No one talked in there, they all screamed, sang, drooled, ate on all fours and that kind of thing. We had fun." That’s why I write: it is because I remain myself through my sorrow over Yvan. Even when I’m in the forest with the other pigs, they often sniff me suspiciously, sensing that human thoughts are still going on in there. I’m unable to rise to their expectations. A craving for life sent shivers through me, engulfed me; it was like wild boars galloping in my brain, lightning streaking through my sinews, something that came from the depths of the wind, from the most ancient bloodlines. I felt in the very fibers of my being the anguish of the dinosaurs, the tenacity of coelacanths, and knowing that these big fishes were still alive impelled me to go on- I don’t know how to explain it now, and I don’t know any more how I know all that.

Pig Tales by Marie Darrieussecq | Goodreads

A dark feminist fable of political and sexual corruption, and a grim warning of what can happen in a society without a soul, Pig Tales scandalised its readers when it first came out and became the most popular first novel published in decades. Her doctoral thesis under the direction of Francis Marmande, defended in 1997 at the Université Paris VII, was entitled: "Critical Moments in Contemporary Literature. Tragic Irony and Autofiction in the Works of Georges Perec, Michel Leiris, Serge Doubrovsky and Hervé Guibert." Pig Tales is the story of a young woman who lands a position at Perfumes Plus, a beauty boutique/“massage” parlor. She enjoys great success until she slowly metamorphoses into . . . a pig. What happens to her then overturns all our ideas about relationships between man, woman, and beast in a stunning feminist fable of political and sexual corruption. Darrieussecq's writing is characterized by its precision, concision and clarity; nervous, rhythmic, using an internal prosody, often in octosyllables or in blank verse. Her minimalist style, full of anecdotes and scientific or geographical metaphors, serves a "physical form of writing", [23] close to "writing as sensation", [24] an expression she keyed for Nathalie Sarraute.In fact the author is not too fond of subtlety, since the protagonist of her 1996 novel is a not-so-brilliant Parisian girl working in a perfumery/massage parlour/brothel as a shop assistant (whose functions range from selling cosmetics to prostitution, mostly at the same time) who ends up turning into a sow. Marie Fleury Wullschleger, «Du déchet au dégoût. Une lecture de Truisme de Marie Darrieussecq», A contrario, n° 19, janvier 2013. Some reviewers describe the subject as a cliché, one in very bad taste for that matter, which is way too shallow and reductive. In my humble opinion this book is not about 'women being treated like meat in a consumerist men's world', but rather about women seeing themselves as meat and behaving accordingly. That's quite different, isn't it? Marie Darrieussecq’s subject has always been same since Pig Tales: examining what language has to say about experience, the way words, namely commonplaces, express reality and, in return, shape reality.” [8] Outrage at the commodification of women is quite apparent throughout. For instance, the protagonist has little to complain about when she is gang raped and forced to have sex with dogs, but she's more profoundly hurt when someone refers to her as "not so hot."

Pig Tales | Angry Birds Wiki | Fandom Pig Tales | Angry Birds Wiki | Fandom

Estamos ante un escrito hilarante, crítico y destructivo con momentos repulsivos pero sobretodo con un poder de entretenimiento mayúsculo. Leerlo supone pasar una breve etapa de descubrimiento y de conocimiento en un grado muy elevado gracias a su potencial originalidad. Video L'Abécédaire de Gilles Deleuze avec Claire Parnet, "La lettre A comme Animal" 1988-1989: https://rutube.ru/video/32c16357d8ac99eee2383959b0a09d0f/ Lo más notable de este texto es que ondea. Cuando una la está leyendo, no se sabe si sentir lástima, risa, miedo, asco o excitación sexual. La personaje, de entrada, no fue provista de voluntad y, cuando experimenta algún impulso que la lleva a "moverse", este es equiparable al celo de los animales. No se puede establecer una identificación con ella, por lo tanto. Una se limita a hacer gestos conforme pasan las páginas, porque la protagonista ni siquiera es capaz de despertar compasión. Un acierto, me parece. As a writer of the metamorphic body, she is interested in mutation, the feminine, the masculine and the non-binary. In Pig Tales, she relates the metaphor of a "monstrous form of puberty" [16] through the metamorphosis of a woman into a sow. Darrieussecq introduces babies into literature with The Baby, [17] a book she qualifies as a "militant literary gesture." [18] In Clèves, she describes the transformation of a teenage girl with the arrival of her first period and her discovery of sexuality. Virginie Despentes wrote in Le Monde des Livres:

L'Impossible enfant. Don d'ovocytes, l'envers du décor, éditions Érès, coll. «La vie de l'enfant» ( ISBN 978-2749239309) Es inevitable comparar el paralelismo entre esta novela y «La metamorfosis» de Kafka en la que el protagonista, una mañana se despierta convertido en una enorme cucaracha. Siendo este último una obra maestra de la literatura y sin querer quitarle mérito, pienso que Marie ha hecho un gran trabajo.

Marie Darrieussecq – Pig Tales (London, 1998) - Science Comma

Kaprièlian, Nelly (2010), "Marie Darrieussecq. Entretien avec Nelly Kaprièlian", Écrire, écrire, pourquoi? Marie Darrieussecq, Éditions de la Bibliothèque publique d’information, pp.3–23, doi: 10.4000/books.bibpompidou.1136, ISBN 978-2-84246-138-6 The episode features Fairy Dust orbs. If they are destroyed, everything near the orbs is moved in a short time. These would be later featured in the Bunny Business Tournament and appear in the other tournaments since then. Apathy is also brutally skewered. E.g., when hearing authorities laugh about a plan to convert prisoners into pigs to butcher them and sell them as meat, the protagonist's only reaction is "personally, I've never understood anything about politics." After Tom’s death, my English, the way I actually understood English, had shrunk in a way. (…) But during the group therapy, I knew what people were talking about. So I could follow. It was with them that I learned how to speak again. My language lessons.” [28] ( Tom Is Dead) French as a masculine language [ edit ]

At the time of reading it, ten or so years ago, I actually got really scared and had a hard time sleeping for a couple of days. It's so bizarre but in a sense so realistic and true too human behaviour that it far exceeded the horror of most I'd seen/read up too that point (and still today). The naive narrator and how she, from her perspective, focuses and draw the readers attention to what she thinks is important and how she hides things from herself or society and possibly how society views her together with the span from somewhat comical events to almost unbearable dark ones, yet within a frame of what is possibly all too human (and in the same instance not, she is, after all a pig) really made this book an eye opener for me, or rather, a mind opener. Girl meets boy. Girl starts gaining weight. Girl gets work in the oldest profession in the world, is upbeat about it.