The big earcups and wider soundstage also leads to a more "distant" sound. Vocals didnt seem so close and intimate. In general, this is the sound of the 840, perhaps it differs in some way, but there is definitely no way to compare.

Bass is measured and punchy. It’s far more reserved than the consumer standard, which may take a while to bed into if you’re accustomed to the mainstream tuning of, say, a Sony or Bose pair. However, depth is solid. Sub-bass isn’t particularly strong, with the real action starting around 55Hz. Shure’s ultra-wide 5-25000Hz frequency coverage claim was always going to turn out optimistic, given it goes well beyond the upper and lower bounds of human hearing. ALL IMPLIED WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE ARE HEREBY DISCLAIMED TO THE EXTENT PERMITTED UNDER APPLICABLE LAWS AND, TO THE EXTENT NOT PERMITTED, ARE HEREBY LIMITED TO THE DURATION AND TERMS OF THIS WARRANTY. SHURE ALSO HEREBY DISCLAIMS ALL LIABILITY FOR INCIDENTAL, SPECIAL, OR CONSEQUENTIAL DAMAGES.But are they as comfortable? The Shure SRH840A have large oval-shaped pads that offer enough room to fit my moderately sized ears without any pinching. I’ve worn these headphones for up to six hours at a time without any obvious fatigue.

New drivers and new acoustic characteristics. The design is more strict and modern. The headband is reinforced with metal (increased strength). A straight cable is included (a twisted cable is available optionally). It is possible to connect a cable with a headset (available optionally). My only real design/hardware complaint is that they come with only one long 3m cable. I’d happily use the Shure SRH840A as general-use headphones, but they’re not made for that job. The Shure SRH840A are home studio-grade “professional” monitoring headphones. They’re the follow-up to the minor classic SRH840, which I reviewed a decade ago. Alongside the cable, you get a 6.3mm adapter and a no-frills shiny synthetic leather carry case in the box. The old SRH840 even included a spare set of pads, but you don’t get those this time. Shure has released some updates to their classic studio staples, the SRH440 and SRH840. The new models have an "A" at the end.

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The overall feel of the headset is one of corner cutting compared with last gen, plastics feel and look cheaper and they dont look like they will last nearly as long as my old ones have. The earpieces rotate and the hinges seem flimsy and would probably break if they fell onto anything other that carpeted floor. The cable isnt as premium as the old coiled one but is serviceable I suppose. Comfort is not as good as the last gen not terrible but still feels more clampy on the head but maybe more time to wear in will help with that. I bought these as an entry level studio headphones. I was hoping for Shure's legendary SM58 type of quality and here's what my impression is. In addition to the Shure SRH840A, an interchangeable cable, a 6.35 mm screw adapter and a carrying pouch are also included in the box. Compared to the SRH840, the SRH840A has a much more contemporary appearance. Even though the trim here is no longer silver-coloured but gold. The new colours reflect the quality that is continued in the headband. As with the previous model, the underside of the headband is made of fabric and the top of imitation leather. On the SRH840A, however, the imitation leather has gold-coloured stitching. In addition, all of the headphones’ visible screws are gold. Technology and values of the Shure SRH840A Some states do not allow limitations on how long an implied warranty lasts, or the exclusion or limitation of incidental or consequential damages, so the above limitation may not apply to you. This warranty gives you specific legal rights, and you may have other rights which vary from state to state. If you are thinking of upgrading from the SRH-840's of the last gen and think you will be getting the same quality feel and durability I would say probably dont unless you can get them for a reasonable price i.e <€100.