Some people might find the fact that the stories start to follow a certain pattern as a con, making them feel predictable. Of course, it's up for everyone to decide whether that kind of format is entertaining for them or not. As for me, in the vast majority of them it wasn't a problem at all. However, for the sake of this review, I felt it was worth of mentioning this aspect. Skit skit skit. What’s that crawling in your mouth while you sleep? Next, it wriggles its way into your ears, your nose, your brain…

Carried into modern Japan from a forgotten past, the being known as Ogushi haunts and tortures humans of all kinds. Little is know about Ogushi’s curse, except that it resides in an unexpected place: human hair.I loved this horror manga. Dare I make the comparison, but this manga reminded me quite of a bit of Junji Ito work in terms of artwork and themes. NAKAYAMA: There's no particular message. The commingling of past and present simply shows that wills can be connected across time and space.

PTSD Radio has story and art by Masaaki Nakayama, with English translation by Adam Hirsch and lettering by Pekka Luhtala. Kodansha Comics released the first volume digitally in 2017 and will release its first and second volume as physical omnibus version for the first time on October 18. plaguing all the other entries in the book, and bluntly drops the supposition "Could it be that all This included Nakayama himself, as one side of his face suddenly swelled up like a balloon and his temperature dropped...yet when he rewrote his idea to say no more, he suddenly felt fine.

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What was the genesis of this project, the initial vision? Did you always plan to embed a larger mythos within the story?