Marriott was born at Alpha Place, Yiewsley, Middlesex, on 14 September 1885, the son of George Matthew Marriott (1859–1940), who was then a commercial traveller, and his wife, Edith Rousby, née Coleman (1864–1946). His parents were actors, and his father became a theatrical manager. Moore Marriott made his stage debut at the age of five. He had originally intended to train as an architect, but instead he became an actor in films. [3] Rather like Wilfrid Brambell and Clive Dunn later, he became typecast as playing old men when he was still relatively young. He had a special set of artificial teeth which he would put in to play his 'old man' characters. He had no teeth in real life and took four different sets of false teeth with him to achieve variety in his characters. Top 100 Movie Lists – BFI's 360 Classic Feature Films". Archived from the original on 27 October 2009 . Retrieved 16 March 2007. {{ cite web}}: CS1 maint: unfit URL ( link) Hay plays Benjamin Stubbins an incompetent solicitor with no clients, plenty of debt and fond of a drink. His daughter lives in a stately home with wealthy in laws who pretend to her that her father is doing well. The Chief leaves after Harbottle makes up a story about a Headless Horseman when questioned about his old looks. Dudfoot states that they need to arrest a criminal soon or else their police station will be closed down and Harbottle takes him to the library to look for books on crime. On their way the coastguard stops them and tells them his brother a lighthouse keeper wants a light hung up on top of the police station as his grandmother is very ill and he agreed to the idea that if he could see the light on the Police Station tower he'd know his grandmother was still alive. (Harbottle misunderstands this, thinking that the grandmother is alone in the lighthouse, causing him to sob uncontrollably whenever the matter is mentioned.) Unknown to the cops, this is connected to the smugglers. The director Marcel Varnel considered the film as among his best work, [11] and it was described in 2006, by The Times in its obituary for writer Val Guest, as "a comic masterpiece of the British cinema". [12] Jimmy Perry, in his autobiography, wrote that the trio of Captain Mainwaring, Corporal Jones and Private Pike in Dad's Army was inspired by watching Oh, Mr Porter! [13] Legacy [ edit ]

a b "Jimmy Perry obituary: Creator of Dad's Army who used his own life experiences in much-loved sitcom". The Independent. London. 24 October 2016 . Retrieved 9 May 2017. Archive of Channel 4 Review (UK)". Archived from the original on 29 August 2005 . Retrieved 16 March 2007. {{ cite web}}: CS1 maint: unfit URL ( link) From 1934 to 1943, he was a prolific film star in Britain and was ranked the third highest grossing star at the British box office in 1938, behind George Formby and Gracie Fields. He is widely regarded as one of the most prolific and influential British comedians of all time. [6]Turnbotham Round has no crime, something that becomes common knowledge after a radio programme is broadcast from the village. Upon hearing this broadcast, the top brass at Scotland Yard send word that if there is no crime there, then why employ policemen to police the village? Realising that their good lives are about to come to an end, inept coppers Dudfoot (Will Hay), Brown (Graham Moffatt) and Harbottle (Moore Marriott) set about making some arrests. What they hadn't bargained for was the uncovering of a smuggling ring and the unleashing of the phantom headless horseman. Hay worked with Gainsborough Pictures from 1935 to 1940, during which time he developed a partnership with Graham Moffatt, playing an insolent overweight schoolboy, and Moore Marriott as a toothless old man. Hay's 1937 film, with Moffatt and Marriott, Oh, Mr. Porter! was credited by The Times as being "a comic masterpiece of the British cinema", [9] while the writer Jimmy Perry cited the film as an influence on key character development for Dad's Army. [10] Comedians who have cited Hay as an influence include Ken Dodd, [43] Eric Morecambe, Tommy Cooper, Harry Worth, [22] Harry Enfield, Jimmy Perry and David Croft. [10] Ronnie Barker also cited Hay as an influence, and in 1976 hosted a documentary on BBC Radio that discussed Hay's life and career. [6] Legacy [ edit ] The Will Hay Appreciation Society's 'Buggleskelly' memorial bench to Will Hay and his co-stars, unveiled on Sunday 14 October 2018 in Cliddesden, Hampshire, the filming location for 'Oh, Mr. Porter!' Greene, Graham (23 August 1935). "Where's George?/The Great God Gold/Boys Will Be Boys/The Murder Man". The Spectator. (reprinted in: John Russel, Taylor, ed. (1980). The Pleasure Dome. Oxford University Press. p. 16. ISBN 0192812866. ) Will Hay's new direction: My Learned Friend". The British Film Institute. 1 June 2015 . Retrieved 11 May 2017.

