Dream the world. Not this pallid shadow of reality. Dream the world the way it truly is. A world in which all cats are queens and kings of creation. That is my message. And I shall keep moving, keep repeating it, until I die. Or until a thousand cats hear my words, and believe them, and dream, and we come again to paradise. Is there a word for forgetting the name of someone when you want to introduce them to someone else at the same time you realize you've forgotten the name of the person you're introducing them to as well?"

I am anti-life, the Beast of Judgement. I am the dark at the end of everything. The end of universes, gods, worlds … of everything. And what will you be then, Dreamlord?" It was like I knew her. Like she was my oldest, dearest friend. The kind of person you can tell anything to, no matter how bad, and they'll still love you, because they know you.

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Neil Gaiman". Lambiek Comiclopedia. October 21, 2011. Archived from the original on October 30, 2013. Saxton, Julie Myers (2007). "Dreams and Fairy Tales: The Theme of Rationality in 'A Midsummer Night's Dream' and 'The Sandman' ". In Schweitzer, Darrell (ed.). The Neil Gaiman Reader: Essays and Explorations. Holicong, PA: Wildside Press. ISBN 978-0-8095-5625-0.

There is another version of the tale. That is the tale the women tell each other, in their private language that the men-children are not taught, and that the old men are too wise to learn. And in that version of the tale perhaps things happened differently. But then, that is a women's tale, and it is never told to men. There are two ways into another's dreams. We can go through the dream king; or we can go by the moon's road. But the dream king has little time for you women, and even less for my kind; while the moon is ever ours. It's time to draw down the moon.

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As Dream says, when Shakespeare asks why he’s been given the task of writing these two plays, “Because I will never leave my island.” Dream is, and always will be, isolated and imprisoned by the burdens of his responsibilities. That’s what the entire series has been about: regaining his kingdom, holding on to his kingdom, and then paying the price of all that it entails. Rose Walker and Gilbert (" Fiddler's Green" assuming human guise in the form of Gilbert K. Chesterton) in Sandman #14: "Collectors" They dreamed the world so it always was the way it is now, little one. There never was a world of high cat-ladies and cat-lords. That only serves to make the funeral more potent, since it’s clear that the Dream we had been following and rooting for, even with all his flaws, is no more.

Gaiman, Neil (October 16, 2014). "It's not a DC Comics film. It's a Vertigo film. That's a different slate of films, and a different announcement". Tumblr. Archived from the original on November 30, 2014 . Retrieved October 16, 2014.Thomas, Roy; Thomas, Dann( w), Giffen, Keith( p),Mahlstedt, Larry( i)."The Sands of Doom! Sandman Interlude" Wonder Woman,no.300(February 1983). The Sandman: Book Four, collecting The Sandman #57–75 ( The Kindly Ones and The Wake), "The Castle" from Vertigo Jam #1, and "The Last Sandman Story" from Dust Covers: The Collected Sandman Covers. Published May 2022.