This allows for more of the kind of interactions that happen with the robots in the two predecessors mentioned than would have been the case if Lock had been a totally disembodied program. clean, unmarked, tight pages; 3 lines of writing on rear flyleaf; cover has light shelf and corner wear and the plastic film overlay is rippling on front and back. The audiobook is narrated by two narrators which makes it a lot easier to follow the characters and immerses you more into the story.

In The Blink of An Eye explores the potential future of technology with an in-depth, unforgettable look at grief and humanity, and how surprisingly, one can aide the other. It asks questions about what it is that makes us human, and what we need to keep sight of as we go through life. The book covers the different ways that grief can hit you so well and Kat is a great character, easy to imagine in the mind’s eye as you read.This is a well thought out book, making the case for changes in police procedure but also pointing out that we all can connect better. Murch has taken years of experience in the film industry and poured them into this work of theory and art. I’ve had this in my collection since early last year having seen in on BBCs Between the Covers and spent far too long not reading it.

This change allowed filmmakers to harness different angles and create ‘cumulatively greater impact’ within each moment of the film. I'm not sure I've met any editors who follow this advice, but then again I'm not working on feature films. One of the things I found most interesting is that Murch says its not obvious that film cuts should work as well as they do. In other words, as Murch describes it, they have no knowledge of what was beyond the frame you see on the screen.The last part of th The narrative is immediately engaging, the characters, not just those of Kat and Lock but the others surrounding them, create a group that the reader wants to spend time with.