In 1946 while on holiday, Hay suffered a stroke which left the right side of his body crippled and also affected his speech. He was told by his doctors that he would in all likelihood only make a partial recovery. [5] Following his stroke, he spent time in South Africa on the advice of his doctors, because of the climate. [6] His health had improved slightly by the following year, when he had plans to become a film producer but, in 1947, his friend Marcel Varnel, who had directed many of Hay's films, died in a car accident, and Hay postponed his plans. [5] Death [ edit ] Hay decided to become an actor when he was 21 after watching W. C. Fields perform a juggling act in Manchester. In the early years of the twentieth century Hay experienced some moderate success as a stand-up comedian and an after-dinner speaker. [5] Hay's first professional job came when he was offered a contract to perform at a theatre in Belper. [5] In 1914 Hay began working with the impresario Fred Karno who had previously helped Stan Laurel and Charlie Chaplin achieve success. He worked with Karno for four years. [5] He first performed his schoolmaster character in 1910 which he based upon a colleague of his sister, who was a teaching mistress. [4] The characterisation was initially performed in drag as a schoolmistress, but he transferred the character to a headmaster. [6] Hay's work at Gainsborough was his most successful, and source of his reputation as a great comic actor. During this period he became one of the most prolific film stars in Britain. On three occasions, British film exhibitors voted him among the top ten box office stars in an annual poll run by the Motion Picture Herald. He was ranked 8th in 1936, 4th in 1937 and 3rd in 1938. [13]In 2009 a biography of Hay by Graham Rinaldi was published with a foreword by Ken Dodd. Hay never published an autobiography during his lifetime; however, when ill in the 1940s, he had begun writing one, entitled I Enjoyed Every Minute. Excerpts from this unpublished autobiography were included in the 2009 book. [43] His first film for the studio was Boys Will Be Boys, whose screenplay was written by Hay himself. The movie's satire on the public school system was loosely based on the Narkover vein of humour in the work of Daily Express columnist, Beachcomber. Hay's film was widely seen as subversive towards authority, and it was granted an 'A' (adult) certificate by the British Board of Film Classification. [11] Boys Will Be Boys is widely regarded as Hay's break-out film. Writing for The Spectator, Graham Greene described the film as "very amusing", and Hay's portrayal of Dr. Smart as "competent", though Green thought Claude Dampier's portrayal of Second Master Finch (Hay's adversary) was the film's "finest performance". [14] Many years later, the Radio Times Guide to Films gave Boys Will Be Boys three stars out of five, observing that the film contains "the blend of bluster and dishonesty that makes his films irresistible". [15]

I founded the Will Hay Appreciation Society in 2009 when writing my university dissertation about Hay and his films. The humour of Hay's films has been described as subversive and similar to that of fellow English comedian Frank Randle. His films are often characterised as exhibiting traits of anti-authoritarianism and having a satirical approach towards how authority figures are portrayed. This is notable with Hay himself, who often played an incompetent authority figure who struggled not to be found out, but whose idiocy was discovered by those around him. [11] PICTURES and PERSONALITIES". The Mercury. Hobart, Tas. 10 April 1937. p.5 National Library of Australia . Retrieved 27 April 2012. The film was produced by Gainsborough Pictures, distributed by Metro-Goldwyn-Mayer and released on 28 August, 1939. Ask a Policeman is a 1939 British comedy film directed by Marcel Varnel and starring Will Hay, Moore Marriott and Graham Moffatt.Graham Victor Harold Moffatt (6 December 1919 – 2 July 1965) was an English comedic character actor. He is best known for a number of films where he appeared with Will Hay and Moore Marriott as 'Albert': a plump cheekily insolent street-savvy youth.

Hay published a magazine piece entitled Philosophy of Laughter, in which he discussed the psychology of comedy. In the essay he rhetorically asks, "Why does every one of us laugh at seeing somebody else slapped in the face with a large piece of cold custard pie? Is it because we're all naturally cruel? Or is it because there's something inherently funny in custard pies? Or in faces? Or in throwing things? No, no, and no! The real reason why we laugh is because we are relieved. Because we are released from a sense of fear. Wherever we may happen to be – in the cinema, theatre, or music-hall – we tend to identify with the actors we are watching. So that when a custard pie is thrown we fear for a moment that it has been thrown at us. And then, immediately we realise that it hasn't hit us, we experience a feeling of relief, and we laugh". [8] The society has since grown to over 8000 members (as of Sept 2023) and his work is now reaching new generations of fans. The society has hosted several annual 'Hay Day's with members attending from around the world, including Hay's family and the last actor to work with him, the late John Clark (Just William).During his time with Gainsborough Hay worked with Marcel Varnel, Val Guest, Charles Hawtrey, and Marriott Edgar, as well as Moore Marriott and Graham Moffatt, who were Hay's straight men in a number of his films. Moffatt played Albert, the overweight, insolent schoolboy reminiscent of Billy Bunter, while Marriott was the toothless old Harbottle. The trio appeared in six films together between 1936 and 1940, Windbag the Sailor, Oh, Mr. Porter!, Convict 99, Old Bones of the River, Ask a Policeman and Where's That Fire?. The Will Hay Appreciation Society' was founded in 2009 by British artist Tom Marshall and aims to preserve Hay's legacy and bring his work to a new generation of fans. As of October 2023, the organisation has over 8000 members. [44] The Will Hay Appreciation Society unveiled a memorial bench to Will Hay, Moore Marriott and Graham Moffatt in October 2018, in Cliddesden, Hampshire, the filming location for 'Buggleskelly' in Oh, Mr. Porter!. The bench was unveiled by Pete Waterman. [45] a b c d e f g h i j k "Will Hay – Master of Comedy". YouTube. BBC Radio 4. 2 June 1976 . Retrieved 10 May 2017. Hay, W.T. (1933). "The spot on Saturn". Monthly Notices of the Royal Astronomical Society. 94: 85. Bibcode: 1933MNRAS..94...85H. doi: 10.1093/mnras/94.1.85 . Retrieved 11 May 2017. Moffatt's life story was made into a short film by The Will Hay Appreciation Society which features interviews from his three children, Richard, Chris and Jayne. The film is called Graham Moffatt: Britain's Favourite Fat Boy. [1]