Cocaine Bear [Blu-ray]

£14.62
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Cocaine Bear [Blu-ray]

Cocaine Bear [Blu-ray]

RRP: £29.24
Price: £14.62
£14.62 FREE Shipping

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Description

Turn off your mind, relax, and let the absurdity reign with this gory dark comedy, which looks and sounds great on Blu-ray. The story, then, is practically nonexistent, and that's what the film wants: any semblance of forward narrative motion is due only to the progression

it to play to its strengths. At about 90 minutes sans credits, it's very brisk, too, so love or hate what it does, there is no mistaking that the film isUnBEARable Bloodbath: Dissecting the Kills - From rigging to special effects makeup, to some of the actors doing their own stunts, we'll get a bears-eye view into some of COCAINE BEAR's hilarious and gory kill scenes. bright sunlit areas and shadows is very well pronounced, and the characteristics of each are seamless and share the screen with excellent contrast Records the default button state of the corresponding category & the status of CCPA. It works only in coordination with the primary cookie.

When a frenzied drug smuggler dumps his cocaine cargo over the beautifully idyllic Chattahoochee–Oconee National Forest, the white power is There are brief featurettes and a “making-of” in addition to an alternate ending and over four-minutes of deleted and extended scenes that continue the insanity. The audio commentary with director Elizabeth Banks and producer Max Handelman is the key inclusion. The 2160p resolution allows for a more finely clear and precise picture. There is no mistaking the natural glossy sheen to the image. It looks very Unbearable Bloodbath (HD, 8 Mins.) - A longer look at some of the more gruesome sequences and how they were made, which was a lot of fun.

Directed by Elizabeth Banks (Charlie's Angels, Pitch Perfect 2) from a screenplay by Jimmy Warden (The Babysitter: Killer Queen), Cocaine Bear is produced by Oscar® winners Phil Lord and Christopher Miller (Spider-Man: Into The Spider-Verse, The Mitchells vs. The Machines) for Lord Miller, Elizabeth Banks (Pitch Perfect franchise) and Max Handelman (Pitch Perfect franchise) for Brownstone Productions, Brian Duffield (Spontaneous) for Jurassic Party Productions and Aditya Sood (The Martian) for Lord Miller. The film is executive produced by Robin Mulcahy Fisichella, Alison Small and Nikki Baida.

UnBEARable Bloodbath: Dissecting the Kills – From rigging to special effects makeup, to some of the actors doing their own stunts, we’ll get a bears-eye view into some of COCAINE BEAR‘s hilarious and gory kill scenes. the original issue and considering just how good the Blu-ray is, a recommendation for a repeat buy is difficult right out of the gate. First time buyers Well, unfortunately, that’s not what we get with Cocaine Bear. Sure, the film gleefully fulfills its basic expectations with cleverly-executed moments of over-the-top death and carnage perpetrated against a cast of Darwin Award winning rubes. And yes, Elizabeth Banks – who directs – shows a deft hand with her many set pieces.

Cocaine Bear: Other Editions

Cocaine Bear comes with an English DTS-HD Master Audio 7.1 mix that is downmixed to 5.1 on my configuration. This mix has deep, resounding low end, and wide panning across the front. The dynamics are excellent, and dialogue is clear over the fray of audio effects. The Supplements Eric Clapton should create a sequel song to his adaptation of the 1976 hit song by J.J. Cale, Cocaine, with new lyrics about bears doing cocaine. He should call it Cocaine Bear and base it on the absurd, funny hit film of the same name. Cocaine Bear truly lives up to its title about a bear that does an obscene amount of that Snow White dust but fails to really hold a story or forward any character. It simply exists to entertain and that's just fine. drugs and unwittingly indulged itself. It is also not hard to believe that the movie that has been made around the story is a far-flung reworking of definitely more of a fine tuning than it is a complete overhaul, no surprise considering that the Blu-ray was awarded a perfect core for its 1080p knows its audience, and maintaining focus on what the audience wants, rather than pretentiously try to build something more into the film,



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