So, this is a very strong short story. I would love to see more like it from Miller, a collection of them would certainly be great. For now, I will continue to read everything she writes. A remarkably fresh take on one of the most familiar narratives in western literature … Extremely moving’ The Times People began to talk about the sculptor’s wife, and how strange she was, and how such beauty comes only from the gods.’

The thing is, I don't think my husband expected me to be able to talk. I don't blame him for this exactly, since he had known me only as a statue, pure and beautiful and yielding to his art." Galatea by Madeline Miller is a brief reimagining of the Greek myth of Pygmalion. In the original story (found in Ovid’s Metamorphosis ) Pygmalion is a sculptor from Cyprus who falls in love with his ivory sculpture of a beautiful woman. Goddess Aphrodite grants his wish and bestows life on his creation. Pygmalion marries Galatea and they are assumed to live happily ever after. The myth has inspired numerous works of art, literature and productions on stage, on television and in movies. The Pygmalion Effect, a psychological phenomenon that links high expectations to increased productivity is also named after the Greek myth. I will forever and ever and ever love Madeline Miller. It's like she's incapable of writing anything less than perfect. She is absolutely amazing, even though she always rips my heart right out of my chest and crushes it between her fingers using only her words. It's the toxic kind of love between us but I could never walk away. It's why I based my bachelor's dissertation on her books. I mean, how could I not? They are masterpieces. Galatea was quite an interesting concept and with a reimagining and retelling of the Greek Myth Pygmalion, it was sure to entice fans of Madelaine Miller. It was this premise and loving Miller’s previous works, Song of Achilles and Circe, that brought me to this short story. I never liked the story of Galatea. No, that isn't true, actually. I liked the story but not the guy in it.Everyone looked at me, because I was the most beautiful woman in the town. I don’t say this to boast, because there is nothing in it to boast of. It was nothing I did myself.” In Ancient Greece, a skilled marble sculptor has been blessed by a goddess who has given his masterpiece – the most beautiful woman the town has ever seen – the gift of life. Now his wife, he expects Galatea to please him, to be obedience and humility personified. But she has desires of her own, and yearns for independence. The term 'incel' wasn't in wide circulation when I wrote this, but Pygmalion is certainly a prototype. For millennia there have been men who react with horror and disgust to women's independence, men who desire women yet hate them, and who take refuge in fantasies of purity and control. What would it be like to live with such a man as your husband? There are too many today who could answer that. Bur that is the mark of a good source myth; it is water so wide it can reach across centuries." I'd still recommend it, especially to anyone who loves the original story or loves Mythology in general which I do. I would like to read more of this author's work. I have not read anything by her and I wonder if she has written any other reimagined Mythological fables. I'd love to see more so if anyone reading this knows of any, let me know. I'd love to see one about Echo and Narcissus and Atalanta and Meleager.

So much better than the other short story of hers I read today - might be because of how much I have thought about this myth in the past as opposed to the other. This short tale covers issues such as patriarchy, misogyny, the creation and appreciation of art, the value put upon beauty, as well as feminine desire and autonomy. In her own note on the tale at the end of the book, Miller herself perfectly sums it up: The thing is, I don’t think my husband expected me to be able to talk. I don’t blame him for this exactly, since he had known me only as a statue, pure and beautiful and yielding to his art.” From the internationally bestselling and prize-winning author of The Song of Achilles and Circe, an enchanting short story that boldly reimagines the myth of Galatea and Pygmalion. Questi sono gli interrogativi dai quali parte Madeleine Miller per costruire il suo racconto denso e disturbante.

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I’m always impressed by the writing of Madeline Miller. Her first book The Song of Achilles was a powerful and imaginative retelling of The Iliad. Her second novel Circe, however, was at a completely different level: it was simply fantastic in every way. Galatea is the sculptured statue of seemingly the most beautiful woman who is brought to life by the man who created and became obsessed with her. However the mortal life sees her virtually imprisoned by a husband who seeks to control her and brands her mad after several attempts to flee. Indeed, she takes an otherwise silent female character and gives her a voice and a story. Galatea was made from stone by a sculptor. He created her and prayed for her to come to life and his wish was granted by the gods. In Ovid’s version they get married and live happily ever after, but his narrative is problematic. What about Galatea wishes? Miller gives that consideration here. Galatea was physically made and sculped to be one man’s ideal: he made her to serve his every whim. It never occurred to him that maybe, just maybe, she might want something different from life. Beautifully descriptive and heart-achingly lyrical, this is a love story as sensitive and intuitive as any you will find’ Daily Mail A startlingly original work of art by an incredibly talented novelist … A book I could not put down’ Ann Patchett

Pygmalion is a pig, let's face it. It's why he wanted to create the perfect, virginal, obedient thing for his own pleasure. The problem is that a goddess of all "people" helped him by bringing the statue to life. A deeply affecting version of the Achilles story: a fully three-dimensional man – a son, a father, husband and lover – now exists where a superhero previously stood’ Observer

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In Ancient Greece, a skilled marble sculptor has been blessed by a goddess who has given his masterpiece - the most beautiful woman the town has ever seen - the gift of life. Now his wife, he expects Galatea to please him, to be obedience and humility personified. But she has desires of her own, and yearns for independence. A bold and subversive retelling of the goddess’s story that manages to be both epic and intimate in its scope’ New York Times Having been created by her husband, his sense of ownership over her is rather oppressive. Though it is almost more metaphorical about the patriarchal ideas that wives are the property of men as his behavior is very typical of any jealous husband. For instance, he fires the tutor for looking at her and is angered Galatea was aware of his gaze and did nothing, the irony being that she knows everyone looks at her because she is a curiosity and he formed her to be the most beautiful woman alive. When he notices marks on her due to having carried a child, he wishes he could chisel them away despite her remark that it is a natural part of life. Beauty, in his eyes, must be unrealistic perfection, and any aspect of the beauty that is found in reality, where imperfections are also lovely, he rejects because it does not serve his idealized expectations. Galatea è un racconto di dolore, (in)credibile dolore. Una settantina di pagine intrise di sofferenza e frustrazione per una condizione che, purtroppo, interessa ancora moltissime donne. Enough magic, enchantment, voyages and wonders to satisfy the most jaded sword-and-sorcery palate’ Guardian