Whatever it may be, it changes his world considerably, being the reason why he is able to escape terrible misfortune on more than occasion and leading him to the greatest discovery of his life – that men, not women, are the spark that lights the fuse of his nascent sexuality. Zachary begins to experience visions, a sense of what the future holds, and the uneasy and troubling gift of knowing the darkness residing within others, their regrets, hopes and their machinations. Abel finds himself with little choice but to travel to Constantinople but Zachary can feel the betrayal, fear and danger that awaits his father. As communications from father to son begin to cease and years pass, Zachary sets off to follow his father's journey to Constaninople, determined to find him despite the rumours of his death, as he strives to make sense of his visions. Will he succeed in finding his father? Lusk's world building is terrific, there is a wide and disparate stellar cast of distinct characters that include the eccentric Aunt Frances with her menagerie, and the courageous apprentice Tom with his own secrets. All manner of adventures ensue, including spying on the sultan, infiltrating the harem, and forming helpful alliances against terrifying opponents. Growing up amongst the cogs and springs of his father's workshop, Zachary is intensely curious, ferociously intelligent, unwittingly funny and always honest - perhaps too honest. But when a fateful accident leaves six-year-old Zachary nearly blinded, Abel is convinced that the safest place for his son is in the care of his eccentric Aunt Frances and her menagerie of weird and wonderful animals.

Zachary is a gifted, brilliant little boy, the kind of child who will read anything he can find and probably remember most of it. The publicity for the story reveals that Zachary later loses the sight in one eye and develops a kind of clairvoyance, although he never seems quite certain what is true or not. It’s great appeal lies in the fact that while there are elements of the fantastical – the title speaks to the eponymous young protagonist’s ability to divine the soul and future life course of a person simply by touching them – and the expansively imaginative, it is also content to spend much time as needed with its characters, allowing them to tell their story without hurry or interruption and with full emotional effect. But then a near-fatal accident will take Zachary away from the workshop and his family. His father will have to make a journey that he will never return from. And, years later, only Zachary can find out what happened. Not every novel gets this right – some read so gorgeously that the story and any emotional impact is lost in it, while others prioritise storytelling with a utilitarian ferocity – but The Second Sight of Zachary Cloudsley is flawless in telling a beguilingly unusual but intrinsically human story that reads like a siren song of lusciously poetic construction. He is also the bearer of an extraordinary gift; at the touch of a hand, Zachary can see into the hearts and minds of the people he meets.

I enjoyed Abel's portion of the book, and wished we stayed with him more, but found, despite being the titular character, I didn't much like Zachary, and, as other reviewers have mentioned, his "second sight" wasn't capitalised. The other characters were not entirely likeable either, and at 76%, I am still left unsure about Mrs Morely and Lady Peake-Barnes. Abel is away in the workshop much of the day, nd Frances begins to think it might not be so difficult to persuade him that it will be best for Zachary to come home with her to Tring. If needs be Mrs Morley and her noisy daughter with her spotty face and bilious inclination can come too.” (P. 49)

And so the makers of automata found themselves urged to make ever more human androids, leading to Von Kempelen’s chess playing automaton, ‘The Turk,’ seemingly able to think through the complexities of a chess game and play the world’s grand masters. That this automaton turned out to be a fraud is perhaps less surprising than that for almost 80 years many of the world’s cleverest people believed in its remarkable abilities. Why did they do so? The answer, I think, is because they wanted to believe that an automaton was capable of rivalling, even exceeding human intelligence. As I said, it’s an ambitious story, with so much in it that I think it could have been broken up into a couple of books. Perhaps,’ said Abel, reluctant to believe that Zachary suffered from such an outlandish affliction. I cannot believe I am telling you of it now, but to convince you that Zachary is remarkable, gifted in ways even the child himself cannot perceive.’ With a cast of colourful characters who are guaranteed to charm, this hugely entertaining book is full of imagination, adventure, wit and warmth. * Anita Frank *

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A dashing, magical debut . . . intricately plotted, and peopled with intriguing characters' - Daily Mail

Longlisted for the Walter Scott Prize for Historical Fiction 2023 and the Goldsboro Books Glass Bell Award 2023.

I think the characterisation was good as regards Zachary, Aunt Francis, Mrs Morley and Tom, but throughout it all, the idea of Zachary displaying powers of second sight seemed to be lost along the way. Yes, there were really good descriptions of Turkey, the landscape, political structures and warring factions along the way. However, underneath it all seemed to run a story of same sex love and commitment which, honestly, I wonder for its inclusion. She and Abel spend the next few days in an awkward dance, the one advancing a step and the other retreating. They are polite, without ever seeming to quite see one another as they did on that first day.