If the pedal is giving the correct signal and is functioning normally, but it seems to have an abnormally high level of noise, there are a number of potential causes for the issue. In the first place, examine the power supply. Using the incorrect power supply could result in noise and hum, in addition to causing harm to your pedal. The short cut-off actually does annoy me, even though I was prepared for it. It must have been a hardware limitation rather than a design decision. Eight seconds is fine 90% of the time, but maddening when you really do need the signal to continue for a little longer. They could have at least made it fade out slowly. This is the pedal's largest failure, I think. Another prevalent variety is white noise, which is described as having a hissing sound. The vast majority of pedals will produce some, but an excessive amount of white noise may result from faulty electronic components or the requirement for calibration.

Don't expect anything more than that. You might be able to coax a little more out of it by combining it with other effects, but those are the only two sounds you should expect out of the box.This was bought on a whim, having seen a review by Andy at ProGuitarShop, but I am so pleased I did!

Specialising in digital circuitry, hence their name, Digitech were among the first to pioneer this technology in the pedal market. With more than three decades of experience, Digitech have formed a respected and renowned reputation within the industry. History of Digitech Tom Morello of Rage Against the Machine is arguably the most famous user of the Whammy, bringing it to the attention of countless guitarists wanting to recreate his distinctive sound. Steve Vai is another high-profile user, integrating it into his setup to achieve equally unconventional sounds and expand his virtuosic style. Digitech es posiblemente, junto a EHX, una de las marcas que más variedad de pedales nos ofrecen a un precio bastante comedido.

Upstairs Piano Delivery

Another thing that bothers me is that the gain/onset needs to be set quite accurately. I was hoping I could just set and forget it at one favourite setting, but it needs tweaking quite a lot depending on what you're playing and what other effects are enabled. On stage, I'm not sure how I would go about changing the settings without having to test it in front of the audience before starting the song.