Smith, Robin (8 September 1990). "This Week: The Next Seven Days in View - Tours". Record Mirror. p.33. ISSN 0144-5804. Instead, they turned all that turmoil and uncertainty into the best album of their career. Heaven or Las Vegas explodes in Technicolor from the first melty guitar chords on “ Cherry-Coloured Funk”. Every note sounds like a new and richer shade of indigo and scarlet and violet than the previous one, and it doesn’t fade until closer “ Frou-Frou Foxes in Midsummer Fires” descends into silence. If Blue Bell Knoll is spare and ambient, Heaven is supersaturated: lush without being vulgar, luxuriant without being indulgent. Tellingly, some lyrics bubble up to the surface, often loaded with personal meaning: “cherry,” “perfection,” “burn this madhouse down.” On a song called “ Pitch the Baby”, ostensibly written for—or at least sung to—the couple’s infant daughter, Fraser repeats, “I’m so happy to care for you, I only want to love you,” as a sweet lullaby. We may not always be able to understand her lyrics, but that doesn’t mean they’re not important. In fact, her lyrics would never be more vital or confessional than they are on Heaven or Las Vegas, which lends the music added emotional and conceptual heft.

a b c d e Aston, Martin. "Searching for Heaven". 4AD. Archived from the original on 14 December 2015 . Retrieved 8 August 2017. LeMay, Matt (17 November 2003). "Top 100 Albums of the 1990s – 090: Cocteau Twins Heaven or Las Vegas". Pitchfork. Archived from the original on 5 April 2016 . Retrieved 15 October 2018. Morton, Rob (2006). Dimery, Robert (ed.). 1001 Albums You Must Hear Before You Die. New York: Universe. pp. 634. ISBN 0789320746.

For Sale on Discogs

a b c Deusner, Stephen (16 July 2014). "Cocteau Twins: Blue Bell Knoll/ Heaven or Las Vegas". Pitchfork. Archived from the original on 27 October 2022 . Retrieved 16 July 2014. Cocteau Twins – Chart History". Billboard. Prometheus Global Media. Archived from the original on 10 April 2015 . Retrieved 4 August 2017. a b Raggett, Ned. " Heaven or Las Vegas – Cocteau Twins". AllMusic. Archived from the original on 22 June 2018 . Retrieved 30 March 2018. I associate this record mostly with springtime because of the balance of warmth and chill it has, and also the songs have that same kinda power and mystery as those deep spring nights that are so full of the promise of summer even in the comfort of their darkness... Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge.

Heaven or Las Vegas peaked at number seven on the UK Albums Chart and number 99 on the US Billboard 200, [3] [4] becoming the band's most commercially successful release. It eventually sold 235,000 copies by 1996, according to Billboard. [5] The album was included in the book 1001 Albums You Must Hear Before You Die, [6] and was voted number 218 in the third edition of Colin Larkin's All Time Top 1000 Albums. [7] In 2020, Rolling Stone listed it at No. 245 in its list of the 500 Greatest Albums of All Time. [8] Even as the band soared commercially and creatively, personally they suffered. Between the release of Blue Bell Knoll and the recording of Heaven or Las Vegas, Fraser gave birth to the couple’s first child, a daughter, yet Guthrie remained deep in the throes of drug addiction, which made him paranoid and angry. Raymonde mourned the death of his father. Suddenly the stakes for the Cocteau Twins seemed impossibly high. “Fraser named the album Heaven or Las Vegas [as] a suggestion of music versus commerce, or perhaps a gamble, one last throw of the dice,” Martin Aston writes in Facing the Other Way: The Story of 4AD, implying that the band was close to imploding. a b Lindsay, Cam (10 July 2015). "An Essential Guide to Cocteau Twins". Exclaim!. Archived from the original on 12 June 2015 . Retrieved 8 August 2017. The band took on new familial responsibilities as bassist Simon Raymonde married his first wife, Karen, and vocalist Elizabeth Fraser was expecting her first child with guitarist and co-founder Robin Guthrie. [12] The latter's cocaine habit previously "escalated" during the recording process for Blue Bell Knoll; [13] Fraser and Raymonde believed that the new baby would prove a diversion from Guthrie's dependency and allow the pair to "play [as] happy families." [12] Their wishes did not pan out, with Guthrie relying heavily on drugs as the band developed Heaven or Las Vegas, causing him to experience "deep" paranoia and mood swings. [13] [10] His relationship with Fraser grew increasingly strained as a result. [14]

Colin Larkin, ed. (2000). All Time Top 1000 Albums (3rded.). Virgin Books. p.105. ISBN 0-7535-0493-6. Lorusso, Marissa (24 July 2017). "The 150 Greatest Albums Made By Women". NPR. Archived from the original on 25 July 2017 . Retrieved 4 August 2017.

Phillips, Shaun (15 September 1990). "Heaven scent". Sounds. Archived from the original on 5 August 2021 . Retrieved 28 January 2023. One of the great things about hearing this album in high resolution now is that I can now crank up the music fairly loudly and it doesn’t become a super harsh, nasty listen. In fact, it takes on a fairly nice warmth as I push my little Bellari tube pre-amp a bit on this one. Simon Raymonde’s bass lines pop out of the mix in a percolating sort of way while Elizabeth Fraser’s voice reaches for the stratosphere. Not sure who is playing the drums on this — none listed on the credits, but it sounds like a live drummer, although they could be sequenced — but, whatever / whomever, the drums sound very nice on this too.a b Perry, Andrew (October 1990). "Viva Las Vegas". Select. No.4. p.95. Archived from the original on 5 August 2021 . Retrieved 28 January 2023.