says Scarlett. “The graphic storytelling medium has made Tressell’s political ideas accessible to a new generation. It’s a great way to revive older books that deserve more attention.” Constance Maud was at the heart of the British campaign for women’s votes. Her novel No Surrender was published at the height of that struggle and used as a persuasive tool by suffragists. Hailed by Emily Wilding-Davison as “a book which breathes the very spirit of our Women’s Movement”, the fast-paced story interweaves the lives of women from all classes working together to bring about change. Our hero Jenny is a small but fierce Lancashire textile mill worker who puts principle before everything. No Surrender is sometimes funny, sometimes violent, but always exciting and authentic. It is highly regarded as an important document of the arguments for and against extending votes to women, for its witty storytelling and for an unflinching depiction of the rapid escalation of violence encountered by the women involved. The original novel is written in a visual style, and was less of a challenge to adapt than The Ragged Trousered Philanthropists. What makes No Surrender work is the way the relevance to our current lives shines through the story.

No Surrender review: graphic novel reworks Suffragette classic

Edwardian novels can be long-winded and heavy going, but in this format you get pure action. A story all about ‘Deeds not Words’ is ideal for the graphic format.”We saw its potential,” adds Scarlett. “The novel stands the test of time, although we edited out several instances of racist cultural norms. It shows even people with equality in their hearts can have blind spots.”