This book was enjoyable, but it felt very debut-ish to me. There were a lot of times I just felt the writing didn't quite flow, and it was hard for me to become immersed in the story. The ending was pretty good though, and I think the sequel will be much better. Naala and Sinai have different personalities and experiences, but there are clear parallels between them and their paths. Both are considered to be unconventional, but they express this distinctly. Naala disturbs the other villagers by questioning their customs—and is punished for daring to disagree with their chief when she insists the group approaching is a dangerous army rather than tax collectors—and confounds them by rolling around in the dirt in her wedding dress and climbing trees. She’s more naturally inclined to take matters into her own hands than Sinai, who does not want to draw attention to herself. Sinai puzzles others by dreamily wandering the palace lost in her own thoughts, and she can be rather naive about the social workings of the nobility. Though their situations are not similar, the broad strokes share common elements. Both find friends and allies among others with similar goals and values, and both of their stories are about survival. Naala literally learns to survive in the wilderness after escaping the village with her life, and Sinai’s story is about survival as a woman surrounded by powerful men after escaping the fall with her life. I think this might even be more of a problem with the editor, because I think if I read this as a manuscript in maybe its fourth draft, I'd think it was great. I genuinely had to just keep telling the editing side of my brain to shut up and let me enjoy the story, but it just felt rough around the edges. What I wouldn't give to go at this book with an editing pen! That isn't to say there weren't plenty of scenes that were great, but then I felt like I was noticing the fact that it was a good scene instead of just experiencing the story.

According to other authors, Eri, the god-like founder of Nri, is believed to have settled the region around the 1500s. [6] [7] The first eze Nri (King of Nri), Ìfikuánim, follows directly after him. According to Angulu (1981), oral tradition suggests an accession of Eri in 1043. [ contradictory] [7]

To be entirely honest, I think a lot of the issues I had with this book mostly resulted from the fact that I'm currently editing a project of my own, so I've been coming at a lot of my recent reads with a very critical eye. That means that there were just a lot of odd choices I noticed that really took me out of the story and prevented me from being fully taken in. A lot of the dialogue feels a little clunky, and there were some scenes that I wasn't quite sure had to be there. I was so mad because I didn’t like the way the author wrapped up their storyline. Why is it a trilogy. I’m so dumb, I thought it was just a duology.

But with beasts lurking far and wide, will they be able to do so before the kingdom succumbs to its looming curse? I really enjoyed reading Daughters of Nri! The cover art is stunning! It is based in the Kingdom of Nri which is now Nigeria. So in a way it is a historical fiction I think? The story involves a lot of political and religious elements along with some fantasy. The nature and people are described colorful, I loved Amayo's writing it made everything spring to life. The story follows Naala and Sinai, twins seperated at birth. They grow up thinking they are human. But in truth they are Goddesses and the ones left to defeat Eze Ochichiri, the ruler of Kingdom of Nri who is mighty and caused the Gods to leave. He does everything to keep his position safe, lives don't matter. An important symbol among the Nri religion was the omu, a tender palm frond, used to sacralize and restrain. It was used as protection for traveling delegations or safeguarding certain objects; a person or object carrying an omu twig was considered protected. [13] The influence of these symbols and institutions extended well beyond Nri, and this unique Igbo socio-political system proved capable of controlling areas wider than villages or towns. [11] Expansion of the kingdom of Nri was achieved by sending mbùríchi, or converts, to other settlements. Allegiance to the eze Nri was obtained not by military force but through ritual oath. Religious authority was vested in the local king, and ties were maintained by traveling mbùríchi. By the late 16th century, Nri influence extended well beyond the nuclear northern Igbo region to Igbo settlements on the west bank of the Niger and communities affected by the Benin Empire. [5] There is strong evidence to indicate Igbo influence well beyond the Igbo region to Benin and Southern Igala areas like Idah before the arrival of the Nri. At its height, the kingdom of Nri had influence in over roughly a fourth of Igboland and beyond. [2] Nearly all communities in Igboland were organized according to a title system. Igbo west of the Niger River and on its east bank developed kingship, governing states such as Aboh, Onitsha and Oguta, their title Obi, [11] apparently from the Benin Empire's Oba (this is debatable however, because the word "obi" in most Igbo dialects literally means "heart" and may be a metaphorical reference to kingship, rather than a loanword from Yoruba or Edo)Onwuejeogwu, M. Angulu (1981). An Igbo civilization: Nri kingdom & hegemony. Ethnographica. ISBN 978-123-105-X.