Guy Featherstone, "Helmut Newton's Australian Years", in The La Trobe Journal, The State Library of Victoria Foundation, No 76, Spring, 2005.

Mario Testino. Undressed / Helmut Newton. Unseen / Jean Pigozzi. Pool Party, Helmut Newton Foundation, Berlin Alternatively, feel free to use the table of contents below, to skip ahead to whatever section interests you. until 1935: attends the American school in Berlin-Schöneberg. After change of residence, attends secondary school in Berlin-Grunewald. In his career, Newton worked with Vogue, Vanity Fair, Elle, Nova and Playboy, shooting over 60 covers for Vogue Paris alone. His provocative, erotically charged photos were a mainstay of Vogue and other publications during the sexual revolution of the 1960s and ‘70s.Newton has said that he considers 40mm the “perfect focal length,” although a lot of his work is shot using the Rollei and Hasselblad and standard 80mm prime lenses (the equivalent of 50mm in 35mm photography.) During this time, Helmut photographed society parties in the British colony of Singapore. As he still had a German passport, he was interned by the British in 1940 as a ‘friendly enemy alien’ and sent to Australia on board the Queen Mary. Down Under Herman, Eric (20 July 2003). "For Playboy lovers, cup runneth over". New York Daily News. Archived from the original on 12 April 2009.

Between Art & Fashion. Photographs From The Collection of Carla Sozzani, Helmut Newton Foundation, Berlin June Newton (alias Alice Springs) begins her career as a photographer: when her husband is ill, she steps in to shoot a cigarette advertisement. Browne later became a successful photographer under the pseudonym Alice Springs (afterAlice Springs, the Australian town.)

Past Lots

Whilst other photographers, such as Irving Penn and Richard Avedon moved fashion photography to a more glamorous, artful presentation often working with celebrities.

Sex And Landscapes, Rosalyne, Making of the Big Nudes and Polaroids, A Gallery for Fine Art Photography, New Orleans Helmut Newton / Alice Springs. Us And Them / Helmut Newton. Sex And Landscapes, Helmut Newton Foundation, Berlin Sixteen years after his death, he remains a major influence on photography and the visual art world. Who Is Helmut Newton? Newton, June (2015), Three Boys From Pasadena, archived from the original on 2 April 2015 , retrieved 25 May 2015 Sometimes, even in broad daylight, it is easier to use a tripod when you want an exact composition. The only thing is mistakes can be a great help. Lighting AdviceIn 1948, he married actress June Browne, who performed under the stage name June Brunell. Later she became a successful photographer under the ironic pseudonym Alice Springs (after Alice Springs, the town in Central Australia). I think things are complicated enough without making them more so, I think this is why my technical equipment is very simple, very basicbecause it gives me more time to work with the girl which is the most important thing. My grades, in school, were deplorable, I was a dunce. Since my classes ended at 1 PM when I was fourteen years old, I got a job as an assistant to a photographer without telling my parents. This lasted for six months. My school grades became worse and worse; So finally, my father confiscated all my cameras and confined me to the house. By the time I was sixteen, my parents no longer had any hope. Helmut Newton – 1976 April/May issue of Penthouse Photo World Helmut the Apprentice SUMO is a book series by publishing house TASCHEN, so named due to their size. [1] History [ edit ] If I have very bright sunlight with a lot of speed left over, then it is beautiful to make negatives at an exposure index of 200, which is much better. Personally, I don’t like to see grain in a photograph.

If the definition of luxury is quality plus time, then Taschen was canny in highlighting the energy and resources involved in the gigantic book’s complex production process: the rounds of selection and proofing, culminating in Newton signing each and every one in blue crayon. Taschen not only had the sense they were doing something historic at the time — they helped to ensure its place in history by mythologizing the book through marketing and publicity that chronicled every step of the way. Since the 1970s Newton regularly used Polaroid cameras and film for instant visualisation of compositions and lighting situations, especially for his fashion photography. By his own admission, for the shoot of Naked and Dressed series that started in 1981 for the Italian and French Vogue he used Polaroid film “by the crate”. These polaroids also served as a sketchbook, where he scribbled notes with regard to the model, client or location and date. In 1992 Newton published Pola Woman, a book consisting only of his Polaroids. Over 300 works based on the original Polaroids were shown at 2011 exhibition “Helmut Newton Polaroids” at the Museum für Fotografie in Berlin. [13] Death [ edit ] Grave of Helmut & June Newton in Berlin, Friedenau Cemetery until 1938: apprenticeship with the portrait, nude and fashion photographer Yva (Else Simon, neé Neuländer) in Berlin-Charlottenburg. In the 1970s, his work for Vogue, Vanity Fair and Elle revolutionized fashion photography and paved the way for contemporary photography to become more creative and risky. Newton's growing reputation as a fashion photographer was rewarded when he secured a commission to illustrate fashions in a special Australian supplement for Vogue magazine, published in January 1956. He won a 12-month contract with British Vogue and left for London in February 1957, leaving Talbot to manage the business. Newton left the magazine before the end of his contract and went to Paris, where he worked for French and German magazines. He returned to Melbourne in March 1959 to a contract for Australian Vogue.Irving Penn, Richard Avedon, Baron de Meyer, Edward Steichen, William Klein, Weegee, August Sander, George Hurrell and Jacques Henri Lartigue. Working with Models In 1946, Newton set up a studio in fashionable Flinders Lane in Melbourne and worked on fashion, theatre and industrial photography in the affluent postwar years. [7] He shared his first joint exhibition in May 1953 with Wolfgang Sievers, a German refugee like himself, who had also served in the same company. The exhibition of 'New Visions in Photography' was displayed at the Federal Hotel in Collins Street and was probably the first glimpse of New Objectivity photography in Australia. Newton went into partnership with Henry Talbot, a fellow German Jew who had also been interned at Tatura, and his association with the studio continued even after 1957, when he left Australia for London. The studio was renamed 'Helmut Newton and Henry Talbot'.