This review might be very late, but as they say in Ghostbusters 2 when watching the Titanic arrive: “Better late than never. His sense of humor would fit right in with the original guys in the first two films, but doesn’t have the same edge that Venkman’s humor had in the 1980s.

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Ghostbusters: Afterlife” represents a new beginning for the franchise that mostly deals with the past. Summoning the Spirit: Making Ghostbusters: Afterlife (19:50) is a behind-the-scenes featurette with interviews from the cast and crew as they discuss coming up with the story, set designs, the casting and the characters. The colors are decent with an appreciably warm yellow/brown scheme, but serious primary pop is a bit lacking.

When people who believed this film had too much nostalgia went to see the movie, they expected that the movie would completely forget the past and be something completely new.

Yes, I realise there are currently four Ghostbusters movies out, but in all honesty, the one with the women is pretty dire, and at times unwatchable. I don’t know who decided this, but 1080p fans miss out on an amazing Atmos mix and have to settle for a strong, but nowhere near as impressive DTS-HD MA 5. Mckenna Grace as Phoebe Spengler, Finn Wolfhard (Stranger Things) as Trevor Spengler, Logan Kim as the geeky 'Podcast', Celeste O'Connor as Lucky Domingo, who works in the local diner.

HDR (including Dolby Vision) and WCG sear discordant tears of energy into your screen, traps glow with intensity, and the anomalies themselves are wonderfully realised, at once vivid yet also strangely at one with the environments they appear in - seamlessly integrated into the visuals. For the week that ended on February 19th, Walt Disney Home Entertainment's Eternals debuted on top of both both the Blu-ray-only and overall packaged media charts.