Hotjar sets this cookie to identify a new user’s first session. It stores a true/false value, indicating whether it was the first time Hotjar saw this user. Verma, T. S., Levine, S. N., & Meng, T. H. Transient modeling synthesis: A flexible analysis/synthesis tool for transient signals. In Proceedings of the International Computer Music Conference (pp. 48–51) (1997). Inherently collaborative, the first published Deep Listening scores and activities (Sonic Meditations, 1971) were workshopped in the context of a female-identified collective, the fem-ensemble, over a period of many months. From the 1980s onwards, Deep Listening workshops, retreats, and the Deep Listening Certification Program were developed and facilitated in close partnership with playwright IONE (also Oliveors’ life partner) and movement artist Heloise Gold. Today, the philosophy and practice of Deep Listening continues to evolve through a growing international community of listeners. Pauline Oliveros on Deep Listening What is the difference between hearing and listening? Does sound have consciousness? Can you imagine listening beyond the edge of your own imagination?

Quantum Listening – Presse Books

What are some best practices or tips to communicate empathetically in different situations or channels?For a kid on a swing, these quantum steps are so tiny that they are too small to notice. Until recently, the same was true for radio waves. However, the research team in Delft developed a circuit that can actually detect these chunks of energy in radio frequency signals, opening up the potential for sensing radio waves at the quantum level. What is the difference between hearing and listening? Does sound have consciousness? Can you imagine listening beyond the edge of your own imagination? Delle Monache, S., Rocchesso, R., Bevilacqua, F., Lemaitre, G., Baldan, S., & Cera, A. (2018). Embodied sound design. International Journal of Human-Computer Studies, 118, 47–59.

Quantum Listening – Pages of Hackney Quantum Listening – Pages of Hackney

I find Oliveros’s pursuit of an enhanced sensorial experience more persuasively formulated in her music than her writing. The consequences of that intensified sense of receptivity can be heard throughout the brilliant 1989 album Deep Listening in which Oliveros on accordion, trombonist Stuart Dempster and vocalist Panaiotis recorded a sequence of sustained tones within a hulking subterranean cistern, built by the US military in Washington State. A great curtain of sound sweeps through the space – blurred in on itself by the 45-second reverberation time. Slowly, imperceptibly, the concrete cavern becomes a resonating chamber. An instrument in its own right.Letting go of a need to be right and genuine listening takes focus, concentration and is definitely work. The purpose of dialogue reminds us that listening for understanding is an exchange of ideas whose purpose is obtaining insights unavailable in the beginning. Being fully present is autumn listening; we learn to trust, let go of agendas and our attachments to them.When I do, l appreciate why someone supports or opposes an idea or position. I begin listening for commitment; my own and the other person’s perspective taking and meaning making. Sound can clarify what at first seems invisible. The late Pauline Oliveros – American avant-garde composer and hippy theorist – was a keen scholar of how reformulating the act of listening (into ‘Deep Listening’) can conjure timescales beyond conventional comprehension. Oliveros’s life was dedicated to expanding our field of sensory perception via these idiosyncratic philosophies, which she developed from the 1970s onwards, initially as a response to the Vietnam War and the self-immolation of a protester at USCD, where she was teaching at the time. Oliveros found herself turning inward from the horror, sometimes meditating on a single drone, which she would play on her accordion. Palazzeschi, A. La fontana malata, from Poemi. Firenze, Cesare Blanc (1909). Retrieved from https://www.pensieriparole.it/poesie/poesie-d-autore/poesia-38384.

Pauline Oliveros – The Center For Deep Listening

Lemaitre, G., & Rocchesso, D. On the effectiveness of vocal imitations and verbal descriptions of sounds. The Journal of the Acoustical Society of America, 135(2), 862 (2014). Retrieved from https://iris.unipa.it/retrieve/handle/10447/370549/745030/1.4861245.pdf. This podcast takes you behind the scenes into the world of quantum computing research: through conversations with researchers, we explore the latest a ... nd most exciting ideas in the field. The podcast is aimed at anyone interested in quantum computing. more She challenged not just traditional notions of musical beauty, but also traditional gender dynamics… She believed in the old-fashioned yet radical notion that music can have healing power.’ New York Times Weimer, H. Listen to quantum computer music. http://www.quantenblog.net/physics/quantum-computer-music. Accessed 02 Jan 2021 (2010).

anchor.fm/thequantumpod/episodes/Christopher-Savoie-and-Building-Quantum-Software-for-Enterprise---Episode-1-eup9ov Pauline Oliveros and the Quest for Musical Utopia Hannah Christina Mclaughlin Brigham Young University Electron microscope picture of the quantum circuit built by the researchers. The width of the picture corresponds to only a third of a millimetre. Credit: TU Delft Through Pauline Oliveros and Deep Listening I finally know what harmony is... It's about the pleasure of making music.