The new Mutator, called PhazDiff, creates a new waveform which is derived from the difference between the incoming waveform and its inverted and phase-shifted counterpart. Built in Sine & Triangle, OSC1, OSC2, OSC3, Mutators A, B, C, D, Noise gen, Ring Mod, External Mod 1&2 input. Buy the ASM Hydrasynth Desktop synth from PMT Online now and begin a musical journey with the Hydrasynth as your passport. Hydrasynth Firmware Update Filter 2: 12 dB (SEM-style) per octave, includes Continuous Sweep from lowpass, bandpass, up to highpass) With the keyboard version of the Hydrasynth, you get a 49-note keybed with polyphonic aftertouch. Not only is this is an excellent synth for connecting to external controllers and sequencers; it’s an all-encompassing performance instrument in its own right.

ASM Hydrasynth Desktop | Music Matter

The response is pretty much perfect too – not too hard to trigger, not too easy. This is reason alone to buy it, and an achievement all round. All three oscillators can access any of the 219 available waveforms; these include the expected analogue modelled waves, plus families of more exotic fare, with names such as Cluster, Flux, Vokz, Klangor and Scorpio. The tonal qualities of each are rich, varied and best experienced by trying them out while watching the oscilloscope. I did initially wonder whether a couple of hundred waves would be enough, but since the Hydrasynth offers myriad ways to twist, squash, mash and trash them, it should be ages before you try every combination.PW-ASM: Divides the incoming wave into 8 slices and lets you set the amount of FM that is applied to each segment. This is FM unleashed. As well as performance controls, we saw earlier how straightforward it is to rope in conventional modulators. Of those, the five LFOs are identical, having all the expected waveforms, noise, plus a user waveform with up to eight steps. Each step of this 'almost sequencer' is programmed by those ever-present encoders, with a smoothing option if necessary. These are substantial instruments, weighing in at 10kg and 3.6kg respectively, with no skimping on I/O. MIDI is available over USB and a full complement of 5-pin ports. The keyboard model has a ribbon controller running almost its full length, and on both versions, every knob, button and encoder feels solid and trustworthy. The Colour Of Magic

Hydrasynth Desktop | Ashun Sound Machines

The second filter works similarly to the classic SEM filter. It is a 12dB per octave and gives you a continuous sweep from Low pass, through bandpass and up to High Pass. It is extremely well thought out in terms of the human interface with 26 access buttons for each major function and 8 knobs to deal with parameters. Amending or starting a patch from new is a total breeze, I find myself able to put very 10 complex patches together in under an hour. With the desktop version of the Hydrasynth, you get 24 touch-sensitive polytouch pads and a powerful customisable sound engine in place of a keybed. Not only is this is an excellent synth for connecting to external controllers and sequencers; it’s an all-encompassing controllable instrument in its own right. Three oscillators are on board the ASM Hydrasynth Desktop and give you the choice of 219 single cycle waveforms.My process for setting up a patch in this style is fairly straightforward, though it should be understood that our results will be more suited for sound effects and textures, as they forego conventional notes and pitches. First, I like to tune an oscillator down as low as it will go. By default, Hydrasynth lets you tune an oscillator down as far as 36 semitones, or three octaves, below the note being played, but we can push the pitch down even further by applying an envelope or two with maximum sustain as pitch modulation sources with negative depth. This would be equivalent to using a voltage offset generator in the context of a modular patch, which is helpful for something like turning a self-oscillating filter into an LFO, for example. It really is an all purpose tool and it does not surprise me why it has received the praise that has been heaped upon it since it's launch late last year. With 32 slots to fill, the Hydrasynth's matrix is the tool for programming the interaction with those expressive controllers. It can reach parts of the synth not always open to modulation, such as the effects, arpeggiator parameters, envelope stages and even the levels of other slots, with only a few omissions as of the current firmware (such as Glide and envelope shapes).