AHM - UK wins hands down. The reissue has pretty much no advantage and the UK has better bass and vibrancy.

Nyman, Jake (2005). Suomi soi 4: Suuri suomalainen listakirja (in Finnish) (1sted.). Helsinki: Tammi. p.130. ISBN 951-31-2503-3.a b Erlewine, Stephen Thomas. " Meddle – Pink Floyd". AllMusic. Archived from the original on 11 May 2021 . Retrieved 21 May 2021. Meddle (sleeve). Pink Floyd. Harvest Records. {{ cite AV media notes}}: CS1 maint: others in cite AV media (notes) ( link) Matrix / Runout (B-side runout stamped, variation 16): SHVL 795 B-3 2 AP(unreadble letter or number)) MFSL Out of Print Archive – Ultradisc II Gold CD, mofi.com, archived from the original on 30 May 2014 , retrieved 3 August 2009 Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge.

Costa, Jean-Charles (6 January 1972). "Pink Floyd: Meddle". Rolling Stone. Archived from the original on 15 July 2012 . Retrieved 19 August 2009. The cover art is a play on words; if you look at it from a distance, you can see it's a close-up of an ear, with the surface of water superimposed over it. Hence, "waves of sound." These things come up in Floyd covers quite a bit, if only you take a minute to study it. DSOTM - Early UK and MFSL beat reissues. PRO USE also good if you like high end but expensive. Reissues are EQd too high. WYWH - I prefer the reissue becaused its EQd a little higher so voices and things sound more realistic than UK originals. UK has a bit more bass because of it and sounds smoother but less in the room.

Barcode and Other Identifiers

Kent, David (1993). Australian Chart Book 1970–1992 (Illustrateded.). St. Ives, N.S.W.: Australian Chart Book. p.233. ISBN 0-646-11917-6. Deusner, Stephen (5 October 2011). "Pink Floyd: Meddle ("Why Pink Floyd?" Reissue)". pastemagazine.com. Archived from the original on 24 September 2015 . Retrieved 26 August 2015.

The other songs are pretty good as well – the first three being far better than the last two of Side A, which feel slightly uninspired. And I don't know who decided to put footage of football chants on the end of “Fearless” but it was an incredible decision. Bizarre, yes, but incredible as well. This isn't one of the great Pink Floyd canon albums to me, but it shows that they're getting there. And it's hard to argue with that really, isn't it? the mfsl sounds more like clear cd and a bit colder next to the really nice and warm 1u press. even the cover print is kind of blurry and looks like a bootleg print next to the beautiful textured original 1u cover with the phosphorescent blue colour. Side B: Published By Pink Floyd Music Publishers Ltd. administered by Imagem UK Ltd./Roger Waters Music Overseas Ltd., administered by BMG Rights Management (UK) Ltd. for the World excluding USA & Canada. USA & Canada: TRO-Hampshire House Publishing Corp.Excellente qualité de pressage, pas de bruit de surface sur les blancs ni sur les plages musicales, et ce qui est rare ni aucun craquement, pourvu que cela dure. Nouvelle édition vinyle de 2016 de l'album paru en 1971, le disque est épais, lourd, 179 grammes vérifié sur la balance pour cette galette, Galettes très propre, pas de poussière ou d'autres pollution, exemptes de rayure. Pas de défaut d'ordre cosmétique. Pas de voile. Colin Larkin, ed. (2000). All Time Top 1000 Albums (3rded.). Virgin Books. p.114. ISBN 0-7535-0493-6. A short concert tour ran from October to November 1971 to promote the album in the United States and Canada, which was the most extensive tour the group had done to that point. The tour was booked by Allen Frey, who continued to organise North American tours for the group throughout the 1970s. [11]

Meddle was released on 30 October 1971 in the US, and 11 November in the UK. [nb 2] It was later released as a remastered LP by Mobile Fidelity Sound Lab, [28] and in April 1989 on their "Ultradisc" gold CD format. [29] The album was included as part of the box set Shine On on 2November 1992. [nb 3] [31] no one disturbed to the other - and the harmonic is just more calm and pure to my ears without a doubt. a b c "Hits of the World". Billboard. 25 December 1971. p.48 . Retrieved 16 July 2021– via Google Books. If the band felt the story held any resonance with their own personal trials, they didn’t show it overtly. “Fearless” ends with a recording of a football crowd bellowing out the anthem of Liverpool F.C., framing its tale of perseverance with the simple good feeling of an underdog defeating a rival. Mason could never understand Waters’ insistence on this strange coda, especially given that the bassist was a devoted Arsenal supporter. Maybe his affinity was for the familial sentiment of the song itself, a Rodgers and Hammerstein show tune adopted by Liverpool fans after a local group turned it into a pop hit, rather than its sporting context. “Walk on with hope in your heart,” fans can be heard singing as “Fearless” fades out, “and you’ll never walk alone.” Following these early experiments– called Nothings– the band developed Son of Nothings, which was followed by Return of the Son of Nothings as the working title of the new album, which ultimately evolved into "Echoes". [6]

Meddle (Booklet). Pink Floyd. Capitol Records (CDP 0777 7 46034 2 3). 1994. {{ cite AV media notes}}: CS1 maint: others in cite AV media (notes) ( link)