In July 2018, the film was selected to be screened in the Venice Classics section at the 75th Venice International Film Festival. [32] Ryan, Tim (April 17, 2008). "Total Recall: The 20 Greatest Fights Scenes Ever". Rotten Tomatoes. Fandango Media. Archived from the original on February 19, 2020 . Retrieved December 14, 2016. Minnesota-based alternative hip-hop artist P.O.S. used scenes from the film interspersed with clips of himself for the song, "Roddy Piper" off his 2017 album, Chill, Dummy. [ citation needed] Biennale Cinema 2018, Venice Classics". labiennale.org. July 13, 2018. Archived from the original on July 23, 2018 . Retrieved July 22, 2018.

Squires, John (September 8, 2020). "Scream Factory Bringing 'They Live' to 4K Ultra HD With Limited Edition Keith David Action Figure!". Bloody Disgusting . Retrieved November 15, 2022. a b Clark, Noelene (May 11, 2013). "John Carpenter: 'They Live' was about 'giving the finger to Reagan' ". Hero Complex. Tribune Publishing. Archived from the original on September 18, 2015 . Retrieved August 17, 2015. They Live: Weekly". Box Office Mojo. IMDb. Archived from the original on July 4, 2018 . Retrieved July 3, 2018. Kachka, Boris (October 28, 2010). "Jonathan Lethem on John Carpenter's They Live and His Own Move to California". Vulture. New York Media. Archived from the original on October 29, 2013 . Retrieved July 29, 2012. Rosenbaum, Jonathan. "They Live". Chicago Reader. Archived from the original on July 28, 2011 . Retrieved May 12, 2009.

a b "They Live". Box Office Mojo. IMDb. Archived from the original on April 4, 2016 . Retrieved April 28, 2016. Having acquired the film rights to the Nelson-penned short story prior to the production of They Live, Carpenter used the story as the basis for the screenplay's structure, which he wrote under the pseudonym "Frank Armitage". Carpenter has stated that the themes of They Live stemmed from his dissatisfaction with the economic policies of then-U.S. President Ronald Reagan, as well as what Carpenter saw as increasing commercialization in both popular culture and politics. [2] Frannich, Darren (July 31, 2015). "Remembering Roddy Piper's rowdy film career". Entertainment Weekly. Time. Archived from the original on June 3, 2016 . Retrieved June 1, 2016. QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork. FRENCH Posters

O'Neal, Sean (April 11, 2011). " 'They Live' Remake is No Longer Technically a Remake". The A.V. Club. The Onion. Archived from the original on July 2, 2018 . Retrieved July 3, 2018. Novelist Jonathan Lethem called They Live one of his "favorite movies of the eighties, hands down". He said, "It's a great movie...Look at what it does to people, look at how it emboldens and provokes...It's disturbing and ridiculous and outrageous and uncomfortable, but I think it's the kind of great movie that doesn't really need defense, it just needs to be given the air." Lethem wrote a book-length homage to the movie for the Soft Skull Press Deep Focus series. [28] They Live was ranked #18 on Entertainment Weekly magazine's "The Cult 25: The Essential Left-Field Movie Hits Since '83" list in 2008. [24]

Vintage Movie Posters Grading Criteria

Brill, Karen (January 4, 2017). "John Carpenter Denies Neo-Nazi Reading of They Live As Jewish Supremacy Takedown". Vulture . Retrieved November 15, 2022. Harrington, Richard (November 5, 1988). " 'They Live': (R)". The Washington Post. Archived from the original on November 11, 2012 . Retrieved May 12, 2009.

Many of the social commentaries explored in this film ring true more today than when this film was released in 1988. John Carpenter is one of the most under-rated directors in modern film-making. His films are easy targets for people to rip down and unfairly criticize because he often makes films that don’t appeal to mainstream audiences. Much like Craven, he does what he wants to do, and if you don’t like it stay home and rent “Independence Day”. They Live is grossly underrated and overlooked by the film community and moviegoers in general. A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration. Rotten Tomatoes ranked the fight scene between Roddy Piper's character, Nada, and Keith David's character, Frank Armitage, seventh on their list of "The 20 Greatest Fight Scenes Ever". [25] The fight scene influenced The Wrestler, whose director, Darren Aronofsky, interpreted the scene as a spoof. [26] The fight scene was parodied by the TV show South Park in the episode " Cripple Fight." Shepard Fairey credits the film as a major source of inspiration, sharing a similar logo to his " Andre the Giant Has a Posse" campaign. " They Live was…the basis for my use of the word 'obey'," Fairey said. "The movie has a very strong message about the power of commercialism and the way that people are manipulated by advertising." [27] Miller III, Randy (October 16, 2012). "They Live: Collector's Edition". DVD Talk . Retrieved November 15, 2022.They Live was released on VHS by MCA Home Video in 1989. [34] [35] It was later released on DVD by Universal Home Entertainment on October 17, 2000. [36] x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster. They Live (1988)". Rotten Tomatoes. Fandango Media. Archived from the original on November 15, 2022 . Retrieved October 17, 2023. x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.

On January 19, 2021, Shout! Factory released the "Collector's Edition" of the film on 4K Ultra HD Blu-ray. [40] [41] Awards and honors [ edit ] Award EW Staff (August 27, 2008). "The Cult 25: The Essential Left-Field Movie Hits Since '83". Entertainment Weekly. Time. Archived from the original on July 13, 2016 . Retrieved August 16, 2016. Piper does get his new construction job, but in the process he stumbles upon an underground group of rebels, who manufacture special sunglasses that allow “normal humans” to see society for what it truly is: A series of advertisements promoting conservative brainless values, based on thoughtless reproduction and heartless greed and consumption. Piper accidentally becomes a lead figure in the rebel movement attempting to expose the disgusting elitists taking advantage of the poor and destitute. x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry. Carr, Jay (November 4, 1988). "What if we're cattle for aliens?". The Boston Globe. Boston Globe Media Partners. Archived from the original on February 10, 2015 . Retrieved July 3, 2018.x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad. BRITISH Posters On March 2, 2012, the film was released on Blu-ray by StudioCanal. [37] On November 6, 2012, Shout! Factory released a "Collector's Edition" of the film on both DVD and Blu-ray. [38] Wilson, D. Harlan (2015). They Live. New York: Wallflower Press. ISBN 978-0-231-85074-2. OCLC 894509133. So, the major theme of the movie is not, as another poster correctly pointed out, about being manipulated to be good little consumers in a crassly commercial world. No, it is far more profound than that. Instead, it is more about how the working class Americans in _They Live_ are being exploited by the elite upper crust, who, in the movie, happen to be aliens, but who, in the real world, are a subsociety that use their collective power to exploit the rest of us. The portal takes them to the aliens' spaceport, where they discover a meeting of aliens and human collaborators celebrating the elimination of the "terrorists". They are approached by a former drifter they briefly met in the shantytown, now a collaborator, who gives them a tour of the facility. He leads them to the basement of Cable54, the source of the signal, which is protected by armed guards. Nada and Frank find Holly and fight their way to the transmitter on top of the roof, but Holly kills Frank, revealing that Holly too is a human collaborator. Nada kills Holly and destroys the transmitter, and is fatally wounded by aliens in a helicopter. Nada gives the aliens the middle finger as he dies.