Heaney takes Narcissus' folly and re-casts it into a more noble pursuit of introspection and reflection. His environment is therefore an inspiration and nourishment to his soul. For Heaney self-reflection is important in adult life.

‘I Love Trying to Make the Viewer Self-Conscious’: How Rising

Schaefer, R. S., Desain, P., & Farquhar, J. (2013). Shared processing of perception and imagery of music in decomposed EEG. NeuroImage, 70, 317–326. https://doi.org/10.1016/j.neuroimage.2012.12.064 Tactile: appeals to the sense of touch by describing how something physically feels, such as its temperature, texture, or other sensation. Moreno, S., Marques, C., Santos, A., Santos, M., Castro, S. L., & Besson, M. (2008). Musical training influences linguistic abilities in 8-year-old children: More evidence for brain plasticity. Cerebral Cortex, 19(3), 712–723. https://doi.org/10.1093/cercor/bhn120 This poem by William Carlos Williams features imagery and, in fact, is an example of Imagist poetry. Imagism was a poetic movement of the early twentieth century that veered away from the heavy description that was characteristic of Romantic and Victorian poems. Instead, the purpose of Imagism was to create an accurate image or presentation of a subject that would be visually concrete for the reader. Imagist poets achieved this through succinct, direct, and specific language, favoring precise phrasing over set poetic meter. Writers use imagery to evoke emotion in readers. In this way, the reader’s understanding of the poetic subject, setting, plot, characters, etc., is deepened and they have a sense of how to feel about it. Ideally, as a literary device, imagery should enhance a literary work. Unfortunately, some writers try to use this literary device too often, which can lessen the impact of the description and figurative language.

Organic imagery is also unrelated to the five basic senses and instead appeals to internal sensations, feelings, and emotions. It describes personal experiences, such as fatigue, hunger, thirst, fear, love, loneliness, despair, elation, and nostalgia. Heaney felt that the only place truly his was the well in the yard, which was both fascinating to him and beneficial to the family. Considering the income brought in by the parents and consequently split between eleven people, Heaney neither got any money for entertainment nor was there any. The family lived in rural Northern Ireland, first on a farm between the towns of Castledawson and Toomebridge and later in the village of Bellaghy. Mount Helicon is a mountain prominent in Greek mythology, said to be the place of creative and artistic inspiration. For example, in Theogony, the Muses gift Hesiod a laurel staff: a symbol of poetic authority. Moreover, Callimachus tells the story of Tiresias, who was blinded but also given the gift of prophecy. ‘ Personal Helicon‘ reflects that the childhood wells of rural Ireland are Heaney’s own haven of inspiration and wisdom. Shine, J. M., Keogh, R., O’Callaghan, C., Muller, A. J., Lewis, S. J. G., & Pearson, J. (2015). Imagine that: Elevated sensory strength of mental imagery in individuals with Parkinson’s disease and visual hallucinations. Proceedings of the Royal Society B: Biological Sciences, 282(1798), 20142047. https://doi.org/10.1098/rspb.2014.2047 Use italics (lyric) and bold (lyric) to distinguish between different vocalists in the same song part

Imagery | Johns Hopkins Medicine

Though imagery is often associated with poetry, it is an effective literary device in all forms of writing. Writers utilize imagery as a means of communicating their thoughts and perceptions on a deeper and more memorable level with readers. Imagery helps a reader formulate a visual picture and sensory impression of what the writer is describing as well as the emotions attached to the description. In addition, imagery is a means of showcasing a writer’s mastery of artistic and figurative language, which also enhances the meaning and enjoyment of a literary work for a reader.

Use of Imagery in Sentences

Caesura is the implementation of punctuation in the middle of the line, contributing to the breaking of rhythm. Heaney uses caesura in the third line of the fourth stanza, wherein he starts the sentence ‘And one…’ at the end of the line rather than at the beginning.